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Na'Ama Sheffi

Biographic Data

ID4549814
NAMENa'Ama Sheffi
GIVEN NAMESNa'Ama
FAMILY NAMESheffi
SIGNATURESHEFFI N A
AFFILIATIONSSchool of Communication Sapir College Sderot Israel
VERIFIEDNo
TOTAL WORKS8
TOTAL CITATIONS20
WORKS AS AUTHOR8
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1997
LATEST PUBLICATION YEAR2015
H-INDEX2
  • Borders and banknotes

    Open Access•Anat First, Na''Ama Sheffi et al.•ARTICLE•Nations and Nationalism•2015•Cited by: 9•References: 11

    Replacing a banknotes series is meaningful for politicians and the general public even today, while most transactions are executed through virtual means. The choice of images carried on banknotes represents the limits of the State's sovereign border and becomes a means of banal nationalism. Moreover, by utilising scopic regimes, the hegemony portrays the cultural and political borders: historical figures from the country's past on one side, and a…

  • Shifting boundaries

    Na’ama Sheffi, Na'Ama Sheffi•ARTICLE•The Journal of Israeli History•2009•References: 10

    This article examines Israeli children's magazines that were published in the weeks preceding and following the 1967 war in order to show the ways in which the war and its consequences were presented to the children. As common in times of war, the magazines' editors aimed to mobilize their readers to the national effort, establishing role models such as children living in settlements near the battlefront. Alongside the national jubilation that fo…

  • Between Collective Memory and Manipulation

    Na’ama Sheffi, Na'Ama Sheffi•ARTICLE•The Journal of Israeli History•2004•Cited by: 1

  • Jews, Germans and the Representation of Jud Süss in Literature and Film

    Na’ama Sheffi, Na'Ama Sheffi•ARTICLE•Jewish Culture and History•2003•References: 2

    The story of the renowned financier Joseph Süss Oppenheimer, Jud Süss, has appeared in numerous literary publications, many plays and two cinema features. Following a general presentation of Süss (1692?-1738), this article examines the various ways his character has been used throughout history as a way to define German-Jewish relations. This analysis shows that the same character was used to support anti-semitic arguments as well as for a philo-…

  • Israeli Education System in Search of a Pantheon of Heroes, 1948-1967

    Na’ama Sheffi, Na'Ama Sheffi•ARTICLE•Israel Studies•2002•Cited by: 6•References: 4

    ISRAELI'S FIRST 20 YEARS OF EXISTENCE as a state presented its education system with complex challenges: how to bridge the gaps between different educational trends administered by separate, autonomous systems; how to absorb thousands of immigrant children and conjure up out of nothing the additional educational institutions and teaching staff they required; and how to integrate older immigrants into Israeli society—a problem that was not, in pri…

  • The Hebrew absorption of German literature in the Yishuv

    Na’ama Sheffi, Na'Ama Sheffi•ARTICLE•Israel Affairs•1999•References: 2

  • The Jewish Expulsion from Spain and the Rise of National Socialism on the Hebrew Stage

    Na''Ama Sheffi, Na’ama Sheffi et al.•ARTICLE•Jewish Social Studies•1999•Cited by: 2

    En 1938, Max Zweig, Juif d'Europe centrale recemment emigre en Palestine, fit representer en hebreu au theâtre de Tel Aviv sa piece Die Marranen (Les Marranes), qui eut un succes phenomenal et fut redonne un tres grand nombre de fois avant l'existence de l'Etat hebreu. Dans cet article, l'A. examine la facon dont la production des Marranes et son accueil par le Yishuv refletaient la pensee et les questions historiques de l'epoque. Son but est d'e…

  • Who's afraid of Richard Wagner

    Na’ama Sheffi, Na'Ama Sheffi•ARTICLE•Patterns of Prejudice•1997•Cited by: 2•References: 1

  • Borders and banknotes

    Open Access•Anat First, Na''Ama Sheffi et al.•ARTICLE•Nations and Nationalism•2015•Cited by: 9•References: 11

    Replacing a banknotes series is meaningful for politicians and the general public even today, while most transactions are executed through virtual means. The choice of images carried on banknotes represents the limits of the State's sovereign border and becomes a means of banal nationalism. Moreover, by utilising scopic regimes, the hegemony portrays the cultural and political borders: historical figures from the country's past on one side, and a…

  • Israeli Education System in Search of a Pantheon of Heroes, 1948-1967

    Na’ama Sheffi, Na'Ama Sheffi•ARTICLE•Israel Studies•2002•Cited by: 6•References: 4

    ISRAELI'S FIRST 20 YEARS OF EXISTENCE as a state presented its education system with complex challenges: how to bridge the gaps between different educational trends administered by separate, autonomous systems; how to absorb thousands of immigrant children and conjure up out of nothing the additional educational institutions and teaching staff they required; and how to integrate older immigrants into Israeli society—a problem that was not, in pri…

