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Aitor Ibarrola Armendáriz

Biographic Data

ID4524310
NAMEAitor Ibarrola Armendáriz
GIVEN NAMESAitor Ibarrola
FAMILY NAMEArmendáriz
SIGNATUREARMENDÁRIZ A I
AFFILIATIONSUniversidad de Deusto
ORCID0000-0001-9168-4679
VERIFIEDYes
TOTAL WORKS8
TOTAL CITATIONS1
AUTHOR COUNT8
EDITOR COUNT0
FIRST PUBLICATION YEAR1994
LATEST PUBLICATION YEAR2021
H-INDEX1
  • Family Secrets and Narrative Structure in Celeste Ng's Everything I Never Told You

    Open Access•Aitor Ibarrola-Armendariz, Aitor Ibarrola Armendáriz•ARTICLE•Atlantis Journal of the Spanish…•2021

    Celeste Ng’s novel Everything I Never Told You (2014) has been said to combine some stock ingredients of literary thrillers with other less customary features that complicate its classification in that genre. Although we learn from page one that the protagonist of the novel, sixteen-year-old Lydia Lee, is dead, discovering who is behind the possible murder of this Chinese American girl proves to be one of the lesser mysteries in the story. While …

  • Vexing Motherhoods in Ireland and Abroad in Nuala Ní Chonchúir’s Mother America

    Open Access•Aitor Ibarrola Armendáriz, Aitor Ibarrola-Armendariz•ARTICLE•Estudios Irlandeses•2018

    1. Introduction: On Motherhood in Ireland As Dally and other theorists (Badinter, Chodorow, Forna, and Swigart, to mention but a few) have argued, although relatively young in human history – the first references in English date back to the late 16th century –, the concept of motherhood has evolved very quickly during the last two millennia

  • Alternative Ways of Challenging and Resisting in Richard Rodriguez’s Darling: A Spiritual Autobiography

    Open Access•Aitor Ibarrola Armendáriz•ARTICLE•American, British and Canadian…•2017•References: 2

    There are several reasons why essayist Richard Rodriguez could be classified as a ‘minority’ writer; namely, his Mexican-American roots, his Catholic faith, and his self- declared homosexuality. However, readers who expect his writings to display the kind of attitudes and features that are common in works by other ‘minority’ authors are bound to be disappointed. The meditations that Rodriguez offers are far from clearly dividing the world between…

  • Stretching the concept of citizenship in Spain on the threshold of the 21st Century

    Open Access•Aitor Ibarrola-Armendariz, Aitor Ibarrola Armendáriz et al.•ARTICLE•Cuadernos Europeos de Deusto•2013

    La Constitución española de 1978, aprobada tras el fin de la dictadura franquista, confirió a las comunidades autónomas notable libertad para definir sus propias políticas en determinados ámbitos. Aunque sería difícil hablar de una forma de gobierno federal, es cierto que las autoridades regionales han conseguido sustanciales cuotas de poder en áreas como la sanidad, la educación o la vivienda. Al mismo tiempo, las definiciones tradicionales de c…

  • Broken Memories of a Traumatic Past and the Redemptive Power of Narrative in the Fiction of Edwidge Danticat

    Aitor Ibarrola Armendáriz, Aitor Ibarrola–Armendáriz•CHAPTER•Splintered Glass•2011

  • Cormac McCarthy’s The Road: Rewriting the Myth of the American West 1

    Open Access•Aitor Ibarrola-Armendariz, Aitor Ibarrola Armendáriz•ARTICLE•European Journal of American…•2011•Cited by: 1•References: 5

    This article argues that Cormac McCarthy’s latest novel, The Road (2006), marks a clear departure from the interests and aesthetics he showed in his earlier works of fiction. Apart from the fact that the Rhode Island-born writer embarks for a first time in his long career on a popular sci-fi sub-genre such as the post-apocalyptic novel, the book exhibits a number of thematic, structural, and stylistic patterns which differ quite radically from th…

  • Dominican-American auto-ethnographies: Considering the boundaries of self-representation in Julia Álvarez and Junot Díaz

    Open Access•Aitor Ibarrola Armendáriz•ARTICLE•Revista Alicantina de Estudios…•2010

    This article explores some of the dilemmas faced by minority autobiographers when they set out to represent their life stories in writing. While significant benefits may be derived from this self-conscious enterprise, bicultural authors are sometimes unaware of the boundaries -or frames- that the mainstream culture demarcates for their self-portrayals. My analysis of Julia Álvarez’s ¡Yo! (1997) and Junot Díaz’s Drown (1996), which could both be c…

  • Discursive stratagems: Ambrose Bierce's attacks on realism's metaphysics of language

    Open Access•Aitor Ibarrola Armendáriz•ARTICLE•Revista Alicantina de Estudios…•1994

    This article explores the stylistic devices and narrative techniques that the late 19th-century great American satirist employed to subvert and ridicule his contemporaries' understanding of language and of its relationship to reality. According to Bierce, language is not merely a constative and aseptic means to represent the world around us and communicate ideas. On the contrary, all discourses are loaded with a great deal of power and knowledge …

  • Cormac McCarthy’s The Road: Rewriting the Myth of the American West 1

    Open Access•Aitor Ibarrola-Armendariz, Aitor Ibarrola Armendáriz•ARTICLE•European Journal of American…•2011•Cited by: 1•References: 5

