Ann Mattis
Biographic Data
| ID | 4527487 |
|---|---|
| NAME | Ann Mattis |
| GIVEN NAMES | Ann |
| FAMILY NAME | Mattis |
| SIGNATURE | MATTIS A |
| AFFILIATIONS | University of Wisconsin–Green Bay |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1984 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 1 |
Amy Schumer and the limits of popular (white) feminist self-branding
In this essay, Mattis explores these competing political dimensions of Amy Schumer’ comedy. Specifically, she argues that her comedy and persone index a new popular form of resistance that circulates feminist parody and satire in a variety of mainstream media contexts. However, she also argues that Schumer’s work is premised on a limited feminist sisterhood as a result of her self-branding practices and performative racial myopia, both which shor…
Vulgar Strangers in the Home”
The labor which the wife performs in the household is given as part of her functional duty, not as employment. The wife of the poor man, who works hard in a small house, doing all the work for the
A Society for International Development
Amy Schumer and the limits of popular (white) feminist self-branding
In this essay, Mattis explores these competing political dimensions of Amy Schumer’ comedy. Specifically, she argues that her comedy and persone index a new popular form of resistance that circulates feminist parody and satire in a variety of mainstream media contexts. However, she also argues that Schumer’s work is premised on a limited feminist sisterhood as a result of her self-branding practices and performative racial myopia, both which shor…
A Society for International Development
Vulgar Strangers in the Home”
The labor which the wife performs in the household is given as part of her functional duty, not as employment. The wife of the poor man, who works hard in a small house, doing all the work for the
Amy Schumer and the limits of popular (white) feminist self-branding
In this essay, Mattis explores these competing political dimensions of Amy Schumer’ comedy. Specifically, she argues that her comedy and persone index a new popular form of resistance that circulates feminist parody and satire in a variety of mainstream media contexts. However, she also argues that Schumer’s work is premised on a limited feminist sisterhood as a result of her self-branding practices and performative racial myopia, both which shor…
Business (2 works) · Sociology (2 works) · Advertising (1 work) · Art (1 work) · Art history (1 work) · Gender Studies (1 work) · Gender, Feminism, and Media (1 work) · Genealogy (1 work) · Historical Psychiatry and Medical Practices (1 work) · Historical Studies on Reproduction, Gender, Health, and Societal Changes (1 work)