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Jr Henry Louis Gates

Biographic Data

ID4539375
NAMEJr Henry Louis Gates
GIVEN NAMESJr Henry Louis
FAMILY NAMEGates
SIGNATUREGATES J H L
VERIFIEDNo
TOTAL WORKS29
TOTAL CITATIONS168
AUTHOR COUNT29
EDITOR COUNT0
FIRST PUBLICATION YEAR1896
LATEST PUBLICATION YEAR2023
H-INDEX4
  • The Philadelphia Negro: A Social Study

    W E B Du Bois, Elijah Anderson et al.•BOOK•Philadelphia Negro•2023

    In 1897 the promising young sociologist William Edward Burghardt Du Bois (1868–1963) was given a temporary post as Assistant in Sociology at the University of Pennsylvania in order to conduct a systematic investigation of social conditions in the seventh ward of Philadelphia. The product of those studies was the first great empirical book on the Negro in American society. More than one hundred years after its original publication by the Universit…

  • Who’s Black and Why: A Hidden Chapter from the Eighteenth-Century Invention of Race

    Open Access•Jr Henry Louis Gates, Henry Louis Gates et al.•BOOK•Who's Black and Why?•2022

    In 1739 Bordeaux’s Royal Academy of Sciences held an essay contest seeking answers to a pressing question: What was the cause of Africans’ black skin? Published here for the first time and translated into English, these early documents of scientific racism lay bare the Enlightenment origins of the phantom of racial hierarchy

  • You Don’t Know Us Negroes and Other Essays

    Zora Neale Hurston, Henry Louis Gates Jr et al.•BOOK•You Don’t Know Us Negroes and…•2022

  • The New Negro Aesthetic: Selected Writings

    Alain Leroy Locke, Jeffrey C Stewart et al.•BOOK•The New Negro Aesthetic•2022

  • The Black Church: This Is Our Story, This Is Our Song

    Henry Louis Gates, Jr Henry Louis Gates•BOOK•The Black Church•2021

    For the young Henry Louis Gates, Jr., growing up in a small, residentially segregated West Virginia town, the church was a center of gravity--an intimate place where voices rose up in song and neighbors gathered to celebrate life's blessings and offer comfort amid its trials and tribulations. In this tender and expansive reckoning with the meaning of the Black Church in America, Gates takes us on a journey spanning more than five centuries, from …

  • Black in Latin America

    Henry Louis Gates, Henry Louis Gates Jr et al.•BOOK•Black in Latin America•2020

    1 Brazil: May Exu Give Me the Power of Speech2 Mexico: e Grandma in the Closet3 Peru: e Blood of the Incas, the Blood of the Mandingas4 h e Dominican Republic: Black behind the Ears5 Haiti: From My Ashes I Rise God Is My Cause and My Sword6 Cuba: h e Next Cuban Revolution

  • The annotated African American folktales

    Henry Louis Gates, Jr Henry Louis Gates et al.•BOOK•The annotated African American…•2018

    The New Annotated African American Folktales revolutionises the canon like no other volume. Henry Louis Gates Jr and Maria Tatar assemble a ground-breaking collection of folktales, myths and legends that revitalise a vibrant African American past. Beginning with introductory essays and 20 seminal African tales, Gates and Tatar present nearly 150 African American stories, among them familiar Brer Rabbit classics but also stories like Witches Who R…

  • The Image of the Black in African and Asian Art

    David Bindman, Henry Louis Gates et al.•BOOK•The image of the Black in African…•2017•Cited by: 1

    BOOKThe Image of the Black in African and Asian ArtDavid Bindman (Editor), Henry Louis Gates Jr. (Editor), Suzanne Preston Blier (Editor) https://doi.org/10.37862/aaeportal.00136 Stable URL: https://aaeportal.com/?id=-17826Copy The Image of the Black in African and Asian Art asks how the black figure was depicted by artists from the non-Western world. Beginning with ancient Egypt—positioned properly as part of African history—this volume focuses …

  • The Fateful Triangle: Race, Ethnicity, Nation

    Open Access•Stuart Hall, Jr Henry Louis Gates et al.•BOOK•Fateful Triangle•2017•Cited by: 32

    This collection of Stuart Hall's later writings explores the complex and often fraught relationship between race, ethnicity, and nation. Hall argues that these concepts are not fixed or essentialist categories, but rather fluid and contested social constructs that are constantly being redefined and renegotiated. He examines how these concepts have been used to create and maintain social hierarchies and inequalities, and how they can also be used …

