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Cillian O'Hogan

Biographic Data

ID4561489
NAMECillian O'Hogan
GIVEN NAMESCillian
FAMILY NAMEO'Hogan
SIGNATUREHOGAN C O
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS18
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2014
LATEST PUBLICATION YEAR2019
H-INDEX1
  • Thirty Years of the ‘Jeweled Style’

    Open Access•Cillian O’hogan, Cillian O'Hogan•ARTICLE•The Journal of Roman Studies•2019•Cited by: 1•References: 22

    In seventh-century Wiltshire, a scholar-monk began to write classicising Latin poetry. In bold terms he describes himself as the first of the Germanic peoples to write Latin poetry (‘neminem nostrae stirpis prosapia genitum et Germanicae gentis cunabulis confotum in huiuscemodi negotio [i.e. poetry] ante nostram mediocritatem tantopere desudasse’). His programmatic statements cite Virgil explicitly, and allude to Prudentius and Sedulius. His is a…

  • On the Track of the Books

    Cillian O''Hogan, Cillian O’hogan et al.•ARTICLE•Phoenix•2019

  • Prudentius and the Landscapes of Late Antiquity

    Cillian O’hogan, Cillian O'Hogan•BOOK•Prudentius and the Landscapes of…•2016•Cited by: 17

    This book takes a thematic approach to the poetry of the late Latin poet Prudentius, focusing in particular on his descriptions of the geographical and cultural landscapes of late antiquity. It is argued that the poet makes use of allusion to Augustan and early imperial Latin authors to present the late Roman landscape as one markedly altered by the arrival of Christianity, though retaining the grandeur of the pagan past. Prudentius is set in the…

  • Claudian, De Raptu Proserpinae 1.82 and Georgics 3.68

    Open Access•Cillian O’hogan, Cillian O'Hogan•ARTICLE•The Classical Quarterly•2014

    That Claudian imitates Virgil's Georgics in the De raptu Proserpinae is well known. Most of his allusions are restricted to Golden Age or Underworld imagery, largely from Books 1, 2, and 4. However, one imitation of the third Georgic that appears not to have been noted previously occurs at De raptu Proserpinae 1.82. The context is Claudian's famous description of Pluto enthroned: ipse rudi fultus solio nigraque uerendus maiestate sedet: squalent …

  • Prudentius and the Landscapes of Late Antiquity

    Cillian O’hogan, Cillian O'Hogan•BOOK•Prudentius and the Landscapes of…•2016•Cited by: 17

    This book takes a thematic approach to the poetry of the late Latin poet Prudentius, focusing in particular on his descriptions of the geographical and cultural landscapes of late antiquity. It is argued that the poet makes use of allusion to Augustan and early imperial Latin authors to present the late Roman landscape as one markedly altered by the arrival of Christianity, though retaining the grandeur of the pagan past. Prudentius is set in the…

  • Thirty Years of the ‘Jeweled Style’

    Open Access•Cillian O’hogan, Cillian O'Hogan•ARTICLE•The Journal of Roman Studies•2019•Cited by: 1•References: 22

    In seventh-century Wiltshire, a scholar-monk began to write classicising Latin poetry. In bold terms he describes himself as the first of the Germanic peoples to write Latin poetry (‘neminem nostrae stirpis prosapia genitum et Germanicae gentis cunabulis confotum in huiuscemodi negotio [i.e. poetry] ante nostram mediocritatem tantopere desudasse’). His programmatic statements cite Virgil explicitly, and allude to Prudentius and Sedulius. His is a…

  • Claudian, De Raptu Proserpinae 1.82 and Georgics 3.68

    Open Access•Cillian O’hogan, Cillian O'Hogan•ARTICLE•The Classical Quarterly•2014

    That Claudian imitates Virgil's Georgics in the De raptu Proserpinae is well known. Most of his allusions are restricted to Golden Age or Underworld imagery, largely from Books 1, 2, and 4. However, one imitation of the third Georgic that appears not to have been noted previously occurs at De raptu Proserpinae 1.82. The context is Claudian's famous description of Pluto enthroned: ipse rudi fultus solio nigraque uerendus maiestate sedet: squalent …

  • Prudentius and the Landscapes of Late Antiquity

    Cillian O’hogan, Cillian O'Hogan•BOOK•Prudentius and the Landscapes of…•2016•Cited by: 17

    This book takes a thematic approach to the poetry of the late Latin poet Prudentius, focusing in particular on his descriptions of the geographical and cultural landscapes of late antiquity. It is argued that the poet makes use of allusion to Augustan and early imperial Latin authors to present the late Roman landscape as one markedly altered by the arrival of Christianity, though retaining the grandeur of the pagan past. Prudentius is set in the…

  • Thirty Years of the ‘Jeweled Style’

    Open Access•Cillian O’hogan, Cillian O'Hogan•ARTICLE•The Journal of Roman Studies•2019•Cited by: 1•References: 22

    In seventh-century Wiltshire, a scholar-monk began to write classicising Latin poetry. In bold terms he describes himself as the first of the Germanic peoples to write Latin poetry (‘neminem nostrae stirpis prosapia genitum et Germanicae gentis cunabulis confotum in huiuscemodi negotio [i.e. poetry] ante nostram mediocritatem tantopere desudasse’). His programmatic statements cite Virgil explicitly, and allude to Prudentius and Sedulius. His is a…

  • On the Track of the Books

    Cillian O''Hogan, Cillian O’hogan et al.•ARTICLE•Phoenix•2019

Art (4 works) · Classical Antiquity Studies (3 works) · History (3 works) · Literature (3 works) · Antique (2 works) · Archaeology (2 works) · Classics (2 works) · Classics (2 works) · History (2 works) · Humanities (2 works)

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