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Mick Gidley

Biographic Data

ID454548
NAMEMick Gidley
GIVEN NAMESMick
FAMILY NAMEGidley
SIGNATUREGIDLEY M
AFFILIATIONSEmeritus, University of Leeds
VERIFIEDNo
TOTAL WORKS24
TOTAL CITATIONS3
AUTHOR COUNT21
EDITOR COUNT3
FIRST PUBLICATION YEAR1978
LATEST PUBLICATION YEAR2020
H-INDEX1
  • The Grass Shall Grow: Helen Post Photographs the Native American West

    Mick Gidley•BOOK•Grass Shall Grow•2020

  • Making photography matter: A viewer's history from the Civil War to the Great Depression by Cara A. Finnegan

    Mick Gidley•ARTICLE•Visual Studies•2017

    Making photography matter: A viewer’s history from the Civil War to the Great Depression by Cara A. Finnegan." Visual Studies, 32(1), pp. 88–89

  • E. O. Hoppé’s Portraiture: The Maker, Patronage, the Public

    Mick Gidley•ARTICLE•History of Photography•2014

    Emil Otto Hoppé established himself as the leading producer of photographic portraits in Edwardian London, a position he augmented until the mid-1920s. Particular aesthetic, psychological and philosophical ideas undergirded his practices – practices which, in some respects, were then unconventional. His portrait work helped him to achieve some celebrity as an influential cultural figure, and this status in turn advanced his career as a portrait m…

  • Diane Arbus’s 1960s: Auguries of Experience

    Mick Gidley•ARTICLE•History of Photography•2013

    Frederick Gross. University of Minnesota Press, Minneapolis and London, 2012. 278 pages, with no illustrations. Softcover $24.95, ISBN 978-0-816-67012-3.Diane Arbus’s 1960s provides a welcome depar

  • E. O. Hoppé's Ambiguous Photographic Autobiographies

    Mick Gidley•ARTICLE•Photography and Culture•2013

    Emil Otto Hoppé enjoyed an extraordinary photographic career, first as a maker of portraits but later in many other genres. He was also something of a celebrity, a status that both advanced his photographic work and gave him entrée into other aspects of culture. He fostered his fame by publishing a variety of autobiographical texts illustrated by his own photographs, the most important of which are a travel book, Round the World with a Camera and…

  • Shaped by War: Photographs by Don McCullin

    Mick Gidley•ARTICLE•Photography and Culture•2011

    (2011). Shaped by War: Photographs by Don McCullin. Photography and Culture: Vol. 4, No. 2, pp. 221-224

  • Native North American art: Archaeology

    Deborah A Middleton, Mick Gidley•CHAPTER•2003

  • Native North American art: Photography

    Mick Gidley•CHAPTER•2003

  • Native North American art: Museums, collections, and exhibitions

    Mary E Graham, Mary Graham et al.•CHAPTER•2003

  • Native North American art

    Paul Apodaca, Christian F Feest et al.•CHAPTER•2003

  • Culture in the Marketplace: Gender, Art, and Value in the American Southwest

    Mick Gidley, Molly H Mullin•ARTICLE•Journal of American History•2002

    Journal Article Culture in the Marketplace: Gender, Art, and Value in the American Southwest. By Molly H. Mullin. (Durham: Duke University Press, 2001. 232 pp. Cloth, $54.95, ISBN 0-8223-2610-8. Paper, $18.95, ISBN 0-8223-2618-3.) Get access Mick Gidley Mick Gidley University of LeedsLeeds, United Kingdom Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 89, Issue 1, June 2002, Page 252, …

  • John Warfield Simpson's 'Visions of Paradise: Glimpses of Out Landscape's Legacy

