Ольга Наумовна Турышева
Biographic Data
| ID | 4518340 |
|---|---|
| NAME | Ольга Наумовна Турышева |
| GIVEN NAMES | Ольга Наумовна |
| FAMILY NAME | Турышева |
| SIGNATURE | ТУРЫШЕВА О Н |
| AFFILIATIONS | Ural Federal University |
| ORCID | 0000-0002-3014-6153 |
| VERIFIED | Yes |
| TOTAL WORKS | 12 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 12 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Wings of Gregor Samsa
This article is dedicated to the reception of Franz Kafka’s novella “The Metamorphosis” within Russian intellectual discourse. The aim of this article is to analyze various interpretative perspectives regarding the presence of wings in the transformed Gregor Samsa. The analysis juxtaposes different readings of the novella, highlighting the perspectives of Russian translator G. Notkin, critic V. Belonozhko, and Russian-speaking playwright Z. Sagal…
Concealed Tricksterism as a Modus Operandi in C. Lévi-Strauss’s Idea of the Myth of Oedipus
This article examines the contradictions in the analysis of the Oedipus myth in C. Lévi-Strauss’s The Structural Study of Myth. The author provides a new explanation for the biased choice of arguments to prove that the myth of Oedipus is a logical tool for solving the question of the origin of man. Traditionally, criticism of Lévi-Strauss’s analysis of the structure of myth has attributed its subjectivism to the shortcomings of the structuralist …
The Concept of Music from Kafka’s The Metamorphosis
This article examines the problem of preserving the meaning of the translation of fiction texts. The author refers to the translation into Russian of “War er ein Tier, da ihn Musik so ergriff?”, a phrase from Kafka’s The Metamorphosis. It is argued that in the only translation of the novella into Russian by S. K. Apt, there is an inaccuracy in the translation of this phrase, which distorts the semantics of the source. The article reveals the grou…
The Demise of the Dyatlov Group in Literary Mythology and Art
This article reviews the artistic adaptation of the tragedy which took place in the North Ural Mountains in 1959 involving the demise of Igor Dyatlov’s group of hikers. The author refers to eight works of art, including novels, stories, TV shows, and films, released between 1966 and 2020. This study is relevant as it reflects the need to analyse the reaction of art to a landmark event. No earlier attempts to analyse the works of art in question h…
The Character Confronting the Autor
The article examines a specific metaliterary motif of the confrontation between ‘the author’ and the character. In this motif, both ‘the author’ and the character are portrayed as characters of the plot of the fictional world. The article analyses the emergence of the motif in modernist literature which subverts the realist poetics of the author’s omniscience. The author of the article employs the term ruman to refer to the novel genre where the …
Plot of Transition in Novel by F. Kafka “Metamorphosis”
The article puts forward the hypothesis that in the novel by F. Kafka “Metamorphosis” a mythological plot of the transition is realized. The author interprets this type of plot as an event when a hero crosses the border between life and death. The mythocritical and immanent methodology is used. It is concluded that in the Kafka’s novel the plot of the transition is reproduced in a reduced version. The significance of this reduction is proved: its…
Dostoevsky, Siberia, and the Russian Person in Donna Tartt’s Novel The Goldfinch
This article considers the Russian motifs present in the narrative of The Goldfinch (2014), a novel by the American author Donna Tartt. These include the depiction of the main character’s Russian friend, allusions to the creative work of Dostoevsky, the interpretation of his novel The Idiot made by the characters, and a detail testifying to the Siberian descent of the second main character. The author makes an attempt to analyse previously unstud…
The evolution of the Plot-Motive Complex in the Artistic Narrative of the Reader
Автор статьи благодарит
Archetype Grail In M. Yelizarov’s Novel “Librarian”
The article is devoted to identification of an archetypic basis of the novel of M. Yelizarov "Librarian". She contacts the medieval myth about Holy Grail. Numerous similarities between W. von Eschenbach's novel "Parzival" and the novel of the modern Russian writer are found. The conducted observations have helped to identify semantic functions of the ancient layer in the contemporary narrative. Comparing the books by D. Gromov (a Soviet writer) w…
With the Truth or with Christ? Lars von Trier’s Dialogue with Fyodor Dostoyevsky
The article considers the central film cycles of the contemporary Danish director and scriptwriter Lars von Trier (Golden Heart Trilogy, USA, Depression Trilogy). The author argues that the Danish artist’s creative work is to a significant extent influenced by F. M. Dostoyevsky’s works. While his early Golden Heart Trilogy is rooted in the philosophical ideas of the Russian writer when depicting a Christ-like man, starting with the USA trilogy, v…
Literature Abuse, or the Motive of the Guilt and Punishment of the Reader
The purpose of the present article is the analysis of a literature abusing reader image. The motive of \na reader guilty of literature abuse and the nature of its functioning are studied on the basis of some \nworks of modern literature. The author connects the specifics of the motive with the reflexive reaction \nof literature to “anarchical”, consumerist reading wide-spread in modern culture. The narrative forms \ndedicated to literature abuse …
Prose about the reader as the form of literature's self-reflection
Уральский государственный университет
No prominent works on this page.
