Michael Slowik
Biographic Data
| ID | 4515085 |
|---|---|
| NAME | Michael Slowik |
| GIVEN NAMES | Michael |
| FAMILY NAME | Slowik |
| SIGNATURE | SLOWIK M |
| AFFILIATIONS | San Diego State University |
| ORCID | 0000-0003-0318-3204 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2015 |
| H-INDEX | 1 |
After the Silents
A Wide Array of Choices: Musical Influences in the 1920s2. Music in Early Synchronized and Part-Talking Films, 1926-19293. Toward a Sparse Music Style: Music in the 100 Percent Talkie, 1928-19314. Interlude: The Hollywood Musical, 1929-19325. Music and Other Worlds: The Hollywood Film Score, 1931-19336. Reassessing King Kong or, The Hollywood Film Score, 1933-1934ConclusionAppendix: Chronological Filmography, 1926-1934NotesBibliographyIndex
After the Silents
Throwing the Voice
This essay analyzes six ventriloquist films—films that feature a ventriloquist character. Although ventriloquist films span many decades and genres, they consistently engage in rationalist mystification—the process of laying bare the techniques of ventriloquism while simultaneously remystifying the feat by exaggerating the abilities of ventriloquists. Ventriloquist films' consistent rationalist mystification approach reveals cinema's continued co…
Experiments in Early Sound Film Music
Research Article| December 01 2013 Experiments in Early Sound Film Music: Strategies and Rerecording, 1928-1930 Michael Slowik Michael Slowik Search for other works by this author on: This Site Google American Music (2013) 31 (4): 450–474. https://doi.org/10.5406/americanmusic.31.4.0450 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Michael Slowik; Experiments in Early Sound Film Music: Strategie…
Capturing the American Past
After the Silents
A Wide Array of Choices: Musical Influences in the 1920s2. Music in Early Synchronized and Part-Talking Films, 1926-19293. Toward a Sparse Music Style: Music in the 100 Percent Talkie, 1928-19314. Interlude: The Hollywood Musical, 1929-19325. Music and Other Worlds: The Hollywood Film Score, 1931-19336. Reassessing King Kong or, The Hollywood Film Score, 1933-1934ConclusionAppendix: Chronological Filmography, 1926-1934NotesBibliographyIndex
Capturing the American Past
Experiments in Early Sound Film Music
Research Article| December 01 2013 Experiments in Early Sound Film Music: Strategies and Rerecording, 1928-1930 Michael Slowik Michael Slowik Search for other works by this author on: This Site Google American Music (2013) 31 (4): 450–474. https://doi.org/10.5406/americanmusic.31.4.0450 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Michael Slowik; Experiments in Early Sound Film Music: Strategie…
After the Silents
Throwing the Voice
This essay analyzes six ventriloquist films—films that feature a ventriloquist character. Although ventriloquist films span many decades and genres, they consistently engage in rationalist mystification—the process of laying bare the techniques of ventriloquism while simultaneously remystifying the feat by exaggerating the abilities of ventriloquists. Ventriloquist films' consistent rationalist mystification approach reveals cinema's continued co…
After the Silents
A Wide Array of Choices: Musical Influences in the 1920s2. Music in Early Synchronized and Part-Talking Films, 1926-19293. Toward a Sparse Music Style: Music in the 100 Percent Talkie, 1928-19314. Interlude: The Hollywood Musical, 1929-19325. Music and Other Worlds: The Hollywood Film Score, 1931-19336. Reassessing King Kong or, The Hollywood Film Score, 1933-1934ConclusionAppendix: Chronological Filmography, 1926-1934NotesBibliographyIndex
Art (4 works) · Acoustics (3 works) · Cinema and Media Studies (3 works) · History (3 works) · Literature (3 works) · Art history (2 works) · History (2 works) · Music History and Culture (2 works) · Physics (2 works) · Sound (geography (2 works)