Kristina Baudemann
Biographic Data
| ID | 454209 |
|---|---|
| NAME | Kristina Baudemann |
| GIVEN NAMES | Kristina |
| FAMILY NAME | Baudemann |
| SIGNATURE | BAUDEMANN K |
| AFFILIATIONS | Europa-Universität Flensburg |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
Future Imaginary in Indigenous North American Arts and Literatures
The Future Imaginary in Indigenous North American Arts and Literatures
This book examines the future in Indigenous North American speculative literature and digital arts. Asking how different Indigenous works imagine the future and how they negotiate settler colonial visions of what is to come, the chapters illustrate that the future is not an immutable entity but a malleable textual/digital product that can function as both a colonial tool and a catalyst for decolonization. Central to this study is the development …
Fragmentary transmissions
Listener is a foray into the Indigenous future. In her performance Kite impersonates a cloaked diasporic Oglála wanderer who listens for transmissions beyond the range of the humanly audible. This article provides different frameworks with which to approach Listener. Kite (Oglála Lakȟóta) will give insight into her background, introduce her art, and discuss some of the guiding questions behind it. This is followed by a dialogue with Baudemann, a …
Removed to the Signifier
This article deals with the speculative utopia in Stephen Graham Jones’s the bird is gone: a monograph manifesto (2003). Arguing that Jones foregrounds the utopian traits of US-American colonialism, specifically of Andrew Jackson’s Indian Removal policy, I explore the conditions of a postcolonial — or rather decolonial — Indigenous-centered utopia. As exemplified in Jones’s monograph manifesto, the latter does not consist in setting Indigenous co…
I Have Seen the Future and I Won't Go”
"I HAVE SEEN THE FUTURE AND I WON'T GO"The Comic Vision of Craig Strete's Science Fiction Stories Kristina Baudemann (bio) I HAVE SEEN THE FUTURE AND I WON'T GO. (popular folksong from 2074.) (Crazy Horse, his dying words, 1876.) —Craig Strete, "A Horse of a Different Technicolor" Indigenous science fiction (SF) is not a new genre. In the 1970s and early 1980s, Indigenous speculative voices presented an Indigenous-centered take on time travel, ap…
The Future Imaginary in Indigenous North American Arts and Literatures
This book examines the future in Indigenous North American speculative literature and digital arts. Asking how different Indigenous works imagine the future and how they negotiate settler colonial visions of what is to come, the chapters illustrate that the future is not an immutable entity but a malleable textual/digital product that can function as both a colonial tool and a catalyst for decolonization. Central to this study is the development …
I Have Seen the Future and I Won't Go”
"I HAVE SEEN THE FUTURE AND I WON'T GO"The Comic Vision of Craig Strete's Science Fiction Stories Kristina Baudemann (bio) I HAVE SEEN THE FUTURE AND I WON'T GO. (popular folksong from 2074.) (Crazy Horse, his dying words, 1876.) —Craig Strete, "A Horse of a Different Technicolor" Indigenous science fiction (SF) is not a new genre. In the 1970s and early 1980s, Indigenous speculative voices presented an Indigenous-centered take on time travel, ap…
Removed to the Signifier
This article deals with the speculative utopia in Stephen Graham Jones’s the bird is gone: a monograph manifesto (2003). Arguing that Jones foregrounds the utopian traits of US-American colonialism, specifically of Andrew Jackson’s Indian Removal policy, I explore the conditions of a postcolonial — or rather decolonial — Indigenous-centered utopia. As exemplified in Jones’s monograph manifesto, the latter does not consist in setting Indigenous co…
Fragmentary transmissions
Listener is a foray into the Indigenous future. In her performance Kite impersonates a cloaked diasporic Oglála wanderer who listens for transmissions beyond the range of the humanly audible. This article provides different frameworks with which to approach Listener. Kite (Oglála Lakȟóta) will give insight into her background, introduce her art, and discuss some of the guiding questions behind it. This is followed by a dialogue with Baudemann, a …
Future Imaginary in Indigenous North American Arts and Literatures
The Future Imaginary in Indigenous North American Arts and Literatures
This book examines the future in Indigenous North American speculative literature and digital arts. Asking how different Indigenous works imagine the future and how they negotiate settler colonial visions of what is to come, the chapters illustrate that the future is not an immutable entity but a malleable textual/digital product that can function as both a colonial tool and a catalyst for decolonization. Central to this study is the development …
Art (4 works) · Indigenous (4 works) · History (3 works) · Literature (3 works) · Sociology (3 works) · American fiction (2 works) · American Science fiction (2 works) · Anthropology (2 works) · Art history (2 works) · Arts indiens d'Amérique (2 works)