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Konstanze N'Guessan

Biographic Data

ID4530839
NAMEKonstanze N'Guessan
GIVEN NAMESKonstanze
FAMILY NAMEN'Guessan
SIGNATUREGUESSAN K N
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS17
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR2013
LATEST PUBLICATION YEAR2017
H-INDEX3
  • Performing the national territory

    Open Access•Konstanze N''Guessan, Konstanze N'Guessan et al.•ARTICLE•Nations and Nationalism•2017•Cited by: 5•References: 35

    The nation is a relatively abstract imagined community that is visualised through a variety of symbols as well as communicative and performative practices. In this paper, we explore how the national territory, one of the foundations of the nation‐state, is performed on national‐day celebrations and brings the nation into being. Drawing on ethnographic research on national days in Burkina Faso, Côte d'Ivoire and Ghana, we show how the state's inte…

  • Fathers and Children of Ivorian Independence

    Open Access•Konstanze N''Guessan, Konstanze N'Guessan•ARTICLE•Africa•2015•Cited by: 1•References: 31

    I look at the image of a generation of youth as the vanguard force of an ongoing struggle for independence and a new nation on the occasion of the fiftieth anniversary of Ivorian independence. Drawing upon the theoretical framework of Reinhart Koselleck, I explore the making of national time as layered temporality, with generations not succeeding each other but rather coexisting. My analysis of expressions and performances of 'doing being youth' …

  • The bureaucratic making of national culture in North-Western Ghana

    Open Access•Konstanze N''Guessan, Konstanze N'Guessan•ARTICLE•The Journal of Modern African…•2014•Cited by: 3•References: 10

    In this article I explore the making of national culture through bureaucratic routines in the Centre for National Culture in Wa, North-Western Ghana. I focus on an aspect of bureaucracy that is usually left aside: the productivity and creativity of bureaucratic routines. State, nation and culture are not fixed entities, but have to be constantly produced through processes of negotiation and meaning-making and through the continual reproduction of…

  • Independence is not given, it is taken

    Open Access•Konstanze N''Guessan, Konstanze N'Guessan•ARTICLE•Nations and Nationalism•2013•Cited by: 8•References: 13

    This article explores competing histories of independence in Côte d'Ivoire. The 2010 commemoration of fifty years of independence led to competing histories about how and if the nation achieved independence in 1960. The postelectoral crisis of 2010–2011 that followed soon afterwards has been interpreted by supporters of the outgoing president Laurent Gbagbo as an attempt by France and the international community to re‐colonise Côte d'Ivoire. The …

  • Independence is not given, it is taken

    Open Access•Konstanze N''Guessan, Konstanze N'Guessan•ARTICLE•Nations and Nationalism•2013•Cited by: 8•References: 13

    This article explores competing histories of independence in Côte d'Ivoire. The 2010 commemoration of fifty years of independence led to competing histories about how and if the nation achieved independence in 1960. The postelectoral crisis of 2010–2011 that followed soon afterwards has been interpreted by supporters of the outgoing president Laurent Gbagbo as an attempt by France and the international community to re‐colonise Côte d'Ivoire. The …

  • Performing the national territory

    Open Access•Konstanze N''Guessan, Konstanze N'Guessan et al.•ARTICLE•Nations and Nationalism•2017•Cited by: 5•References: 35

    The nation is a relatively abstract imagined community that is visualised through a variety of symbols as well as communicative and performative practices. In this paper, we explore how the national territory, one of the foundations of the nation‐state, is performed on national‐day celebrations and brings the nation into being. Drawing on ethnographic research on national days in Burkina Faso, Côte d'Ivoire and Ghana, we show how the state's inte…

  • The bureaucratic making of national culture in North-Western Ghana

    Open Access•Konstanze N''Guessan, Konstanze N'Guessan•ARTICLE•The Journal of Modern African…•2014•Cited by: 3•References: 10

    In this article I explore the making of national culture through bureaucratic routines in the Centre for National Culture in Wa, North-Western Ghana. I focus on an aspect of bureaucracy that is usually left aside: the productivity and creativity of bureaucratic routines. State, nation and culture are not fixed entities, but have to be constantly produced through processes of negotiation and meaning-making and through the continual reproduction of…

  • Fathers and Children of Ivorian Independence

    Open Access•Konstanze N''Guessan, Konstanze N'Guessan•ARTICLE•Africa•2015•Cited by: 1•References: 31

    I look at the image of a generation of youth as the vanguard force of an ongoing struggle for independence and a new nation on the occasion of the fiftieth anniversary of Ivorian independence. Drawing upon the theoretical framework of Reinhart Koselleck, I explore the making of national time as layered temporality, with generations not succeeding each other but rather coexisting. My analysis of expressions and performances of 'doing being youth' …

  • Independence is not given, it is taken

    Open Access•Konstanze N''Guessan, Konstanze N'Guessan•ARTICLE•Nations and Nationalism•2013•Cited by: 8•References: 13

    This article explores competing histories of independence in Côte d'Ivoire. The 2010 commemoration of fifty years of independence led to competing histories about how and if the nation achieved independence in 1960. The postelectoral crisis of 2010–2011 that followed soon afterwards has been interpreted by supporters of the outgoing president Laurent Gbagbo as an attempt by France and the international community to re‐colonise Côte d'Ivoire. The …

  • The bureaucratic making of national culture in North-Western Ghana

    Open Access•Konstanze N''Guessan, Konstanze N'Guessan•ARTICLE•The Journal of Modern African…•2014•Cited by: 3•References: 10

    In this article I explore the making of national culture through bureaucratic routines in the Centre for National Culture in Wa, North-Western Ghana. I focus on an aspect of bureaucracy that is usually left aside: the productivity and creativity of bureaucratic routines. State, nation and culture are not fixed entities, but have to be constantly produced through processes of negotiation and meaning-making and through the continual reproduction of…

  • Fathers and Children of Ivorian Independence

    Open Access•Konstanze N''Guessan, Konstanze N'Guessan•ARTICLE•Africa•2015•Cited by: 1•References: 31

    I look at the image of a generation of youth as the vanguard force of an ongoing struggle for independence and a new nation on the occasion of the fiftieth anniversary of Ivorian independence. Drawing upon the theoretical framework of Reinhart Koselleck, I explore the making of national time as layered temporality, with generations not succeeding each other but rather coexisting. My analysis of expressions and performances of 'doing being youth' …

  • Performing the national territory

    Open Access•Konstanze N''Guessan, Konstanze N'Guessan et al.•ARTICLE•Nations and Nationalism•2017•Cited by: 5•References: 35

    The nation is a relatively abstract imagined community that is visualised through a variety of symbols as well as communicative and performative practices. In this paper, we explore how the national territory, one of the foundations of the nation‐state, is performed on national‐day celebrations and brings the nation into being. Drawing on ethnographic research on national days in Burkina Faso, Côte d'Ivoire and Ghana, we show how the state's inte…

Law (4 works) · Political science (4 works) · Politics (4 works) · Sociology (4 works) · Cultural Identity and Heritage (3 works) · Epistemology (3 works) · Law (3 works) · African history and culture studies (2 works) · African Studies and Ethnography (2 works) · Anthropology (2 works)

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