    Open Access•Mick Gidley•ARTICLE•American Studies in Scandinavia•1999

  • Edmund S. Curtis and the North American Indian, Incorporated

    Edward J Gallagher, Mick Gidley•ARTICLE•The American Indian Quarterly•1999

  • Views of American Landscapes

    John Seelye, Mick Gidley et al.•ARTICLE•Journal of the Early Republic•1992

    Introduction Mick Gidley and Robert Lawson-Peebles Part I. Prospects: 2. 'Gilded backgrounds': reflections on the perception of space and landscape in America Clive Bush 3. The impermanent sublime: nature, photography and the Petrarchan tradition Olaf Hansen 4. American landscape and the figure of anticipation: paradox and recourse Stephen Fender 5. Trails of topographic notions: expeditionary photography in the American West Philip Stokes Part I…

  • The Repeated return of the Vanishing Indian

    Mick Gidley•CHAPTER•American Studies•1991

  • Views of American Landscapes

    John A Jakle, John Jakle et al.•ARTICLE•Journal of American History•1991

    Journal Article Views of American Landscapes. Ed. by Mick Gidley and Robert Lawson-Peebles. (Cambridge: Cambridge University Press, 1989. xxiv + 227 pp. $39.50.) Get access John Jakle John Jakle University of Illinois, Urbana Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 78, Issue 1, June 1991, Pages 278–279, https://doi.org/10.2307/2078105 Published: 01 June 1991

  • With One Sky above Us: Life on an American Indian Reservation at the Turn of the Century

    William A Turnbaugh, Mick Gidley•ARTICLE•The American Indian Quarterly•1987

  • II. Hoppé's Romantic America

    Open Access•Mick Gidley•ARTICLE•Studies in Visual Communication•1985

  • North American Indian PhotographsIImages

    Open Access•Mick Gidley•ARTICLE•American Indian Culture and…•1985•Cited by: 1

  • Kopet: A Documentary Narrative of Chief Joseph's Last Years

    Fred Hoxie, Mick Gidley•ARTICLE•The American Indian Quarterly•1984•Cited by: 1

  • Kopet: A Documentary Narrative of Chief Joseph's Last Years

    Haruo Aoki, Mick Gidley•ARTICLE•Western Historical Quarterly•1983

    Journal Article Kopet: A Documentary Narrative of Chief Joseph's Last Years Get access Kopet: A Documentary Narrative of Chief Joseph's Last Years. By Gidley M.. (Seattle: University of Washington Press, 1981. xv + 109 pp. Illustrations, map, notes, bibliography, index. $19.95.) Haruo Aoki Haruo Aoki University of California, Berkeley Search for other works by this author on: Oxford Academic Google Scholar Western Historical Quarterly, Volume 14,…

  • "From the Hopi Snake Dance to "The Ten Commandments: Edward S. Curtis as Filmmaker

    Open Access•Mick Gidley•ARTICLE•Studies in Visual Communication•1982•Cited by: 1

  • Edward S. Curtis speaks

    Mick Gidley•ARTICLE•History of Photography•1978

    Edward Sheriff Curtis (1868-1952)Footnote 1 was born in Wisconsin and grew to early manhood there and in Minnesota, where he may have worked in a St. Paul studio. In 1887 he migrated to Sidney, now known as Port Orchard, across Puget Sound from Seattle. By 1892 Curtis was a partner in a Seattle photographic studio and later—though he was always assisted by family members, such as his nephew by marriage, William W. Phillips, and by professional op…

  • William Faulkner and Willard Huntington Wright's The Creative Will

    Mick Gidley•ARTICLE•Canadian Review of American Studies•1978

    Commenting on an article by Louis Cochran in 1932, Faulkner's one-time friend and mentor Phil Stone wrote: "You have left out of your article all mention of'The Creative Will' by Willard Huntington Wright, the S.S. Van Dine of popular Detective fiction. I think this is a serious omission because the aesthetic theories set forth in that book, strained through my own mind, constitutes [sic] one of the most important influences in Bill's whole liter…