  • The Jewish Expulsion from Spain and the Rise of National Socialism on the Hebrew Stage

    Na''Ama Sheffi, Na’ama Sheffi et al.•ARTICLE•Jewish Social Studies•1999•Cited by: 2

    En 1938, Max Zweig, Juif d'Europe centrale recemment emigre en Palestine, fit representer en hebreu au theâtre de Tel Aviv sa piece Die Marranen (Les Marranes), qui eut un succes phenomenal et fut redonne un tres grand nombre de fois avant l'existence de l'Etat hebreu. Dans cet article, l'A. examine la facon dont la production des Marranes et son accueil par le Yishuv refletaient la pensee et les questions historiques de l'epoque. Son but est d'e…

  • Who's afraid of Richard Wagner

    Na’ama Sheffi, Na'Ama Sheffi•ARTICLE•Patterns of Prejudice•1997•Cited by: 2•References: 1

  • Between Collective Memory and Manipulation

    Na’ama Sheffi, Na'Ama Sheffi•ARTICLE•The Journal of Israeli History•2004•Cited by: 1

  • Who's afraid of Richard Wagner

    Na’ama Sheffi, Na'Ama Sheffi•ARTICLE•Patterns of Prejudice•1997•Cited by: 2•References: 1

  • The Hebrew absorption of German literature in the Yishuv

    Na’ama Sheffi, Na'Ama Sheffi•ARTICLE•Israel Affairs•1999•References: 2

  • The Jewish Expulsion from Spain and the Rise of National Socialism on the Hebrew Stage

    Na''Ama Sheffi, Na’ama Sheffi et al.•ARTICLE•Jewish Social Studies•1999•Cited by: 2

    En 1938, Max Zweig, Juif d'Europe centrale recemment emigre en Palestine, fit representer en hebreu au theâtre de Tel Aviv sa piece Die Marranen (Les Marranes), qui eut un succes phenomenal et fut redonne un tres grand nombre de fois avant l'existence de l'Etat hebreu. Dans cet article, l'A. examine la facon dont la production des Marranes et son accueil par le Yishuv refletaient la pensee et les questions historiques de l'epoque. Son but est d'e…

  • Israeli Education System in Search of a Pantheon of Heroes, 1948-1967

    Na’ama Sheffi, Na'Ama Sheffi•ARTICLE•Israel Studies•2002•Cited by: 6•References: 4

    ISRAELI'S FIRST 20 YEARS OF EXISTENCE as a state presented its education system with complex challenges: how to bridge the gaps between different educational trends administered by separate, autonomous systems; how to absorb thousands of immigrant children and conjure up out of nothing the additional educational institutions and teaching staff they required; and how to integrate older immigrants into Israeli society—a problem that was not, in pri…

  • Jews, Germans and the Representation of Jud Süss in Literature and Film

    Na’ama Sheffi, Na'Ama Sheffi•ARTICLE•Jewish Culture and History•2003•References: 2

    The story of the renowned financier Joseph Süss Oppenheimer, Jud Süss, has appeared in numerous literary publications, many plays and two cinema features. Following a general presentation of Süss (1692?-1738), this article examines the various ways his character has been used throughout history as a way to define German-Jewish relations. This analysis shows that the same character was used to support anti-semitic arguments as well as for a philo-…

  • Between Collective Memory and Manipulation

    Na’ama Sheffi, Na'Ama Sheffi•ARTICLE•The Journal of Israeli History•2004•Cited by: 1

  • Shifting boundaries

    Na’ama Sheffi, Na'Ama Sheffi•ARTICLE•The Journal of Israeli History•2009•References: 10

    This article examines Israeli children's magazines that were published in the weeks preceding and following the 1967 war in order to show the ways in which the war and its consequences were presented to the children. As common in times of war, the magazines' editors aimed to mobilize their readers to the national effort, establishing role models such as children living in settlements near the battlefront. Alongside the national jubilation that fo…

  • Borders and banknotes

    Open Access•Anat First, Na''Ama Sheffi et al.•ARTICLE•Nations and Nationalism•2015•Cited by: 9•References: 11

    Replacing a banknotes series is meaningful for politicians and the general public even today, while most transactions are executed through virtual means. The choice of images carried on banknotes represents the limits of the State's sovereign border and becomes a means of banal nationalism. Moreover, by utilising scopic regimes, the hegemony portrays the cultural and political borders: historical figures from the country's past on one side, and a…

Law (6 works) · Law (6 works) · Political science (6 works) · Art (5 works) · History (5 works) · History (5 works) · Jewish and Middle Eastern Studies (5 works) · Philosophy (5 works) · Philosophy (5 works) · Politics (4 works)

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