Boulou Ebanda De B'Béri

Biographic Data

ID4539741
NAMEBoulou Ebanda De B'Béri
GIVEN NAMESBoulou Ebanda
FAMILY NAMEDe B'Béri
SIGNATUREBÉRI B E B
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS9
AUTHOR COUNT5
EDITOR COUNT0
FIRST PUBLICATION YEAR2008
LATEST PUBLICATION YEAR2025
H-INDEX1

  • The Black Press

    Claudine Bonner, Boulou Ebanda De B'Béri et al.BOOKThe Black Press2025

    The Black Press brings together original, multidisciplinary research that explores the history and impact of Black newspapers in Canada. This collection of essays introduces readers to the rich archive of Black Canadian journalism, spanning the period from the abolitionist to the modern civil rights era, and reveals the extensive network of African and African-descended activist-journalists. The book positions Black Canadian journalists, editors,…

  • Transgeographical Practices of Marronage in Some African Films

    Boulou Ebanda De B'Béri, Boulou Ebanda de B’bériARTICLECultural Studies2009

    In this article, I mobilize the notion of ‘marronage’ to analyze the ways in which specific practices of representation allow us to observe transgeographical practices of expression in the films of Raoul Peck, Abderrahmane Sissako, and Jean-Marie Téno. I suggest that the works of these three filmmakers are not relational and do not attempt to recuperate colonial and imperial experience in Africa as a means to remind us about the ‘efficacy’ (effec…

  • White America's Construction of Black Bodies

    Boulou Ebanda De B'Béri, Boulou Ebanda de B’béri et al.ARTICLEJournal of International and…2009Cited by: 8References: 2

    This paper mobilizes the works of Stuart Hall, Colin King, and George Yancy as theoretical lenses for a discursive analysis of a significant sport event that occurred during a Detroit Pistons versus Indiana Pacers National Basketball Association (NBA) game in Auburn Hills, Michigan on December 19, 2004. This event began when Ron Artest, a member of the Indiana Pacers, shoved Detroit Pistons player Ben Wallace after a hard foul. The fight escalate…

  • Key concepts in the work of Arnold Shepperson

    Boulou Ebanda De B'Béri, Boulou Ebanda de B’béri et al.ARTICLECritical Arts2009References: 5

    This article is divided into two main sections. The first section exposes the ways in which the work of Shepperson mobilises the concept of communication, while the second focuses on the concept of collaboration. First, we want to show how the work of Shepperson tackles the study of communication, by paradoxically adopting and rearticulating at the same time the theoretical linearity of the sender–receiver model, which was then the widely accepte…

  • Africanicity in Black Cinema

    Boulou Ebanda De B''Béri, Boulou Ebanda De B'Béri et al.ARTICLECultural Studies2008Cited by: 1References: 5

    This essay reviews the conceptual tensions between black cultural and political identity in order to discern new conjunctural ‘practices of identity’ occurring, specifically, in some black films. It suggests that a specific paradigm of communication, such as ‘historical affective re-enactment’, can illustrate the ways in which blacks articulate their identity through the medium of cinema. Examination of this paradigm as a discursive practice of ‘…