Prose about the reader as the form of literature's self-reflection
Уральский государственный университет
With the Truth or with Christ? Lars von Trier’s Dialogue with Fyodor Dostoyevsky
The article considers the central film cycles of the contemporary Danish director and scriptwriter Lars von Trier (Golden Heart Trilogy, USA, Depression Trilogy). The author argues that the Danish artist’s creative work is to a significant extent influenced by F. M. Dostoyevsky’s works. While his early Golden Heart Trilogy is rooted in the philosophical ideas of the Russian writer when depicting a Christ-like man, starting with the USA trilogy, v…
Literature Abuse, or the Motive of the Guilt and Punishment of the Reader
The purpose of the present article is the analysis of a literature abusing reader image. The motive of \na reader guilty of literature abuse and the nature of its functioning are studied on the basis of some \nworks of modern literature. The author connects the specifics of the motive with the reflexive reaction \nof literature to “anarchical”, consumerist reading wide-spread in modern culture. The narrative forms \ndedicated to literature abuse …
The evolution of the Plot-Motive Complex in the Artistic Narrative of the Reader
Автор статьи благодарит
Archetype Grail In M. Yelizarov’s Novel “Librarian”
The article is devoted to identification of an archetypic basis of the novel of M. Yelizarov "Librarian". She contacts the medieval myth about Holy Grail. Numerous similarities between W. von Eschenbach's novel "Parzival" and the novel of the modern Russian writer are found. The conducted observations have helped to identify semantic functions of the ancient layer in the contemporary narrative. Comparing the books by D. Gromov (a Soviet writer) w…
Plot of Transition in Novel by F. Kafka “Metamorphosis”
The article puts forward the hypothesis that in the novel by F. Kafka “Metamorphosis” a mythological plot of the transition is realized. The author interprets this type of plot as an event when a hero crosses the border between life and death. The mythocritical and immanent methodology is used. It is concluded that in the Kafka’s novel the plot of the transition is reproduced in a reduced version. The significance of this reduction is proved: its…
Dostoevsky, Siberia, and the Russian Person in Donna Tartt’s Novel The Goldfinch
This article considers the Russian motifs present in the narrative of The Goldfinch (2014), a novel by the American author Donna Tartt. These include the depiction of the main character’s Russian friend, allusions to the creative work of Dostoevsky, the interpretation of his novel The Idiot made by the characters, and a detail testifying to the Siberian descent of the second main character. The author makes an attempt to analyse previously unstud…
The Character Confronting the Autor
The article examines a specific metaliterary motif of the confrontation between ‘the author’ and the character. In this motif, both ‘the author’ and the character are portrayed as characters of the plot of the fictional world. The article analyses the emergence of the motif in modernist literature which subverts the realist poetics of the author’s omniscience. The author of the article employs the term ruman to refer to the novel genre where the …
The Demise of the Dyatlov Group in Literary Mythology and Art
This article reviews the artistic adaptation of the tragedy which took place in the North Ural Mountains in 1959 involving the demise of Igor Dyatlov’s group of hikers. The author refers to eight works of art, including novels, stories, TV shows, and films, released between 1966 and 2020. This study is relevant as it reflects the need to analyse the reaction of art to a landmark event. No earlier attempts to analyse the works of art in question h…
The Concept of Music from Kafka’s The Metamorphosis
This article examines the problem of preserving the meaning of the translation of fiction texts. The author refers to the translation into Russian of “War er ein Tier, da ihn Musik so ergriff?”, a phrase from Kafka’s The Metamorphosis. It is argued that in the only translation of the novella into Russian by S. K. Apt, there is an inaccuracy in the translation of this phrase, which distorts the semantics of the source. The article reveals the grou…
Wings of Gregor Samsa
This article is dedicated to the reception of Franz Kafka’s novella “The Metamorphosis” within Russian intellectual discourse. The aim of this article is to analyze various interpretative perspectives regarding the presence of wings in the transformed Gregor Samsa. The analysis juxtaposes different readings of the novella, highlighting the perspectives of Russian translator G. Notkin, critic V. Belonozhko, and Russian-speaking playwright Z. Sagal…
Concealed Tricksterism as a Modus Operandi in C. Lévi-Strauss’s Idea of the Myth of Oedipus
This article examines the contradictions in the analysis of the Oedipus myth in C. Lévi-Strauss’s The Structural Study of Myth. The author provides a new explanation for the biased choice of arguments to prove that the myth of Oedipus is a logical tool for solving the question of the origin of man. Traditionally, criticism of Lévi-Strauss’s analysis of the structure of myth has attributed its subjectivism to the shortcomings of the structuralist …
Art (10 works) · Literature (8 works) · Philosophy (8 works) · Discourse Analysis and Cultural Communication (7 works) · Aesthetics (5 works) · Epistemology (5 works) · History (5 works) · Linguistics (4 works) · Mythology (4 works) · Narrative (4 works)