  • Dictionary of Caribbean and Afro–Latin American Biography

    Franklin W Knight, Henry Louis Gates et al.•BOOK•Dictionary of Caribbean and…•2016

    Two entries in the Dictionary of Caribbean and Afro-Latin American Biography: Gastón Baquero and Lino Ayllón D'ou

  • The Image of the Black in Western Art, Volume V: The Twentieth Century, Part 1: The Impact of Africa

    David Bindman, Henry Louis Gates et al.•BOOK•Image of the Black in Western Art…•2014

    BOOKThe Image of the Black in Western Art, Volume V: The Twentieth Century, Part 1: The Impact of AfricaDavid Bindman (Editor), Henry Louis Gates Jr. (Editor) https://doi.org/10.37862/aaeportal.00145 Stable URL: https://aaeportal.com/?id=-17704Copy In the 1960s, art patrons Dominique and Jean de Menil founded an image archive showing the ways that people of African descent have been represented in Western art from the ancient world to modern time…

  • The African Americans: Many Rivers to Cross

    Henry Louis Gates, Jr Henry Louis Gates et al.•BOOK•The African Americans•2013

    Chronicles five hundred years of African-American history from the origins of slavery on the African continent through Barack Obama's second presidential term, examining contributing political and cultural events

  • The Oxford Handbook of African American Citizenship, 1865-Present

    Jr Henry Louis Gates, Matt Dawson et al.•BOOK•The Oxford handbook of African…•2012

    When newly liberated African American slaves attempted to enter the marketplace and exercise their rights as citizens of the United States in 1865, few, if any, Americans expected that, a century and a half later, the class divide between black and white Americans would be as wide as it is today. The United States has faced several potential key turning points in the status of African Americans over the course of its history, yet at each of these…

  • The Image Of The Black In Western Art

    Jr Henry Louis Gates•BOOK•The Image Of The Black In Western…•2010

  • The Image Of The Black In Western Art

    Jr Henry Louis Gates•BOOK•The Image Of The Black In Western…•2010

  • The Image of the Black in Western Art, Volume III: From the "Age of Discovery" to the Age of Abolition, Part 1: Artists of the Renaissance and Baroque

    David Bindman, Jr Henry Louis Gates et al.•BOOK•The Image of the Black in Western…•2010

  • Lincoln on Race and Slavery

    Jr Henry Louis Gates, Henry Louis Gates et al.•BOOK•Lincoln on Race and Slavery•2009

  • The New Negro: Readings on Race, Representation, and African American Culture, 1892-1938

    Henry Louis Jr Gates, Jr Henry Louis Gates et al.•BOOK•New Negro•2008

  • Third World of Theory: Enlightenment's Esau

    Henry Louis Gates, Henry Louis Gates Jr et al.•ARTICLE•Critical Inquiry•2008•Cited by: 1

  • Gay Rebel of the Harlem Renaissance: Selections from the Work of Richard Bruce Nugent

    Richard Bruce Nugent, Jr Henry Louis Gates et al.•BOOK•Gay Rebel of the Harlem Renaissance•2002

    Richard Bruce Nugent (1906–1987) was a writer, painter, illustrator, and popular bohemian personality who lived at the center of the Harlem Renaissance. Protégé of Alain Locke, roommate of Wallace Thurman, and friend of Langston Hughes and Zora Neale Hurston, the precocious Nugent stood for many years as the only African-American writer willing to clearly pronounce his homosexuality in print. His contribution to the landmark publication FIRE!!, “…

  • The Philadelphia Negro: A Social Study

    W E B Du Bois, Elijah Anderson et al.•BOOK•Philadelphia Negro•1996

  • Colored People: A Memoir

    Open Access•Henry Louis Gates, Jr Henry Louis Gates•BOOK•Colored people•1994

  • The Slave’s Narrative

    C Todd Davis, Henry Louis Gates et al.•BOOK•The Slave's narrative•1991•Cited by: 2

    These autobiographies of Afro-American ex-slaves comprise the largest body of literature produced by slaves in human history. The book consists of three sections: selected reviews of slave narratives, dating from 1750 to 1861; essays examining how such narratives serve as historical material; and essays exploring the narratives as literary artifacts

