Tavia Amolo Ochieng'Nyongó
Biographic Data
| ID | 4528541 |
|---|---|
| NAME | Tavia Amolo Ochieng'Nyongó |
| GIVEN NAMES | Tavia Amolo |
| FAMILY NAME | Ochieng'Nyongó |
| SIGNATURE | NYONGÓ T A O |
| VERIFIED | No |
| TOTAL WORKS | 1 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 1 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2005 |
| LATEST PUBLICATION YEAR | 2005 |
| H-INDEX | 1 |
Black Theatre's Closet Drama
Where do the early blackface plays collected in W. T. Lhamon's Jump Jim Crow belong in the genealogy of black performance?10 Nowhere, Shauneille Perry suggests.11 Contrasting blackface minstrelsy with black radicalism, Perry notes reprovingly, "Had there been a multitude of Nat Turners, Harriet Tubmans, Toussaint L'Ouvertures and Mary Princes in 19th-century America, there would have been no Jim Crow, then or now." Perry invokes these heroic name…
Black Theatre's Closet Drama
Where do the early blackface plays collected in W. T. Lhamon's Jump Jim Crow belong in the genealogy of black performance?10 Nowhere, Shauneille Perry suggests.11 Contrasting blackface minstrelsy with black radicalism, Perry notes reprovingly, "Had there been a multitude of Nat Turners, Harriet Tubmans, Toussaint L'Ouvertures and Mary Princes in 19th-century America, there would have been no Jim Crow, then or now." Perry invokes these heroic name…
Black Theatre's Closet Drama
Where do the early blackface plays collected in W. T. Lhamon's Jump Jim Crow belong in the genealogy of black performance?10 Nowhere, Shauneille Perry suggests.11 Contrasting blackface minstrelsy with black radicalism, Perry notes reprovingly, "Had there been a multitude of Nat Turners, Harriet Tubmans, Toussaint L'Ouvertures and Mary Princes in 19th-century America, there would have been no Jim Crow, then or now." Perry invokes these heroic name…
Art (1 works) · Art history (1 works) · Blackface (1 works) · Closet (1 works) · Dandy (1 works) · Double consciousness (1 works) · Drama (1 works) · Genius (1 works) · History (1 works) · History (1 works)