Clémence O'Connor
Biographic Data
| ID | 4545057 |
|---|---|
| NAME | Clémence O'Connor |
| GIVEN NAMES | Clémence |
| FAMILY NAME | O'Connor |
| SIGNATURE | CONNOR C O |
| AFFILIATIONS | University of Aberdeen |
| VERIFIED | No |
| TOTAL WORKS | 1 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 1 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2010 |
| H-INDEX | 0 |
Translating Non-Figuration
This article explores the dialogue between poems by Heather Dohollau and art forms that seem particularly alien to verbal ordering, namely so-called 'abstract' canvases by Joan Mitchell ( No Daisies ) and Geneviève Asse ( Sans titre , 1988). Dohollau's ekphrastic texts relate to the painting's verbal element - its title - which teases us into identifying objects in the painting even as it forbids us to do so. Representational instability is refle…
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Translating Non-Figuration
This article explores the dialogue between poems by Heather Dohollau and art forms that seem particularly alien to verbal ordering, namely so-called 'abstract' canvases by Joan Mitchell ( No Daisies ) and Geneviève Asse ( Sans titre , 1988). Dohollau's ekphrastic texts relate to the painting's verbal element - its title - which teases us into identifying objects in the painting even as it forbids us to do so. Representational instability is refle…
Art (1 work) · Art history (1 work) · History (1 work) · Literature (1 work) · Photography and Visual Culture (1 work) · Poetry (1 work) · Visual arts (1 work) · Visual Culture and Art Theory (1 work)