  • To Make a Poet Black

    J Saunders Redding, Jr Henry Louis Gates et al.•BOOK•To Make a Poet Black•1988

    This classic study of American Black poetry, first published in 1939 and long out of print, is the work of perhaps the pre-eminent figure in Black Studies of the past two generations. A major contribution to the history of Black thought in America, it ranges widely, beginning in the late eighteenth century with Jupiter Hammon, the first American Black writer, and ending in the 1930s with Countee Cullen and Langston Hughes

  • The Trope of a New Negro and the Reconstruction of the Image of the Black

    Henry Louis Gates, Henry Louis Gates Jr et al.•ARTICLE•Representations•1988•Cited by: 16

    Research Article| October 01 1988 The Trope of a New Negro and the Reconstruction of the Image of the Black Henry Louis Gates,, Jr. Henry Louis Gates,, Jr. Search for other works by this author on: This Site PubMed Google Scholar Representations (1988) 24: 129–155. https://doi.org/10.2307/2928478 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon Tools Get Per…

Next
  • Dusk of dawn: An Essay Toward an Autobiography of a Race Concept

    Anthony Appiah, Jr Henry Louis Gates et al.•BOOK•Dusk of dawn•1984•Cited by: 87

  • The Fateful Triangle: Race, Ethnicity, Nation

    Open Access•Stuart Hall, Jr Henry Louis Gates et al.•BOOK•Fateful Triangle•2017•Cited by: 32

    This collection of Stuart Hall's later writings explores the complex and often fraught relationship between race, ethnicity, and nation. Hall argues that these concepts are not fixed or essentialist categories, but rather fluid and contested social constructs that are constantly being redefined and renegotiated. He examines how these concepts have been used to create and maintain social hierarchies and inequalities, and how they can also be used …

  • The Suppression of the African Slave-Trade to the United States of America, 1638-1870

    W E Burghardt Du Bois, William Edward Burghardt Du Bois et al.•BOOK•Suppression of the African…•1896•Cited by: 29

  • The Trope of a New Negro and the Reconstruction of the Image of the Black

    Henry Louis Gates, Henry Louis Gates Jr et al.•ARTICLE•Representations•1988•Cited by: 16

    Research Article| October 01 1988 The Trope of a New Negro and the Reconstruction of the Image of the Black Henry Louis Gates,, Jr. Henry Louis Gates,, Jr. Search for other works by this author on: This Site PubMed Google Scholar Representations (1988) 24: 129–155. https://doi.org/10.2307/2928478 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon Tools Get Per…

  • The Slave’s Narrative

    C Todd Davis, Henry Louis Gates et al.•BOOK•The Slave's narrative•1991•Cited by: 2

    These autobiographies of Afro-American ex-slaves comprise the largest body of literature produced by slaves in human history. The book consists of three sections: selected reviews of slave narratives, dating from 1750 to 1861; essays examining how such narratives serve as historical material; and essays exploring the narratives as literary artifacts

  • The Image of the Black in African and Asian Art

    David Bindman, Henry Louis Gates et al.•BOOK•The image of the Black in African…•2017•Cited by: 1

    BOOKThe Image of the Black in African and Asian ArtDavid Bindman (Editor), Henry Louis Gates Jr. (Editor), Suzanne Preston Blier (Editor) https://doi.org/10.37862/aaeportal.00136 Stable URL: https://aaeportal.com/?id=-17826Copy The Image of the Black in African and Asian Art asks how the black figure was depicted by artists from the non-Western world. Beginning with ancient Egypt—positioned properly as part of African history—this volume focuses …

  • Third World of Theory: Enlightenment's Esau

    Henry Louis Gates, Henry Louis Gates Jr et al.•ARTICLE•Critical Inquiry•2008•Cited by: 1

  • The Suppression of the African Slave-Trade to the United States of America, 1638-1870

    W E Burghardt Du Bois, William Edward Burghardt Du Bois et al.•BOOK•Suppression of the African…•1896•Cited by: 29

  • Africa, its geography, people, and products: And, Africa, its place in modern history

    W E B Du Bois, Emmanuel Kwaku Akyeampong et al.•BOOK•Africa, its geography, people,…•1930

