Judd Ne'Eman
Biographic Data
| ID | 4552956 |
|---|---|
| NAME | Judd Ne'Eman |
| GIVEN NAMES | Judd |
| FAMILY NAME | Ne'Eman |
| SIGNATURE | EMAN J N |
| AFFILIATIONS | Tel Aviv University |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 3 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1996 |
| LATEST PUBLICATION YEAR | 2005 |
| H-INDEX | 1 |
The Tragic Sense of Zionism: Shadow Cinema and the Holocaust
Holocaust-related films in Israeli cinema appear in several cycles. The 1980s cycle, which I call Shadow Cinema, expresses ambivalence and guilt and professes a perverse loyalty to a wound that will not heal and to the dead that have never been buried. The analysis of certain junctures in these films brings forth an unexpected analogy between the Sabra new Jew and the Nazi. I argue that these films echo a deeply ingrained recognition that the liq…
The Death Mask of the Moderns: A Genealogy of New Sensibility Cinema in Israel
Israel Studies - Volume 4, Number 1, Spring 1999
The Death Mask of the Moderns: A Genealogy of New Sensibility Cinema in Israel
The Death Mask of the Moderns: A Genealogy of New Sensibility Cinema in Israel* Judd Ne’eman (bio) Cinematic Avant-garde Versus Political Avant-garde Click for larger view View full resolution Figure 1. “This is the Land,” poster (1935). Courtesy of the Steven Spielberg Film Archive, Jerusalem Click for larger view View full resolution Figure 2. From posters in the United States, advertising the film Sallah (1964) starring Topol. Of interest are …
Categorical organization in the narrative discourse: A semantic analysis of Il conformista
Categorical organization in the narrative discourse: A semantic analysis of Il conformista
The Death Mask of the Moderns: A Genealogy of New Sensibility Cinema in Israel
The Death Mask of the Moderns: A Genealogy of New Sensibility Cinema in Israel* Judd Ne’eman (bio) Cinematic Avant-garde Versus Political Avant-garde Click for larger view View full resolution Figure 1. “This is the Land,” poster (1935). Courtesy of the Steven Spielberg Film Archive, Jerusalem Click for larger view View full resolution Figure 2. From posters in the United States, advertising the film Sallah (1964) starring Topol. Of interest are …
Categorical organization in the narrative discourse: A semantic analysis of Il conformista
The Death Mask of the Moderns: A Genealogy of New Sensibility Cinema in Israel
Israel Studies - Volume 4, Number 1, Spring 1999
The Death Mask of the Moderns: A Genealogy of New Sensibility Cinema in Israel
The Death Mask of the Moderns: A Genealogy of New Sensibility Cinema in Israel* Judd Ne’eman (bio) Cinematic Avant-garde Versus Political Avant-garde Click for larger view View full resolution Figure 1. “This is the Land,” poster (1935). Courtesy of the Steven Spielberg Film Archive, Jerusalem Click for larger view View full resolution Figure 2. From posters in the United States, advertising the film Sallah (1964) starring Topol. Of interest are …
The Tragic Sense of Zionism: Shadow Cinema and the Holocaust
Holocaust-related films in Israeli cinema appear in several cycles. The 1980s cycle, which I call Shadow Cinema, expresses ambivalence and guilt and professes a perverse loyalty to a wound that will not heal and to the dead that have never been buried. The analysis of certain junctures in these films brings forth an unexpected analogy between the Sabra new Jew and the Nazi. I argue that these films echo a deeply ingrained recognition that the liq…
Philosophy (4 works) · Art (3 works) · Jewish and Middle Eastern Studies (3 works) · Literature (3 works) · Movie theater (3 works) · Art history (2 works) · Cinema and Media Studies (2 works) · Courtesy (2 works) · Italian Fascism and Post-war Society (2 works) · Law (2 works)