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V K Karthika

Biographic Data

ID4551439
NAMEV K Karthika
GIVEN NAMESV K
FAMILY NAMEKarthika
SIGNATUREKARTHIKA V K
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS0
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1991
LATEST PUBLICATION YEAR2025
H-INDEX0
  • The Politics of Performance in Parsi Theatre; Pure Entertainment

    K Karthika, V K Karthika et al.•ARTICLE•Economic and political…•2025

    Pure Entertainment: Parsi Theatre, Gender, and Performance by Kathryn Hansen, New Delhi: Primus Books, 2024; pp xxi + 449, ₹1495

  • Wl-1005-Interfaith Dialogue and Cultural Syncretism in Arnos Pathiri’s Puthen Pana

    K Karthika, V K Karthika•ARTICLE•Economic and political…•2025

    The Jesuit polymath John Ernest Hanxleden (1681–1732), a master of Sanskrit and Malayalam, created works that bridged Indian and Western tradThe Jesuit polymath John Ernest Hanxleden (1681–1732), a master of Sanskrit and Malayalam, created works that bridged Indian and Western traditions while addressing social inequalities and ushering in cultural integration. Understanding the potential harm in the growing alienation between Kerala Christians a…

  • Tracing patterns of power

    K Karthika, V K Karthika et al.•ARTICLE•Journal of Gender Studies•2025•References: 6

    Kolam, traditionally practised by Hindu women of the South Indian state of Tamil Nadu, represents a unique intersection of ritual, artistic practice, and gendered expression that involves the creation of intricate patterns using rice flour at the thresholds of homes, symbolizing auspiciousness and spirituality. The study explores the construction of femininity in kolam practice and how the artistic performance of kolam is linked to women’s gender…

  • Historian and Story-Teller

    K Karthika, V K Karthika et al.•ARTICLE•Social Scientist•1991

No prominent works on this page.

  • Historian and Story-Teller

    K Karthika, V K Karthika et al.•ARTICLE•Social Scientist•1991

  • The Politics of Performance in Parsi Theatre; Pure Entertainment

    K Karthika, V K Karthika et al.•ARTICLE•Economic and political…•2025

    Pure Entertainment: Parsi Theatre, Gender, and Performance by Kathryn Hansen, New Delhi: Primus Books, 2024; pp xxi + 449, ₹1495

  • Wl-1005-Interfaith Dialogue and Cultural Syncretism in Arnos Pathiri’s Puthen Pana

    K Karthika, V K Karthika•ARTICLE•Economic and political…•2025

    The Jesuit polymath John Ernest Hanxleden (1681–1732), a master of Sanskrit and Malayalam, created works that bridged Indian and Western tradThe Jesuit polymath John Ernest Hanxleden (1681–1732), a master of Sanskrit and Malayalam, created works that bridged Indian and Western traditions while addressing social inequalities and ushering in cultural integration. Understanding the potential harm in the growing alienation between Kerala Christians a…

  • Tracing patterns of power

    K Karthika, V K Karthika et al.•ARTICLE•Journal of Gender Studies•2025•References: 6

    Kolam, traditionally practised by Hindu women of the South Indian state of Tamil Nadu, represents a unique intersection of ritual, artistic practice, and gendered expression that involves the creation of intricate patterns using rice flour at the thresholds of homes, symbolizing auspiciousness and spirituality. The study explores the construction of femininity in kolam practice and how the artistic performance of kolam is linked to women’s gender…

Philosophy (2 works) · Philosophy (2 works) · African history and culture analysis (1 work) · Archaeology and Rock Art Studies (1 work) · Cultural practice (1 work) · Cultural values (1 work) · Epistemology (1 work) · Gender relations (1 work) · Global Maritime and Colonial Histories (1 work) · History (1 work)

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