    Series Introduction: The Black Letters on the Sign Introduction Africa, Its Geography, People and Products -The Geography of Africa -The People -The Languages -The Products -Political Divisions of Africa -Independent Africa -Partially Independent Africa -British Protectorates in South Africa -Mandated Territories -Belgian Africa -French Africa -Portuguese Africa -Spanish Africa Africa-Its Place in Modern History Index William Edward Burghardt Du …

  • Dusk of dawn: An Essay Toward an Autobiography of a Race Concept

    Anthony Appiah, Jr Henry Louis Gates et al.•BOOK•Dusk of dawn•1984•Cited by: 87

  • Figures in Black: Words, Signs, and the "Racial" Self

    Jr Henry Louis Gates•BOOK•Figures in Black•1987

  • To Make a Poet Black

    J Saunders Redding, Jr Henry Louis Gates et al.•BOOK•To Make a Poet Black•1988

    This classic study of American Black poetry, first published in 1939 and long out of print, is the work of perhaps the pre-eminent figure in Black Studies of the past two generations. A major contribution to the history of Black thought in America, it ranges widely, beginning in the late eighteenth century with Jupiter Hammon, the first American Black writer, and ending in the 1930s with Countee Cullen and Langston Hughes

  • The Trope of a New Negro and the Reconstruction of the Image of the Black

    Henry Louis Gates, Henry Louis Gates Jr et al.•ARTICLE•Representations•1988•Cited by: 16

    Research Article| October 01 1988 The Trope of a New Negro and the Reconstruction of the Image of the Black Henry Louis Gates,, Jr. Henry Louis Gates,, Jr. Search for other works by this author on: This Site PubMed Google Scholar Representations (1988) 24: 129–155. https://doi.org/10.2307/2928478 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon Tools Get Per…

  • The Slave’s Narrative

    C Todd Davis, Henry Louis Gates et al.•BOOK•The Slave's narrative•1991•Cited by: 2

    These autobiographies of Afro-American ex-slaves comprise the largest body of literature produced by slaves in human history. The book consists of three sections: selected reviews of slave narratives, dating from 1750 to 1861; essays examining how such narratives serve as historical material; and essays exploring the narratives as literary artifacts

  • Colored People: A Memoir

    Open Access•Henry Louis Gates, Jr Henry Louis Gates•BOOK•Colored people•1994

  • The Philadelphia Negro: A Social Study

    W E B Du Bois, Elijah Anderson et al.•BOOK•Philadelphia Negro•1996

  • Gay Rebel of the Harlem Renaissance: Selections from the Work of Richard Bruce Nugent

    Richard Bruce Nugent, Jr Henry Louis Gates et al.•BOOK•Gay Rebel of the Harlem Renaissance•2002

    Richard Bruce Nugent (1906–1987) was a writer, painter, illustrator, and popular bohemian personality who lived at the center of the Harlem Renaissance. Protégé of Alain Locke, roommate of Wallace Thurman, and friend of Langston Hughes and Zora Neale Hurston, the precocious Nugent stood for many years as the only African-American writer willing to clearly pronounce his homosexuality in print. His contribution to the landmark publication FIRE!!, “…

  • The New Negro: Readings on Race, Representation, and African American Culture, 1892-1938

    Henry Louis Jr Gates, Jr Henry Louis Gates et al.•BOOK•New Negro•2008

  • Third World of Theory: Enlightenment's Esau

    Henry Louis Gates, Henry Louis Gates Jr et al.•ARTICLE•Critical Inquiry•2008•Cited by: 1

  • Lincoln on Race and Slavery

    Jr Henry Louis Gates, Henry Louis Gates et al.•BOOK•Lincoln on Race and Slavery•2009

  • The Image Of The Black In Western Art

    Jr Henry Louis Gates•BOOK•The Image Of The Black In Western…•2010

  • The Image Of The Black In Western Art

    Jr Henry Louis Gates•BOOK•The Image Of The Black In Western…•2010

  • The Image of the Black in Western Art, Volume III: From the "Age of Discovery" to the Age of Abolition, Part 1: Artists of the Renaissance and Baroque

    David Bindman, Jr Henry Louis Gates et al.•BOOK•The Image of the Black in Western…•2010

  • The Oxford Handbook of African American Citizenship, 1865-Present

    Jr Henry Louis Gates, Matt Dawson et al.•BOOK•The Oxford handbook of African…•2012

