John Morgan O'Connell
Biographic Data
| ID | 4534596 |
|---|---|
| NAME | John Morgan O'Connell |
| GIVEN NAMES | John Morgan |
| FAMILY NAME | O'Connell |
| SIGNATURE | CONNELL J M O |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 4 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2000 |
| LATEST PUBLICATION YEAR | 2010 |
| H-INDEX | 1 |
A Staged Fright
This article is concerned with the relationship between musical style and religious prejudice in Turkey during the early Republican period (1923–38). It focuses on a musical contest in 1932 between a Jewish cantor ( hazan ) and an Islamic vocalist ( hafız ) in the presence of Mustafa Kemal Atatürk (1881–1938), the president of the Turkish Republic who instigated revolutionary reforms that affected many aspects of Turkish culture, including music.…
Music and Conflict
A timely exploration of music's role in conflict situations across the globe This volume charts a new frontier of applied ethnomusicology by highlighting the role of music in both inciting and resolving a spectrum of social and political conflicts in the contemporary world. Examining the materials and practices of music making, contributors detail how music and performance are deployed to critique power structures and to nurture cultural awarenes…
Cantemir
Reviewed by: Cantemir: Music in Istanbul and Ottoman Europe around 1700 John Morgan O'Connell (bio) Cantemir: Music in Istanbul and Ottoman Europe around 1700. Golden Horn Records CD GHP 019-2, featuring Linda Burman-Hall, İhsan Özgen, and Lux Musica. Thirty tracks divided into four sections. Liner notes and photos by Linda Burman-Hall. In recent years there has been considerable interest among ethnomusicologists in the writings of Demetrius Cant…
Song Cycle
The gazel is dead. Or is it? The apparent demise of this improvised genre in Turkish Art Music (Turk Sanat Mizigi) during the twentieth century is linked to the reform of Turkish vocal practice that attended the foundation of the Turkish Republic. In this respect, the gazel provided a locus for defining and debating acceptable modes of musical practice according to the westernizing interests of a Republican elite, an elite that was eager to disso…
Fine Art, Fine Music
L'A. examine les debats autour de la creation, en 1926, d'une Academie des Beaux Arts (Guzel Sanatlar Akademisi) a Istanbul et de la volonte d'adapter l'education musicale aux objectifs ideologiques et aux representations de la nouvelle Republique turque sur ce que devait etre le contexte musical d'un Etat-nation moderne. Il montre comment les differentes conceptions de l'education musicale ont revele des points de vue culturels differents et con…
Fine Art, Fine Music
L'A. examine les debats autour de la creation, en 1926, d'une Academie des Beaux Arts (Guzel Sanatlar Akademisi) a Istanbul et de la volonte d'adapter l'education musicale aux objectifs ideologiques et aux representations de la nouvelle Republique turque sur ce que devait etre le contexte musical d'un Etat-nation moderne. Il montre comment les differentes conceptions de l'education musicale ont revele des points de vue culturels differents et con…
Fine Art, Fine Music
L'A. examine les debats autour de la creation, en 1926, d'une Academie des Beaux Arts (Guzel Sanatlar Akademisi) a Istanbul et de la volonte d'adapter l'education musicale aux objectifs ideologiques et aux representations de la nouvelle Republique turque sur ce que devait etre le contexte musical d'un Etat-nation moderne. Il montre comment les differentes conceptions de l'education musicale ont revele des points de vue culturels differents et con…
Song Cycle
The gazel is dead. Or is it? The apparent demise of this improvised genre in Turkish Art Music (Turk Sanat Mizigi) during the twentieth century is linked to the reform of Turkish vocal practice that attended the foundation of the Turkish Republic. In this respect, the gazel provided a locus for defining and debating acceptable modes of musical practice according to the westernizing interests of a Republican elite, an elite that was eager to disso…
Cantemir
Reviewed by: Cantemir: Music in Istanbul and Ottoman Europe around 1700 John Morgan O'Connell (bio) Cantemir: Music in Istanbul and Ottoman Europe around 1700. Golden Horn Records CD GHP 019-2, featuring Linda Burman-Hall, İhsan Özgen, and Lux Musica. Thirty tracks divided into four sections. Liner notes and photos by Linda Burman-Hall. In recent years there has been considerable interest among ethnomusicologists in the writings of Demetrius Cant…
A Staged Fright
This article is concerned with the relationship between musical style and religious prejudice in Turkey during the early Republican period (1923–38). It focuses on a musical contest in 1932 between a Jewish cantor ( hazan ) and an Islamic vocalist ( hafız ) in the presence of Mustafa Kemal Atatürk (1881–1938), the president of the Turkish Republic who instigated revolutionary reforms that affected many aspects of Turkish culture, including music.…
Music and Conflict
A timely exploration of music's role in conflict situations across the globe This volume charts a new frontier of applied ethnomusicology by highlighting the role of music in both inciting and resolving a spectrum of social and political conflicts in the contemporary world. Examining the materials and practices of music making, contributors detail how music and performance are deployed to critique power structures and to nurture cultural awarenes…
Art (5 works) · Diverse Musicological Studies (5 works) · Music History and Culture (4 works) · Linguistics (3 works) · Literature (3 works) · Musical (3 works) · Philosophy (3 works) · Sociology (3 works) · Turkish (3 works) · Aesthetics (2 works)