Theresa Leininger–miller
Biographic Data
| ID | 4515149 |
|---|---|
| NAME | Theresa Leininger–miller |
| GIVEN NAMES | Theresa |
| FAMILY NAME | Leininger–miller |
| SIGNATURE | MILLER T L |
| AFFILIATIONS | University of Cincinnati |
| VERIFIED | No |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 6 |
| AUTHOR COUNT | 10 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2003 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 2 |
Picturing Black History
Journal Article Picturing Black History Get access Picturing Black History, https://picturingblackhistory.org/. A collaboration of Getty Images and Origins: Current Events in Historical Perspective. Reviewed Jan. 29, 2023. Theresa Leininger-Miller Theresa Leininger-Miller University of Cincinnati, Cincinnati, Ohio Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 110, Issue 1, June 2023, …
To Make Their Own Way in the World
Despite the inexplicable title, To Make Their Own Way in the World is a weighty examination of fifteen extraordinary daguerreotypes of men and women of African descent who were enslaved in South Carolina. Joseph T. Zealy photographed Alfred, Delia, Drana, Fassena, Jack, Jem, and Renty, stripped naked, for the Harvard College professor Louis Agassiz in 1850, to support Agassiz's racist theory of polygenesis. Since their rediscovery in 1976, the ha…
"Theresa Leininger-Miller. Review of "Designing a New Tradition
Committed to Memory
Cheryl Finley's brilliant book is a chronological and international visual genealogy of the slave ship icon from its inception as a schematic engraving by the Plymouth Committee of the Society for Effecting the Abolition of the Slave Trade in England, Plan of an African Ship's Lower Deck with Negroes in the Proportion of Only One to a Ton (1788) to the work of contemporary black artists and their allies who “interrogate, redeploy, and imagine” it…
The Exile's Song
French-speaking Edmond Dédé (1827–1901) was an African American violin prodigy, composer, and conductor who migrated to France in 1855. His great-grandfather, a free black man in Spanish Louisiana, had purchased his wife in 1785. Conspicuous with his dark skin, especially in southwest France, Dédé nevertheless was often invisible during his life and in this study. Sally McKee's brief introductory chapter, “Lost,” concerns the 1893 shipwreck of th…
The Black Chicago Renaissance
Fourteen years in the making, The Black Chicago Renaissance is an informative, albeit limited, anthology of ten essays that analyzes the city's African American cultural fluorescence from the early 1930s to the early 1950s. The editors, the historian Darlene Clark Hine and the novelist John McCluskey Jr., argue that the movement picked up where the Harlem Renaissance left off, with its own outpouring of social science and visual, musical, and lit…
Harlem Renaissance
Prophet, Nancy Elizabeth
Savage, Augusta
New Negro Artists in Paris
This work analyzes the experiences and works of six African American artists who lived and worked in Paris during the Jazz Age: sculptors Elizabeth Prophet and Augusta Savage, and painters Palmer Hayden, Hale Woodruff, Archibald J. Motley, Jr. and Albert Alexander Smith. These artists exhibited the works they created in Paris at prestigious salons in France and in the United States, winning fellowships, grants, and awards. Theresa Leininger-Mille…
To Make Their Own Way in the World
Despite the inexplicable title, To Make Their Own Way in the World is a weighty examination of fifteen extraordinary daguerreotypes of men and women of African descent who were enslaved in South Carolina. Joseph T. Zealy photographed Alfred, Delia, Drana, Fassena, Jack, Jem, and Renty, stripped naked, for the Harvard College professor Louis Agassiz in 1850, to support Agassiz's racist theory of polygenesis. Since their rediscovery in 1976, the ha…
The Black Chicago Renaissance
Fourteen years in the making, The Black Chicago Renaissance is an informative, albeit limited, anthology of ten essays that analyzes the city's African American cultural fluorescence from the early 1930s to the early 1950s. The editors, the historian Darlene Clark Hine and the novelist John McCluskey Jr., argue that the movement picked up where the Harlem Renaissance left off, with its own outpouring of social science and visual, musical, and lit…
Committed to Memory
Cheryl Finley's brilliant book is a chronological and international visual genealogy of the slave ship icon from its inception as a schematic engraving by the Plymouth Committee of the Society for Effecting the Abolition of the Slave Trade in England, Plan of an African Ship's Lower Deck with Negroes in the Proportion of Only One to a Ton (1788) to the work of contemporary black artists and their allies who “interrogate, redeploy, and imagine” it…
Savage, Augusta
New Negro Artists in Paris
This work analyzes the experiences and works of six African American artists who lived and worked in Paris during the Jazz Age: sculptors Elizabeth Prophet and Augusta Savage, and painters Palmer Hayden, Hale Woodruff, Archibald J. Motley, Jr. and Albert Alexander Smith. These artists exhibited the works they created in Paris at prestigious salons in France and in the United States, winning fellowships, grants, and awards. Theresa Leininger-Mille…
Prophet, Nancy Elizabeth
Harlem Renaissance
The Black Chicago Renaissance
Fourteen years in the making, The Black Chicago Renaissance is an informative, albeit limited, anthology of ten essays that analyzes the city's African American cultural fluorescence from the early 1930s to the early 1950s. The editors, the historian Darlene Clark Hine and the novelist John McCluskey Jr., argue that the movement picked up where the Harlem Renaissance left off, with its own outpouring of social science and visual, musical, and lit…
The Exile's Song
French-speaking Edmond Dédé (1827–1901) was an African American violin prodigy, composer, and conductor who migrated to France in 1855. His great-grandfather, a free black man in Spanish Louisiana, had purchased his wife in 1785. Conspicuous with his dark skin, especially in southwest France, Dédé nevertheless was often invisible during his life and in this study. Sally McKee's brief introductory chapter, “Lost,” concerns the 1893 shipwreck of th…
Committed to Memory
Cheryl Finley's brilliant book is a chronological and international visual genealogy of the slave ship icon from its inception as a schematic engraving by the Plymouth Committee of the Society for Effecting the Abolition of the Slave Trade in England, Plan of an African Ship's Lower Deck with Negroes in the Proportion of Only One to a Ton (1788) to the work of contemporary black artists and their allies who “interrogate, redeploy, and imagine” it…
"Theresa Leininger-Miller. Review of "Designing a New Tradition
To Make Their Own Way in the World
Despite the inexplicable title, To Make Their Own Way in the World is a weighty examination of fifteen extraordinary daguerreotypes of men and women of African descent who were enslaved in South Carolina. Joseph T. Zealy photographed Alfred, Delia, Drana, Fassena, Jack, Jem, and Renty, stripped naked, for the Harvard College professor Louis Agassiz in 1850, to support Agassiz's racist theory of polygenesis. Since their rediscovery in 1976, the ha…
Picturing Black History
Journal Article Picturing Black History Get access Picturing Black History, https://picturingblackhistory.org/. A collaboration of Getty Images and Origins: Current Events in Historical Perspective. Reviewed Jan. 29, 2023. Theresa Leininger-Miller Theresa Leininger-Miller University of Cincinnati, Cincinnati, Ohio Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 110, Issue 1, June 2023, …
Art (9 works) · Art history (9 works) · History (6 works) · History (5 works) · Race, History, and American Society (4 works) · Visual arts (4 works) · Classics (2 works) · Classics (2 works) · Global Maritime and Colonial Histories (2 works) · Harlem Renaissance (2 works)