Ewa Lajer–burcharth

Biographic Data

ID4520486
NAMEEwa Lajer–burcharth
GIVEN NAMESEwa
FAMILY NAMELajer–burcharth
SIGNATUREBURCHARTH E L
AFFILIATIONSHarvard University Press
VERIFIEDNo
TOTAL WORKS8
TOTAL CITATIONS4
AUTHOR COUNT8
EDITOR COUNT0
FIRST PUBLICATION YEAR1986
LATEST PUBLICATION YEAR2015
H-INDEX1

  • Drawing Time

    Ewa Lajer-Burcharth, Ewa Lajer–burcharthARTICLEOctober2015References: 4

    Four female heads-and a phantom of a profile lurking underneath its fully fleshed version in the lower right-emerge from the void of the page. The drawing, Five Studies of a Woman's Head, now in the British Museum, was produced in a single sitting with the model assuming different poses while the artist drew her. He, too, must have changed his position in order to cast a precipitously downward glance at his model's head, as the two radically fore…

  • Warhol's Subject? A Response to Douglas Crimp

    Ewa Lajer-Burcharth, Ewa Lajer–burcharthARTICLEOctober2010

    May 01 2010 Warhol's Subject? A Response to Douglas Crimp Ewa Lajer-Burcharth Ewa Lajer-Burcharth EWA LAJER-BURCHARTH is William Dorr Boardman Professor of Fine Arts at Harvard University. She is the author of Necklines: The Art of Jacques Louis David after the Terror (Yale, 1999), as well as many essays on eighteenth- and nineteenth-century art and on contemporary topics. Search for other works by this author on: This Site Google Scholar Author …

  • Fragonard in Detail

    Ewa Lajer-Burcharth, Ewa Lajer–burcharthARTICLEdifferences2003References: 4

    ewa lajer-burcharth is Professor in the Department of History of Art and Architecture at Harvard University. She is the author ofNecklines: The Art of Jacques-Louis David after the Terror (Yale University Press, 1999) and of numerous articles on French eighteenth- and nineteenth-century art and visual culture. She is currently completing a book on the self and the private sphere in eighteenth-century art and culture. The current essay is part of …

  • Pompadour's Touch: Difference in Representation

    Ewa Lajer-Burcharth, Ewa Lajer–burcharthARTICLERepresentations2001References: 8

    Research Article| February 01 2001 Pompadour's Touch: Difference in Representation Ewa Lajer-Burcharth Ewa Lajer-Burcharth Search for other works by this author on: This Site PubMed Google Scholar Representations (2001) 73 (1): 54–88. https://doi.org/10.1525/rep.2001.73.1.54 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon Tools Get Permissions Cite Icon Cit…

  • Antoni's Difference

    Ewa Lajer-Burcharth, Ewa Lajer–burcharthARTICLEdifferences1998Cited by: 1References: 8

    Research Article| July 01 1998 Antoni's Difference Ewa Lajer-Burcharth Ewa Lajer-Burcharth ewa lajer-burcharth is Harris K. Weston Associate Professor of the Humanities in the Department of History of Art and Architecture at Harvard University. She is the author of Necklines: Jacques-Louis David after the Terror (Yale University Press, 1999) and of numerous articles on French eighteenth- and nineteenth-century art and visual culture as well as co…

  • Real Bodies: Video in the 1990s

    Open AccessEwa Lajer–burcharthARTICLEArt History1997Cited by: 2

    This article discusses the recent work of three artists, Gary Hill, Mona Hatoum and Maureen Connor, to address the meaning of the aesthetic shift in video art of the 1990s and its implications for thinking about the body as a site of identification and identity. Engaging (and reformulating) the Lacanian notion of the Real, it explores the effects of the new kind of corpo‐reality proposed by these video installations on the ways in which we imagin…

  • David's Sabine Women: Body, Gender and Republican Culture Under the Directory

    Open AccessEwa Lajer–burcharth, Ewa Lajer‐BurcharthARTICLEArt History1991Cited by: 1

  • A Conversation with Krzysztof Wodiczko

    Douglas Crimp, Rosalyn Deutsche et al.ARTICLEOctober1986