    This article argues that Cormac McCarthy’s latest novel, The Road (2006), marks a clear departure from the interests and aesthetics he showed in his earlier works of fiction. Apart from the fact that the Rhode Island-born writer embarks for a first time in his long career on a popular sci-fi sub-genre such as the post-apocalyptic novel, the book exhibits a number of thematic, structural, and stylistic patterns which differ quite radically from th…

  • Discursive stratagems: Ambrose Bierce's attacks on realism's metaphysics of language

    Open Access•Aitor Ibarrola Armendáriz•ARTICLE•Revista Alicantina de Estudios…•1994

    This article explores the stylistic devices and narrative techniques that the late 19th-century great American satirist employed to subvert and ridicule his contemporaries' understanding of language and of its relationship to reality. According to Bierce, language is not merely a constative and aseptic means to represent the world around us and communicate ideas. On the contrary, all discourses are loaded with a great deal of power and knowledge …

  • Dominican-American auto-ethnographies: Considering the boundaries of self-representation in Julia Álvarez and Junot Díaz

    Open Access•Aitor Ibarrola Armendáriz•ARTICLE•Revista Alicantina de Estudios…•2010

    This article explores some of the dilemmas faced by minority autobiographers when they set out to represent their life stories in writing. While significant benefits may be derived from this self-conscious enterprise, bicultural authors are sometimes unaware of the boundaries -or frames- that the mainstream culture demarcates for their self-portrayals. My analysis of Julia Álvarez’s ¡Yo! (1997) and Junot Díaz’s Drown (1996), which could both be c…

  • Broken Memories of a Traumatic Past and the Redemptive Power of Narrative in the Fiction of Edwidge Danticat

    Aitor Ibarrola Armendáriz, Aitor Ibarrola–Armendáriz•CHAPTER•Splintered Glass•2011

  • Cormac McCarthy’s The Road: Rewriting the Myth of the American West 1

    Open Access•Aitor Ibarrola-Armendariz, Aitor Ibarrola Armendáriz•ARTICLE•European Journal of American…•2011•Cited by: 1•References: 5

    This article argues that Cormac McCarthy’s latest novel, The Road (2006), marks a clear departure from the interests and aesthetics he showed in his earlier works of fiction. Apart from the fact that the Rhode Island-born writer embarks for a first time in his long career on a popular sci-fi sub-genre such as the post-apocalyptic novel, the book exhibits a number of thematic, structural, and stylistic patterns which differ quite radically from th…

  • Stretching the concept of citizenship in Spain on the threshold of the 21st Century

    Open Access•Aitor Ibarrola-Armendariz, Aitor Ibarrola Armendáriz et al.•ARTICLE•Cuadernos Europeos de Deusto•2013

    La Constitución española de 1978, aprobada tras el fin de la dictadura franquista, confirió a las comunidades autónomas notable libertad para definir sus propias políticas en determinados ámbitos. Aunque sería difícil hablar de una forma de gobierno federal, es cierto que las autoridades regionales han conseguido sustanciales cuotas de poder en áreas como la sanidad, la educación o la vivienda. Al mismo tiempo, las definiciones tradicionales de c…

  • Alternative Ways of Challenging and Resisting in Richard Rodriguez’s Darling: A Spiritual Autobiography

    Open Access•Aitor Ibarrola Armendáriz•ARTICLE•American, British and Canadian…•2017•References: 2

    There are several reasons why essayist Richard Rodriguez could be classified as a ‘minority’ writer; namely, his Mexican-American roots, his Catholic faith, and his self- declared homosexuality. However, readers who expect his writings to display the kind of attitudes and features that are common in works by other ‘minority’ authors are bound to be disappointed. The meditations that Rodriguez offers are far from clearly dividing the world between…

  • Vexing Motherhoods in Ireland and Abroad in Nuala Ní Chonchúir’s Mother America

    Open Access•Aitor Ibarrola Armendáriz, Aitor Ibarrola-Armendariz•ARTICLE•Estudios Irlandeses•2018

    1. Introduction: On Motherhood in Ireland As Dally and other theorists (Badinter, Chodorow, Forna, and Swigart, to mention but a few) have argued, although relatively young in human history – the first references in English date back to the late 16th century –, the concept of motherhood has evolved very quickly during the last two millennia

  • Family Secrets and Narrative Structure in Celeste Ng's Everything I Never Told You

    Open Access•Aitor Ibarrola-Armendariz, Aitor Ibarrola Armendáriz•ARTICLE•Atlantis Journal of the Spanish…•2021

    Celeste Ng’s novel Everything I Never Told You (2014) has been said to combine some stock ingredients of literary thrillers with other less customary features that complicate its classification in that genre. Although we learn from page one that the protagonist of the novel, sixteen-year-old Lydia Lee, is dead, discovering who is behind the possible murder of this Chinese American girl proves to be one of the lesser mysteries in the story. While …

Art (7 works) · Literature (7 works) · History (6 works) · Narrative (5 works) · Philosophy (5 works) · Political science (5 works) · Epistemology (4 works) · History (4 works) · Philosophy (4 works) · Sociology (4 works)

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