P N Donets
Biographic Data
| ID | 4524289 |
|---|---|
| NAME | P N Donets |
| GIVEN NAMES | P N |
| FAMILY NAME | Donets |
| SIGNATURE | DONETS P N |
| AFFILIATIONS | International Humanitarian University |
| ORCID | 0000-0001-6759-0920 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 1 |
Conceptual Metaphors of Expressing Transhumanism in “Sprawl” Trilogy by William Gibson
In the article, the author studies the stylistic means for expressing transhumanism in William Gibson’s debut cyberpunk “Sprawl” trilogy, which touches in particular on social, moral and ethical problems of high technologies. The purpose of the article is to study those conceptual metaphors in Gibson’s trilogy that figuratively actualize the TRANSHUMANISM concept. To achieve this goal, the author examines the stylistic means of expressing the fan…
Here Be Dragons
The article focuses on the evolution of cyberspace from a myth-critical perspective: the presence of irrational and fantasy elements in seemingly rational and scientific cyberpunk as a subgenre of hard science fiction. Our research primarily focuses on two significant works: William Gibson’s Sprawl trilogy (1984-1988), an icon of early cyberpunk, and Neal Stephenson’s Snow Crash (1992), a switch to postcyberpunk. Moreover, we consider the other w…
Here Be Dragons
The article focuses on the evolution of cyberspace from a myth-critical perspective: the presence of irrational and fantasy elements in seemingly rational and scientific cyberpunk as a subgenre of hard science fiction. Our research primarily focuses on two significant works: William Gibson’s Sprawl trilogy (1984-1988), an icon of early cyberpunk, and Neal Stephenson’s Snow Crash (1992), a switch to postcyberpunk. Moreover, we consider the other w…
Conceptual Metaphors of Expressing Transhumanism in “Sprawl” Trilogy by William Gibson
In the article, the author studies the stylistic means for expressing transhumanism in William Gibson’s debut cyberpunk “Sprawl” trilogy, which touches in particular on social, moral and ethical problems of high technologies. The purpose of the article is to study those conceptual metaphors in Gibson’s trilogy that figuratively actualize the TRANSHUMANISM concept. To achieve this goal, the author examines the stylistic means of expressing the fan…
Here Be Dragons
The article focuses on the evolution of cyberspace from a myth-critical perspective: the presence of irrational and fantasy elements in seemingly rational and scientific cyberpunk as a subgenre of hard science fiction. Our research primarily focuses on two significant works: William Gibson’s Sprawl trilogy (1984-1988), an icon of early cyberpunk, and Neal Stephenson’s Snow Crash (1992), a switch to postcyberpunk. Moreover, we consider the other w…
Aesthetics (2 works) · Art (2 works) · Art history (2 works) · Cyberspace (2 works) · Dystopia (2 works) · Epistemology (2 works) · Literature (2 works) · Philosophy (2 works) · Trilogy (2 works) · Utopian, Dystopian, and Speculative Fiction (2 works)