  • North American Indian PhotographsIImages

    Open Access•Mick Gidley•ARTICLE•American Indian Culture and…•1985•Cited by: 1

  • Kopet: A Documentary Narrative of Chief Joseph's Last Years

    Fred Hoxie, Mick Gidley•ARTICLE•The American Indian Quarterly•1984•Cited by: 1

  • "From the Hopi Snake Dance to "The Ten Commandments: Edward S. Curtis as Filmmaker

    Open Access•Mick Gidley•ARTICLE•Studies in Visual Communication•1982•Cited by: 1

  • Edward S. Curtis speaks

    Mick Gidley•ARTICLE•History of Photography•1978

    Edward Sheriff Curtis (1868-1952)Footnote 1 was born in Wisconsin and grew to early manhood there and in Minnesota, where he may have worked in a St. Paul studio. In 1887 he migrated to Sidney, now known as Port Orchard, across Puget Sound from Seattle. By 1892 Curtis was a partner in a Seattle photographic studio and later—though he was always assisted by family members, such as his nephew by marriage, William W. Phillips, and by professional op…

  • William Faulkner and Willard Huntington Wright's The Creative Will

    Mick Gidley•ARTICLE•Canadian Review of American Studies•1978

    Commenting on an article by Louis Cochran in 1932, Faulkner's one-time friend and mentor Phil Stone wrote: "You have left out of your article all mention of'The Creative Will' by Willard Huntington Wright, the S.S. Van Dine of popular Detective fiction. I think this is a serious omission because the aesthetic theories set forth in that book, strained through my own mind, constitutes [sic] one of the most important influences in Bill's whole liter…

  • "From the Hopi Snake Dance to "The Ten Commandments: Edward S. Curtis as Filmmaker

    Open Access•Mick Gidley•ARTICLE•Studies in Visual Communication•1982•Cited by: 1

  • Kopet: A Documentary Narrative of Chief Joseph's Last Years

    Haruo Aoki, Mick Gidley•ARTICLE•Western Historical Quarterly•1983

    Journal Article Kopet: A Documentary Narrative of Chief Joseph's Last Years Get access Kopet: A Documentary Narrative of Chief Joseph's Last Years. By Gidley M.. (Seattle: University of Washington Press, 1981. xv + 109 pp. Illustrations, map, notes, bibliography, index. $19.95.) Haruo Aoki Haruo Aoki University of California, Berkeley Search for other works by this author on: Oxford Academic Google Scholar Western Historical Quarterly, Volume 14,…

  • Kopet: A Documentary Narrative of Chief Joseph's Last Years

    Fred Hoxie, Mick Gidley•ARTICLE•The American Indian Quarterly•1984•Cited by: 1

  • II. Hoppé's Romantic America

    Open Access•Mick Gidley•ARTICLE•Studies in Visual Communication•1985

  • North American Indian PhotographsIImages

    Open Access•Mick Gidley•ARTICLE•American Indian Culture and…•1985•Cited by: 1

  • With One Sky above Us: Life on an American Indian Reservation at the Turn of the Century

    William A Turnbaugh, Mick Gidley•ARTICLE•The American Indian Quarterly•1987

  • The Repeated return of the Vanishing Indian

    Mick Gidley•CHAPTER•American Studies•1991

  • Views of American Landscapes

    John A Jakle, John Jakle et al.•ARTICLE•Journal of American History•1991

    Journal Article Views of American Landscapes. Ed. by Mick Gidley and Robert Lawson-Peebles. (Cambridge: Cambridge University Press, 1989. xxiv + 227 pp. $39.50.) Get access John Jakle John Jakle University of Illinois, Urbana Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 78, Issue 1, June 1991, Pages 278–279, https://doi.org/10.2307/2078105 Published: 01 June 1991

  • Views of American Landscapes

    John Seelye, Mick Gidley et al.•ARTICLE•Journal of the Early Republic•1992

    Introduction Mick Gidley and Robert Lawson-Peebles Part I. Prospects: 2. 'Gilded backgrounds': reflections on the perception of space and landscape in America Clive Bush 3. The impermanent sublime: nature, photography and the Petrarchan tradition Olaf Hansen 4. American landscape and the figure of anticipation: paradox and recourse Stephen Fender 5. Trails of topographic notions: expeditionary photography in the American West Philip Stokes Part I…