    When newly liberated African American slaves attempted to enter the marketplace and exercise their rights as citizens of the United States in 1865, few, if any, Americans expected that, a century and a half later, the class divide between black and white Americans would be as wide as it is today. The United States has faced several potential key turning points in the status of African Americans over the course of its history, yet at each of these…

  • The African Americans: Many Rivers to Cross

    Henry Louis Gates, Jr Henry Louis Gates et al.•BOOK•The African Americans•2013

    Chronicles five hundred years of African-American history from the origins of slavery on the African continent through Barack Obama's second presidential term, examining contributing political and cultural events

  • The Image of the Black in Western Art, Volume V: The Twentieth Century, Part 1: The Impact of Africa

    David Bindman, Henry Louis Gates et al.•BOOK•Image of the Black in Western Art…•2014

    BOOKThe Image of the Black in Western Art, Volume V: The Twentieth Century, Part 1: The Impact of AfricaDavid Bindman (Editor), Henry Louis Gates Jr. (Editor) https://doi.org/10.37862/aaeportal.00145 Stable URL: https://aaeportal.com/?id=-17704Copy In the 1960s, art patrons Dominique and Jean de Menil founded an image archive showing the ways that people of African descent have been represented in Western art from the ancient world to modern time…

  • Dictionary of Caribbean and Afro–Latin American Biography

    Franklin W Knight, Henry Louis Gates et al.•BOOK•Dictionary of Caribbean and…•2016

    Two entries in the Dictionary of Caribbean and Afro-Latin American Biography: Gastón Baquero and Lino Ayllón D'ou

  • The Image of the Black in African and Asian Art

    David Bindman, Henry Louis Gates et al.•BOOK•The image of the Black in African…•2017•Cited by: 1

    BOOKThe Image of the Black in African and Asian ArtDavid Bindman (Editor), Henry Louis Gates Jr. (Editor), Suzanne Preston Blier (Editor) https://doi.org/10.37862/aaeportal.00136 Stable URL: https://aaeportal.com/?id=-17826Copy The Image of the Black in African and Asian Art asks how the black figure was depicted by artists from the non-Western world. Beginning with ancient Egypt—positioned properly as part of African history—this volume focuses …

  • The Fateful Triangle: Race, Ethnicity, Nation

    Open Access•Stuart Hall, Jr Henry Louis Gates et al.•BOOK•Fateful Triangle•2017•Cited by: 32

    This collection of Stuart Hall's later writings explores the complex and often fraught relationship between race, ethnicity, and nation. Hall argues that these concepts are not fixed or essentialist categories, but rather fluid and contested social constructs that are constantly being redefined and renegotiated. He examines how these concepts have been used to create and maintain social hierarchies and inequalities, and how they can also be used …

  • The annotated African American folktales

    Henry Louis Gates, Jr Henry Louis Gates et al.•BOOK•The annotated African American…•2018

    The New Annotated African American Folktales revolutionises the canon like no other volume. Henry Louis Gates Jr and Maria Tatar assemble a ground-breaking collection of folktales, myths and legends that revitalise a vibrant African American past. Beginning with introductory essays and 20 seminal African tales, Gates and Tatar present nearly 150 African American stories, among them familiar Brer Rabbit classics but also stories like Witches Who R…

  • Black in Latin America

    Henry Louis Gates, Henry Louis Gates Jr et al.•BOOK•Black in Latin America•2020

    1 Brazil: May Exu Give Me the Power of Speech2 Mexico: e Grandma in the Closet3 Peru: e Blood of the Incas, the Blood of the Mandingas4 h e Dominican Republic: Black behind the Ears5 Haiti: From My Ashes I Rise God Is My Cause and My Sword6 Cuba: h e Next Cuban Revolution

  • The Black Church: This Is Our Story, This Is Our Song

    Henry Louis Gates, Jr Henry Louis Gates•BOOK•The Black Church•2021

    For the young Henry Louis Gates, Jr., growing up in a small, residentially segregated West Virginia town, the church was a center of gravity--an intimate place where voices rose up in song and neighbors gathered to celebrate life's blessings and offer comfort amid its trials and tribulations. In this tender and expansive reckoning with the meaning of the Black Church in America, Gates takes us on a journey spanning more than five centuries, from …

History (21 works) · African americans (12 works) · Race, History, and American Society (11 works) · Art (10 works) · united states (10 works) · History (9 works) · Art history (6 works) · History (6 works) · Political science (6 works) · race relations (6 works)

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