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Omar Sabbagh

Biographic Data

ID4559172
NAMEOmar Sabbagh
GIVEN NAMESOmar
FAMILY NAMESabbagh
SIGNATURESABBAGH O
AFFILIATIONSAmerican University in Dubai
ORCID0000-0001-5104-129X
VERIFIEDYes
TOTAL WORKS6
TOTAL CITATIONS0
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2015
LATEST PUBLICATION YEAR2026
H-INDEX0
  • Rather Than Crap Decisions

    Open Access•Omar Sabbagh•ARTICLE•European Journal of Life Writing•2026

    In this personal reflective essay, I try to explore some of the most pertaining facets of my writing career over more than two decades to date. Including and interweaving extracts of prose fiction and of verse, I examine the trajectory of my writerly motives across all the different genres of my writing career, whether in academic writing, literary journalism, poetry or prose fiction. The common denominator and the common sense that undergirds, I…

  • Peripatetics

    Omar Sabbagh•ARTICLE•English Studies•2022

  • Frame Within Frame Within

    Omar Sabbagh•ARTICLE•English Studies•2021

    It’s the dimension of human encounter. Sometimes this dimension of encounter isn’t just represented but expressed.1The titular conceit of Fiona Sampson’s biography of Elizabeth Barrett Browning, Tw

  • History Free Indirect

    Open Access•Omar Sabbagh•ARTICLE•Victoriographies•2019

    Situating itself in line with Max Saunders' thesis in Self Impression (2010), this paper is a literary-critical reconnaissance of the creative techniques Lytton Strachey employs in Queen Victoria (1921). My essay attempts to elicit the ways in which Strachey executes his modernist argument, intended to debunk Victorian perspectives, via a canny mix of traditional and modernist techniques of narration, usually associated with fiction. Showing how …

  • In Search of Mary Shelley

    Omar Sabbagh•ARTICLE•Life Writing•2018

    Frankenstein, whose bicentenary falls in the present year (2018), was published at first anonymously. Perhaps, then, a biography of its author, Mary Shelley, speaks more loudly to the significance

  • The Authority of Soul, and The Sole Authority

    Omar Sabbagh•ARTICLE•Life Writing•2015•References: 1

    The provenance of this article is somewhere between a critical review of two less-well-known Catholic authors (and their respective memoirs), and a reflective commentary on the same. As the head-title has it, the unifying and necessitating chosen reading direction pits the two Catholic memoirs as contrasting romantic and classical approaches to self-representation and self-discovery; and this, of course, within the purview of their Christian itin…

No prominent works on this page.

  • The Authority of Soul, and The Sole Authority

    Omar Sabbagh•ARTICLE•Life Writing•2015•References: 1

    The provenance of this article is somewhere between a critical review of two less-well-known Catholic authors (and their respective memoirs), and a reflective commentary on the same. As the head-title has it, the unifying and necessitating chosen reading direction pits the two Catholic memoirs as contrasting romantic and classical approaches to self-representation and self-discovery; and this, of course, within the purview of their Christian itin…

  • In Search of Mary Shelley

    Omar Sabbagh•ARTICLE•Life Writing•2018

    Frankenstein, whose bicentenary falls in the present year (2018), was published at first anonymously. Perhaps, then, a biography of its author, Mary Shelley, speaks more loudly to the significance

  • History Free Indirect

    Open Access•Omar Sabbagh•ARTICLE•Victoriographies•2019

    Situating itself in line with Max Saunders' thesis in Self Impression (2010), this paper is a literary-critical reconnaissance of the creative techniques Lytton Strachey employs in Queen Victoria (1921). My essay attempts to elicit the ways in which Strachey executes his modernist argument, intended to debunk Victorian perspectives, via a canny mix of traditional and modernist techniques of narration, usually associated with fiction. Showing how …

  • Frame Within Frame Within

    Omar Sabbagh•ARTICLE•English Studies•2021

    It’s the dimension of human encounter. Sometimes this dimension of encounter isn’t just represented but expressed.1The titular conceit of Fiona Sampson’s biography of Elizabeth Barrett Browning, Tw

  • Peripatetics

    Omar Sabbagh•ARTICLE•English Studies•2022

  • Rather Than Crap Decisions

    Open Access•Omar Sabbagh•ARTICLE•European Journal of Life Writing•2026

    In this personal reflective essay, I try to explore some of the most pertaining facets of my writing career over more than two decades to date. Including and interweaving extracts of prose fiction and of verse, I examine the trajectory of my writerly motives across all the different genres of my writing career, whether in academic writing, literary journalism, poetry or prose fiction. The common denominator and the common sense that undergirds, I…

Art (5 works) · Literature (5 works) · Psychology (4 works) · Biography (3 works) · History (3 works) · History (3 works) · Philosophy (3 works) · Psychoanalysis (3 works) · Narrative (2 works) · Poetry Analysis and Criticism (2 works)

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