  • John Warfield Simpson's 'Visions of Paradise: Glimpses of Out Landscape's Legacy

    Open Access•Mick Gidley•ARTICLE•American Studies in Scandinavia•1999

  • Edmund S. Curtis and the North American Indian, Incorporated

    Edward J Gallagher, Mick Gidley•ARTICLE•The American Indian Quarterly•1999

  • Culture in the Marketplace: Gender, Art, and Value in the American Southwest

    Mick Gidley, Molly H Mullin•ARTICLE•Journal of American History•2002

    Journal Article Culture in the Marketplace: Gender, Art, and Value in the American Southwest. By Molly H. Mullin. (Durham: Duke University Press, 2001. 232 pp. Cloth, $54.95, ISBN 0-8223-2610-8. Paper, $18.95, ISBN 0-8223-2618-3.) Get access Mick Gidley Mick Gidley University of LeedsLeeds, United Kingdom Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 89, Issue 1, June 2002, Page 252, …

  • Native North American art: Archaeology

    Deborah A Middleton, Mick Gidley•CHAPTER•2003

  • Native North American art: Photography

    Mick Gidley•CHAPTER•2003

  • Native North American art: Museums, collections, and exhibitions

    Mary E Graham, Mary Graham et al.•CHAPTER•2003

  • Native North American art

    Paul Apodaca, Christian F Feest et al.•CHAPTER•2003

  • Shaped by War: Photographs by Don McCullin

    Mick Gidley•ARTICLE•Photography and Culture•2011

    (2011). Shaped by War: Photographs by Don McCullin. Photography and Culture: Vol. 4, No. 2, pp. 221-224

  • Diane Arbus’s 1960s: Auguries of Experience

    Mick Gidley•ARTICLE•History of Photography•2013

    Frederick Gross. University of Minnesota Press, Minneapolis and London, 2012. 278 pages, with no illustrations. Softcover $24.95, ISBN 978-0-816-67012-3.Diane Arbus’s 1960s provides a welcome depar

  • E. O. Hoppé's Ambiguous Photographic Autobiographies

    Mick Gidley•ARTICLE•Photography and Culture•2013

    Emil Otto Hoppé enjoyed an extraordinary photographic career, first as a maker of portraits but later in many other genres. He was also something of a celebrity, a status that both advanced his photographic work and gave him entrée into other aspects of culture. He fostered his fame by publishing a variety of autobiographical texts illustrated by his own photographs, the most important of which are a travel book, Round the World with a Camera and…

  • E. O. Hoppé’s Portraiture: The Maker, Patronage, the Public

    Mick Gidley•ARTICLE•History of Photography•2014

    Emil Otto Hoppé established himself as the leading producer of photographic portraits in Edwardian London, a position he augmented until the mid-1920s. Particular aesthetic, psychological and philosophical ideas undergirded his practices – practices which, in some respects, were then unconventional. His portrait work helped him to achieve some celebrity as an influential cultural figure, and this status in turn advanced his career as a portrait m…

  • Making photography matter: A viewer's history from the Civil War to the Great Depression by Cara A. Finnegan

    Mick Gidley•ARTICLE•Visual Studies•2017

    Making photography matter: A viewer’s history from the Civil War to the Great Depression by Cara A. Finnegan." Visual Studies, 32(1), pp. 88–89

  • The Grass Shall Grow: Helen Post Photographs the Native American West

    Mick Gidley•BOOK•Grass Shall Grow•2020

Art (14 works) · History (13 works) · Art history (12 works) · History (10 works) · Visual arts (6 works) · Archaeology (5 works) · Geography (5 works) · Literature (5 works) · Photography and Visual Culture (5 works) · American Environmental and Regional History (4 works)

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