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Vincent L Stephens

Biographic Data

ID4521135
NAMEVincent L Stephens
GIVEN NAMESVincent L
FAMILY NAMEStephens
SIGNATURESTEPHENS V L
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS7
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR2005
LATEST PUBLICATION YEAR2013
H-INDEX2
  • Odd Family Out

    Open Access•Vincent Stephens, Vincent L Stephens•ARTICLE•The Journal of Popular Culture•2013•Cited by: 1•References: 8

  • Shaking the Closet

    Vincent Stephens, Vincent L Stephens•ARTICLE•Popular Music & Society•2010•Cited by: 2•References: 3

    In 1982 Johnny Mathis inadvertently revealed his homosexuality during what he thought was an off-the-record interview. The notion that Mathis was sexually "closeted" is insufficient for understanding his career. Mathis, who debuted in 1956, authored a sexually elusive persona that relied strategically on a non-threatening sexual image to curb the "threat" he posed to white audiences. He also conveyed an ambiguous sexual romanticism with room for …

  • Crooning on the Fault Lines

    Open Access•Vincent Stephens, Vincent L Stephens•ARTICLE•American Music•2008

    This DOI is not currently attached to any metadata records. DOIs can’t actually ever be deleted (they’re persistent), but sometimes our members create DOIs in error. We do have a process to approximate deletion which we follow only in rare cases where the DOI has been genuinely created in error, and most crucially, if the DOI has never been published anywhere online or in print and never otherwise distributed to or communicated with anyone (autho…

  • Pop goes the rapper

    Open Access•Vincent Stephens, Vincent L Stephens•ARTICLE•Popular Music•2005•Cited by: 4•References: 3

    This article argues that controversial hip-hopper Eminem is more properly termed a genderphobe than a homophobe. Eminem consistently uses homophobic language to critique gender behaviour, not sexual orientation. Focusing on genderphobic lyrics more accurately reveals hip-hop culture's emphasis on gender behaviour rather than the emphasis on sexual object-choice that homophobia implies. The focus on genderphobia also highlights a discriminatory pr…

  • Pop goes the rapper

    Open Access•Vincent Stephens, Vincent L Stephens•ARTICLE•Popular Music•2005•Cited by: 4•References: 3

    This article argues that controversial hip-hopper Eminem is more properly termed a genderphobe than a homophobe. Eminem consistently uses homophobic language to critique gender behaviour, not sexual orientation. Focusing on genderphobic lyrics more accurately reveals hip-hop culture's emphasis on gender behaviour rather than the emphasis on sexual object-choice that homophobia implies. The focus on genderphobia also highlights a discriminatory pr…

  • Shaking the Closet

    Vincent Stephens, Vincent L Stephens•ARTICLE•Popular Music & Society•2010•Cited by: 2•References: 3

    In 1982 Johnny Mathis inadvertently revealed his homosexuality during what he thought was an off-the-record interview. The notion that Mathis was sexually "closeted" is insufficient for understanding his career. Mathis, who debuted in 1956, authored a sexually elusive persona that relied strategically on a non-threatening sexual image to curb the "threat" he posed to white audiences. He also conveyed an ambiguous sexual romanticism with room for …

  • Odd Family Out

    Open Access•Vincent Stephens, Vincent L Stephens•ARTICLE•The Journal of Popular Culture•2013•Cited by: 1•References: 8

  • Pop goes the rapper

    Open Access•Vincent Stephens, Vincent L Stephens•ARTICLE•Popular Music•2005•Cited by: 4•References: 3

    This article argues that controversial hip-hopper Eminem is more properly termed a genderphobe than a homophobe. Eminem consistently uses homophobic language to critique gender behaviour, not sexual orientation. Focusing on genderphobic lyrics more accurately reveals hip-hop culture's emphasis on gender behaviour rather than the emphasis on sexual object-choice that homophobia implies. The focus on genderphobia also highlights a discriminatory pr…

  • Crooning on the Fault Lines

    Open Access•Vincent Stephens, Vincent L Stephens•ARTICLE•American Music•2008

    This DOI is not currently attached to any metadata records. DOIs can’t actually ever be deleted (they’re persistent), but sometimes our members create DOIs in error. We do have a process to approximate deletion which we follow only in rare cases where the DOI has been genuinely created in error, and most crucially, if the DOI has never been published anywhere online or in print and never otherwise distributed to or communicated with anyone (autho…

  • Shaking the Closet

    Vincent Stephens, Vincent L Stephens•ARTICLE•Popular Music & Society•2010•Cited by: 2•References: 3

    In 1982 Johnny Mathis inadvertently revealed his homosexuality during what he thought was an off-the-record interview. The notion that Mathis was sexually "closeted" is insufficient for understanding his career. Mathis, who debuted in 1956, authored a sexually elusive persona that relied strategically on a non-threatening sexual image to curb the "threat" he posed to white audiences. He also conveyed an ambiguous sexual romanticism with room for …

  • Odd Family Out

    Open Access•Vincent Stephens, Vincent L Stephens•ARTICLE•The Journal of Popular Culture•2013•Cited by: 1•References: 8

Art (3 works) · Gender Studies (3 works) · Gender Studies (3 works) · Literature (3 works) · Music History and Culture (3 works) · Sociology (3 works) · Aesthetics (2 works) · Gender, Feminism, and Media (2 works) · History (2 works) · History (2 works)

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