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L M O'Toole

Biographic Data

ID4559470
NAMEL M O'Toole
GIVEN NAMESL M
FAMILY NAMEO'Toole
SIGNATURETOOLE L M O
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS2
AUTHOR COUNT6
EDITOR COUNT0
FIRST PUBLICATION YEAR1974
LATEST PUBLICATION YEAR1982
H-INDEX1
  • Structure, Style and Interpretation in the Russian Short Story

    L Michael O''Toole, L M O'Toole et al.•ARTICLE•Poetics Today•1982•Cited by: 1

  • Dimensions of Semiotic Space in Narrative

    Lawrence M O''Toole, L M O'Toole et al.•ARTICLE•Poetics Today•1980•Cited by: 1

    The observation and interpretation of spatial relationships in narrative texts is a significant recurrent theme in recent semiotics. Binary oppositions such as high/low, near/far, enclosed/open have been interpreted as systematic textual realizations of fundamental categories of mythic thought by Levi-Strauss, Toporov and Ivanov, of moral or cultural codes by Toporov and Lotman, and in terms of psycho-analytic oppositions by many post-Freudians. …

  • The Literary Text. Thematic and Expressive Structure: "An Analysis of Pushkin's Poem "Ya vas lyubil

    Alexander Zholkovsky, A K Zholkovsky et al.•ARTICLE•New Literary History•1978

  • The Window in the Poetic World of Boris Pasternak

    Alexander Zholkovsky, A K Zholkovsky et al.•ARTICLE•New Literary History•1978

    F WE ASK OURSELVES in what pose it is most natural to imagine the figure of the poet who emerges from Pasternak's verses, or against what kind of background one ought to paint an ideal portrait of him, or against what kind of back cloth the action of his poems unfolds and the creative work of the poet himself unfolds, then one of the most suitable answers would probably be: by a window. The words quoted in the epigraph are about Pushkin, but esse…

  • Point of View in a Text

    J M Lotman, L M O''Toole et al.•ARTICLE•New Literary History•1975

    INCE ONLY SOMETHING which has an antithesis can act as a sign,' any compositional device becomes semantically distinctive once it is juxtaposed with a contrasting system. When a whole text is sustained in a single dimension, we are not aware of that dimension at all, as, for instance, in epic narrative. What Pushkin referred to as the rapid transitions of Romantic tales only acquire when combined with passages of leisurely narration. In the same …

  • Passport to Moscow

    Catherine B Bryan, L M O'Toole et al.•ARTICLE•The Slavic and East European…•1974

  • Structure, Style and Interpretation in the Russian Short Story

    L Michael O''Toole, L M O'Toole et al.•ARTICLE•Poetics Today•1982•Cited by: 1

  • Dimensions of Semiotic Space in Narrative

    Lawrence M O''Toole, L M O'Toole et al.•ARTICLE•Poetics Today•1980•Cited by: 1

    The observation and interpretation of spatial relationships in narrative texts is a significant recurrent theme in recent semiotics. Binary oppositions such as high/low, near/far, enclosed/open have been interpreted as systematic textual realizations of fundamental categories of mythic thought by Levi-Strauss, Toporov and Ivanov, of moral or cultural codes by Toporov and Lotman, and in terms of psycho-analytic oppositions by many post-Freudians. …

  • Passport to Moscow

    Catherine B Bryan, L M O'Toole et al.•ARTICLE•The Slavic and East European…•1974

  • Point of View in a Text

    J M Lotman, L M O''Toole et al.•ARTICLE•New Literary History•1975

    INCE ONLY SOMETHING which has an antithesis can act as a sign,' any compositional device becomes semantically distinctive once it is juxtaposed with a contrasting system. When a whole text is sustained in a single dimension, we are not aware of that dimension at all, as, for instance, in epic narrative. What Pushkin referred to as the rapid transitions of Romantic tales only acquire when combined with passages of leisurely narration. In the same …

  • The Literary Text. Thematic and Expressive Structure: "An Analysis of Pushkin's Poem "Ya vas lyubil

    Alexander Zholkovsky, A K Zholkovsky et al.•ARTICLE•New Literary History•1978

  • The Window in the Poetic World of Boris Pasternak

    Alexander Zholkovsky, A K Zholkovsky et al.•ARTICLE•New Literary History•1978

    F WE ASK OURSELVES in what pose it is most natural to imagine the figure of the poet who emerges from Pasternak's verses, or against what kind of background one ought to paint an ideal portrait of him, or against what kind of back cloth the action of his poems unfolds and the creative work of the poet himself unfolds, then one of the most suitable answers would probably be: by a window. The words quoted in the epigraph are about Pushkin, but esse…

  • Dimensions of Semiotic Space in Narrative

    Lawrence M O''Toole, L M O'Toole et al.•ARTICLE•Poetics Today•1980•Cited by: 1

    The observation and interpretation of spatial relationships in narrative texts is a significant recurrent theme in recent semiotics. Binary oppositions such as high/low, near/far, enclosed/open have been interpreted as systematic textual realizations of fundamental categories of mythic thought by Levi-Strauss, Toporov and Ivanov, of moral or cultural codes by Toporov and Lotman, and in terms of psycho-analytic oppositions by many post-Freudians. …

  • Structure, Style and Interpretation in the Russian Short Story

    L Michael O''Toole, L M O'Toole et al.•ARTICLE•Poetics Today•1982•Cited by: 1

Art (4 works) · Linguistics (4 works) · Literature (4 works) · Philosophy (4 works) · Computer Science (3 works) · Epistemology (2 works) · History (2 works) · Narrative (2 works) · Poetry (2 works) · American and British Literature Analysis (1 works)

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