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Lilia Nemchenko

Biographic Data

ID4518233
NAMELilia Nemchenko
GIVEN NAMESLilia
FAMILY NAMENemchenko
SIGNATURENEMCHENKO L
AFFILIATIONSUral Federal University
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS1
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2017
LATEST PUBLICATION YEAR2021
H-INDEX1
  • The Films of Aleksey Fedorchenko

    Open Access•Lilia Nemchenko, Liliya Nemchenko•ARTICLE•Quaestio Rossica•2021

    This article studies the films of Alexey Fedorchenko in order to discover the dominant features of his artistic world. This is based on the guiding principles of documentary filmmaking, with its commitment to fact, the reliability of archival sources, trust in physical reality, and addressing the laws of the art of presentation, where a free play with reality becomes a dominant feature in its most diverse forms from documentation to mystification…

  • Theatrical Dialogue in the Digital Age

    Open Access•Lilia M Nemchenko, Lilia Nemchenko•ARTICLE•Changing Societies and…•2020

    Thanks to its inherent nature, theatre has been better able than other artforms to resist the challenges presented by information and digital culture, which are based on the principle of reproduction. Since a theatrical text is created anew each time, an audience can enter into a real-time dialogue with a concrete group of players recreating an authorial concept. This is true even when, as in director’s theatre, a director’s interpretation is per…

  • "The Concept of Sincerity in "New Drama

    Open Access•Lilia Nemchenko, Lilia M Nemchenko•ARTICLE•Journal of Siberian Federal…•2017•Cited by: 1•References: 1

    The article deals with the analysis of “new drama”. A large number of various texts by young playwrights, conventionally united into the so-called “new drama” movement, are distinctive with \na specific semantic and pragmatic mindset, intonations, and such fictional consciousness property \nas sincerity. Sincerity is considered along with such close terms as confession, simplicity, truthfulness, and naïveté. As a concept of the “new drama”, since…

  • "The Concept of Sincerity in "New Drama

    Open Access•Lilia Nemchenko, Lilia M Nemchenko•ARTICLE•Journal of Siberian Federal…•2017•Cited by: 1•References: 1

    The article deals with the analysis of “new drama”. A large number of various texts by young playwrights, conventionally united into the so-called “new drama” movement, are distinctive with \na specific semantic and pragmatic mindset, intonations, and such fictional consciousness property \nas sincerity. Sincerity is considered along with such close terms as confession, simplicity, truthfulness, and naïveté. As a concept of the “new drama”, since…

  • "The Concept of Sincerity in "New Drama

    Open Access•Lilia Nemchenko, Lilia M Nemchenko•ARTICLE•Journal of Siberian Federal…•2017•Cited by: 1•References: 1

    The article deals with the analysis of “new drama”. A large number of various texts by young playwrights, conventionally united into the so-called “new drama” movement, are distinctive with \na specific semantic and pragmatic mindset, intonations, and such fictional consciousness property \nas sincerity. Sincerity is considered along with such close terms as confession, simplicity, truthfulness, and naïveté. As a concept of the “new drama”, since…

  • Theatrical Dialogue in the Digital Age

    Open Access•Lilia M Nemchenko, Lilia Nemchenko•ARTICLE•Changing Societies and…•2020

    Thanks to its inherent nature, theatre has been better able than other artforms to resist the challenges presented by information and digital culture, which are based on the principle of reproduction. Since a theatrical text is created anew each time, an audience can enter into a real-time dialogue with a concrete group of players recreating an authorial concept. This is true even when, as in director’s theatre, a director’s interpretation is per…

  • The Films of Aleksey Fedorchenko

    Open Access•Lilia Nemchenko, Liliya Nemchenko•ARTICLE•Quaestio Rossica•2021

    This article studies the films of Alexey Fedorchenko in order to discover the dominant features of his artistic world. This is based on the guiding principles of documentary filmmaking, with its commitment to fact, the reliability of archival sources, trust in physical reality, and addressing the laws of the art of presentation, where a free play with reality becomes a dominant feature in its most diverse forms from documentation to mystification…

Art (3 works) · Aesthetics (2 works) · Computer Science (2 works) · Drama (2 works) · Philosophy (2 works) · Scientific Research and Philosophical Inquiry (2 works) · Security, Politics, and Digital Transformation (2 works) · Visual arts (2 works) · Asian Culture and Media Studies (1 work) · Consciousness (1 work)

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