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Brian A Krostenko

Biographic Data

ID4520838
NAMEBrian A Krostenko
GIVEN NAMESBrian A
FAMILY NAMEKrostenko
SIGNATUREKROSTENKO B A
AFFILIATIONSUniversity of Notre Dame
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS2
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2005
LATEST PUBLICATION YEAR2021
H-INDEX1
  • Pandering for the Greater Good? Senate, People, and Politics in Cicero’s de lege agraria 1 and 2

    Brian Krostenko, Brian A Krostenko•ARTICLE•Polis The Journal for Ancient…•2021

    Cicero’s first speeches as consul, de lege agraria I and II, delivered to the senate and the people respectively, are virtually identical in outline and broad argument. That allows the rhetorical technique of individual sections to be compared closely. This article uses such comparisons to probe the tactics and ideology of the speeches. In both Cicero’s choice of word and phrase might suggest that he is simply addressing his audiences as suits th…

  • The Poetics of Naevius' ‘Epitaph’ and the History of Latin Poetry

    Open Access•Brian A Krostenko•ARTICLE•The Journal of Roman Studies•2013•Cited by: 2•References: 7

    An analysis of the formal features of the ‘epitaph’ of the poet Naevius reveals the handiwork of a later author who admired the older style of poetry represented by Naevius and used the allusive features of that style to reflect on the changing character of Latin poetics and its relationship to Hellenism. The very poetics of the epigram reveal a thoughtful attempt to admit Hellenic affect without sacrificing Roman sensibilities. Especially import…

  • Catullus and Elite Republican Social Discourse

    Brian A Krostenko•OTHER•A Companion to Catullus•2007

    This chapter contains section titled: Some Catullan Keywords Catullus' Keywords and Political Aestheticism A New Erotics A New Social Order A New Poetics A Total Ethos The Difficulties of Reading Catullus (1) The Difficulties of Reading Catullus (2) Conclusion

  • Style and Ideology in the Pro Marcello

    Brian A Krostenko•CHAPTER•Roman Crossings•2005

  • The Poetics of Naevius' ‘Epitaph’ and the History of Latin Poetry

    Open Access•Brian A Krostenko•ARTICLE•The Journal of Roman Studies•2013•Cited by: 2•References: 7

    An analysis of the formal features of the ‘epitaph’ of the poet Naevius reveals the handiwork of a later author who admired the older style of poetry represented by Naevius and used the allusive features of that style to reflect on the changing character of Latin poetics and its relationship to Hellenism. The very poetics of the epigram reveal a thoughtful attempt to admit Hellenic affect without sacrificing Roman sensibilities. Especially import…

  • Style and Ideology in the Pro Marcello

    Brian A Krostenko•CHAPTER•Roman Crossings•2005

  • Catullus and Elite Republican Social Discourse

    Brian A Krostenko•OTHER•A Companion to Catullus•2007

    This chapter contains section titled: Some Catullan Keywords Catullus' Keywords and Political Aestheticism A New Erotics A New Social Order A New Poetics A Total Ethos The Difficulties of Reading Catullus (1) The Difficulties of Reading Catullus (2) Conclusion

  • The Poetics of Naevius' ‘Epitaph’ and the History of Latin Poetry

    Open Access•Brian A Krostenko•ARTICLE•The Journal of Roman Studies•2013•Cited by: 2•References: 7

    An analysis of the formal features of the ‘epitaph’ of the poet Naevius reveals the handiwork of a later author who admired the older style of poetry represented by Naevius and used the allusive features of that style to reflect on the changing character of Latin poetics and its relationship to Hellenism. The very poetics of the epigram reveal a thoughtful attempt to admit Hellenic affect without sacrificing Roman sensibilities. Especially import…

  • Pandering for the Greater Good? Senate, People, and Politics in Cicero’s de lege agraria 1 and 2

    Brian Krostenko, Brian A Krostenko•ARTICLE•Polis The Journal for Ancient…•2021

    Cicero’s first speeches as consul, de lege agraria I and II, delivered to the senate and the people respectively, are virtually identical in outline and broad argument. That allows the rhetorical technique of individual sections to be compared closely. This article uses such comparisons to probe the tactics and ideology of the speeches. In both Cicero’s choice of word and phrase might suggest that he is simply addressing his audiences as suits th…

Art (4 works) · Classical Antiquity Studies (4 works) · Literature (4 works) · Law (3 works) · Linguistics (3 works) · Philosophy (3 works) · Political science (3 works) · Politics (3 works) · Ideology (2 works) · Philosophy (2 works)

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