Daniel O'Hara
Biographic Data
| ID | 4538613 |
|---|---|
| NAME | Daniel O'Hara |
| GIVEN NAMES | Daniel |
| FAMILY NAME | O'Hara |
| SIGNATURE | HARA D O |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1977 |
| LATEST PUBLICATION YEAR | 1994 |
| H-INDEX | 1 |
An Interview with Frank Lentricchia
Lentricchia: It's not my title. My original title was Memory and Other Crimes, and Don DeLillo thought that maybe the better title was already in the book, The Edge of Night. I thought about that and decided that he was right. I like the tone of it. It's the title of a soap opera, which my grandparents, my father's parents, used to watch all the time, and which I watched them watch one afternoon in Miami, many years ago. And that became an episod…
Criticism Worldly and Otherworldly
Daniel O'Hara, Criticism Worldly and Otherworldly: Edward W. Said and the Cult of Theory, boundary 2, Vol. 12/13, Vol. 12, no. 3 - Vol. 13, no. 1, On Humanism and the University I: The Discourse of Humanism (Spring - Autumn, 1984), pp. 379-403
Love's Architecture
Thomas Kinsella is the leading Irish poet of his generation. He is also a more substantial figure than any of the many verse-technicians now writing in English and being celebrated by famous reviewers in cover blurbs. Strangely enough, however, his poetry has not generally received the kind of sophisticated critical attention it deserves. Only M. L. Rosenthal has treated his work with consistent justice. This may be because Kinsella is not a typi…
The Unsummoned Image
The Romance of Interpretation
Insinuations of the Word
Daniel O'Hara, Insinuations of the Word: Irony in Stephen Crites's "The Demiurgic Imagination in Art and Experience", boundary 2, Vol. 8, No. 1, The Problems of Reading in Contemporary American Criticism: A Symposium (Autumn, 1979), pp. 309-320
The Irony of Tradition and W. B. Yeats's Autobiography
Criticism Worldly and Otherworldly
Daniel O'Hara, Criticism Worldly and Otherworldly: Edward W. Said and the Cult of Theory, boundary 2, Vol. 12/13, Vol. 12, no. 3 - Vol. 13, no. 1, On Humanism and the University I: The Discourse of Humanism (Spring - Autumn, 1984), pp. 379-403
The Irony of Tradition and W. B. Yeats's Autobiography
Insinuations of the Word
Daniel O'Hara, Insinuations of the Word: Irony in Stephen Crites's "The Demiurgic Imagination in Art and Experience", boundary 2, Vol. 8, No. 1, The Problems of Reading in Contemporary American Criticism: A Symposium (Autumn, 1979), pp. 309-320
The Unsummoned Image
The Romance of Interpretation
Love's Architecture
Thomas Kinsella is the leading Irish poet of his generation. He is also a more substantial figure than any of the many verse-technicians now writing in English and being celebrated by famous reviewers in cover blurbs. Strangely enough, however, his poetry has not generally received the kind of sophisticated critical attention it deserves. Only M. L. Rosenthal has treated his work with consistent justice. This may be because Kinsella is not a typi…
Criticism Worldly and Otherworldly
Daniel O'Hara, Criticism Worldly and Otherworldly: Edward W. Said and the Cult of Theory, boundary 2, Vol. 12/13, Vol. 12, no. 3 - Vol. 13, no. 1, On Humanism and the University I: The Discourse of Humanism (Spring - Autumn, 1984), pp. 379-403
An Interview with Frank Lentricchia
Lentricchia: It's not my title. My original title was Memory and Other Crimes, and Don DeLillo thought that maybe the better title was already in the book, The Edge of Night. I thought about that and decided that he was right. I like the tone of it. It's the title of a soap opera, which my grandparents, my father's parents, used to watch all the time, and which I watched them watch one afternoon in Miami, many years ago. And that became an episod…
Art (7 works) · Literature (6 works) · Philosophy (6 works) · Philosophy (6 works) · Irony (3 works) · Criticism (2 works) · Linguistics (2 works) · Psychoanalysis (2 works) · Psychology (2 works) · Aesthetics (1 works)