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Nasser Al‐taee

Biographic Data

ID4521095
NAMENasser Al‐taee
GIVEN NAMESNasser
FAMILY NAMEAl‐taee
SIGNATUREAL TAEE N
AFFILIATIONSUniversity of Tennessee at Knoxville
VERIFIEDNo
TOTAL WORKS2
TOTAL CITATIONS7
AUTHOR COUNT2
EDITOR COUNT0
FIRST PUBLICATION YEAR2002
LATEST PUBLICATION YEAR2005
H-INDEX1
  • Enough, Enough, Oh Ocean”

    Open Access•Nasser Al-Taee, Nasser Al‐taee•ARTICLE•Middle East Studies Association…•2005•Cited by: 1•References: 1

    They fight death and all its elements While smiling O how I suffer from the long nights Witnessing those motherless divers Every time a month passes by, another follows Until the eyes grow old. Murshid bin Sa’d al-Bithali. Oh, how lucky are the rich Who no longer cross the ocean as me. And again: If I was rich and a merchant I would never have endeavored But I'm weak and all I have Is my cane. Fahad Rashid Boorsely

  • Voices of peace and the legacy of reconciliation

    Open Access•Nasser Al-Taee, Nasser Al‐taee•ARTICLE•Popular Music•2002•Cited by: 6•References: 2

    This article explores political, cultural and musical issues surrounding the dispute between Palestinians and Israelis, particularly over Jerusalem, which each party uses to symbolise and promote their own perception of the conflict. Specifically, I examine selected popular musical landmarks that capture the essence of the struggle from the ultra-nationalistic tones of the 1960s and 1970s to the more reconciliatory ones in the 1990s advocating pe…

  • Voices of peace and the legacy of reconciliation

    Open Access•Nasser Al-Taee, Nasser Al‐taee•ARTICLE•Popular Music•2002•Cited by: 6•References: 2

    This article explores political, cultural and musical issues surrounding the dispute between Palestinians and Israelis, particularly over Jerusalem, which each party uses to symbolise and promote their own perception of the conflict. Specifically, I examine selected popular musical landmarks that capture the essence of the struggle from the ultra-nationalistic tones of the 1960s and 1970s to the more reconciliatory ones in the 1990s advocating pe…

  • Enough, Enough, Oh Ocean”

    Open Access•Nasser Al-Taee, Nasser Al‐taee•ARTICLE•Middle East Studies Association…•2005•Cited by: 1•References: 1

    They fight death and all its elements While smiling O how I suffer from the long nights Witnessing those motherless divers Every time a month passes by, another follows Until the eyes grow old. Murshid bin Sa’d al-Bithali. Oh, how lucky are the rich Who no longer cross the ocean as me. And again: If I was rich and a merchant I would never have endeavored But I'm weak and all I have Is my cane. Fahad Rashid Boorsely

  • Voices of peace and the legacy of reconciliation

    Open Access•Nasser Al-Taee, Nasser Al‐taee•ARTICLE•Popular Music•2002•Cited by: 6•References: 2

    This article explores political, cultural and musical issues surrounding the dispute between Palestinians and Israelis, particularly over Jerusalem, which each party uses to symbolise and promote their own perception of the conflict. Specifically, I examine selected popular musical landmarks that capture the essence of the struggle from the ultra-nationalistic tones of the 1960s and 1970s to the more reconciliatory ones in the 1990s advocating pe…

  • Enough, Enough, Oh Ocean”

    Open Access•Nasser Al-Taee, Nasser Al‐taee•ARTICLE•Middle East Studies Association…•2005•Cited by: 1•References: 1

    They fight death and all its elements While smiling O how I suffer from the long nights Witnessing those motherless divers Every time a month passes by, another follows Until the eyes grow old. Murshid bin Sa’d al-Bithali. Oh, how lucky are the rich Who no longer cross the ocean as me. And again: If I was rich and a merchant I would never have endeavored But I'm weak and all I have Is my cane. Fahad Rashid Boorsely

History (2 works) · History (2 works) · Aesthetics (1 work) · Ancient history (1 work) · Archaeology (1 work) · Art (1 work) · Cane (1 work) · Chemistry (1 work) · Diverse Musicological Studies (1 work) · Dream (1 work)

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