Lee Schweninger
Biographic Data
| ID | 456346 |
|---|---|
| NAME | Lee Schweninger |
| GIVEN NAMES | Lee |
| FAMILY NAME | Schweninger |
| SIGNATURE | SCHWENINGER L |
| AFFILIATIONS | University of North Carolina Wilmington |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 8 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1993 |
| LATEST PUBLICATION YEAR | 2012 |
| H-INDEX | 1 |
Indigenous Rights in the Age of the UN Declaration
This examination of the role played by the United Nations Declaration on the Rights of Indigenous Peoples (UNDRIP) in advancing indigenous peoples' self-determination comes at a time when the quintessential Eurocentric nature of international law has been significantly challenged by the increasing participation of indigenous peoples on the international legal scene. Even though the language of human rights discourse has historically contributed t…
Art as Performance, Story as Criticism: Reflections on Native Literary Aesthetics; We Will Dance Our Truth: Yaqui History in Yoeme Performances
Lost and Lonesome: Literary Reflections on Museums and the Roles of Relics
Lost and Lonesome":Literary Reflections on Museums and the Roles of Relics Lee Schweninger (bio) In Gerald Vizenor's screenplay and in the film Harold of Orange (1984) Harold, the trickster word-warrior, stands on a glass display case in the anthropology department museum (presumably at the University of Minnesota) and from his perch berates anthropologists as he likens the effect of museums to that of zoos. Harold's comparison is doubly effectiv…
Listening to the Land: Native American Literary Responses to the Landscape
"Looks at the challenges faced by Native American writers who confront stereotypical representations as they assert their own ethical relationship with the earth. Lee Schweninger considers a range of genres by Native writers from various parts of the United States. Contextualizing these works within the origins, evolution, and perpetuation of the 'green' labels imposed on American Indians, Schweninger shows how writers often find themselves denyi…
Claiming Europe: Native American Literary Responses to the Old World
In Osage writer Carter Revard’s short story, “Report to the Nation: Claiming Europe,” the narrator claims much of England, France, Spain, Italy, and Greece for the Osage Nation: “I waved an arm as I was passing over the Garonne, in Bordeaux, so we now have the area of Aquitaine as I understand,” writes Revard. After asserting his claim, the narrator questions whether or not the French actually understood that their country therefore belonged to t…
Clotel and the Historicity of the Anecdote
Journal Article Clotel and the Historicity of the Anecdote Get access Lee Schweninger Lee Schweninger University of North Carolina at Wilmington Search for other works by this author on: Oxford Academic Google Scholar MELUS, Volume 24, Issue 1, March 1999, Pages 21–36, https://doi.org/10.2307/467905 Published: 01 March 1999
Nature Power: In the Spirit of an Okanagan Storyteller
Writing Nature: Silko and Native Americans as Nature Writers
Journal Article Writing Nature: Silko and Native Americans as Nature Writers Get access Lee Schweninger Lee Schweninger University of North Carolina at Wilmington Search for other works by this author on: Oxford Academic Google Scholar MELUS, Volume 18, Issue 2, June 1993, Pages 47–60, https://doi.org/10.2307/467933 Published: 01 June 1993
Lost and Lonesome: Literary Reflections on Museums and the Roles of Relics
Lost and Lonesome":Literary Reflections on Museums and the Roles of Relics Lee Schweninger (bio) In Gerald Vizenor's screenplay and in the film Harold of Orange (1984) Harold, the trickster word-warrior, stands on a glass display case in the anthropology department museum (presumably at the University of Minnesota) and from his perch berates anthropologists as he likens the effect of museums to that of zoos. Harold's comparison is doubly effectiv…
Claiming Europe: Native American Literary Responses to the Old World
In Osage writer Carter Revard’s short story, “Report to the Nation: Claiming Europe,” the narrator claims much of England, France, Spain, Italy, and Greece for the Osage Nation: “I waved an arm as I was passing over the Garonne, in Bordeaux, so we now have the area of Aquitaine as I understand,” writes Revard. After asserting his claim, the narrator questions whether or not the French actually understood that their country therefore belonged to t…
Writing Nature: Silko and Native Americans as Nature Writers
Journal Article Writing Nature: Silko and Native Americans as Nature Writers Get access Lee Schweninger Lee Schweninger University of North Carolina at Wilmington Search for other works by this author on: Oxford Academic Google Scholar MELUS, Volume 18, Issue 2, June 1993, Pages 47–60, https://doi.org/10.2307/467933 Published: 01 June 1993
Nature Power: In the Spirit of an Okanagan Storyteller
Clotel and the Historicity of the Anecdote
Journal Article Clotel and the Historicity of the Anecdote Get access Lee Schweninger Lee Schweninger University of North Carolina at Wilmington Search for other works by this author on: Oxford Academic Google Scholar MELUS, Volume 24, Issue 1, March 1999, Pages 21–36, https://doi.org/10.2307/467905 Published: 01 March 1999
Claiming Europe: Native American Literary Responses to the Old World
In Osage writer Carter Revard’s short story, “Report to the Nation: Claiming Europe,” the narrator claims much of England, France, Spain, Italy, and Greece for the Osage Nation: “I waved an arm as I was passing over the Garonne, in Bordeaux, so we now have the area of Aquitaine as I understand,” writes Revard. After asserting his claim, the narrator questions whether or not the French actually understood that their country therefore belonged to t…
Listening to the Land: Native American Literary Responses to the Landscape
"Looks at the challenges faced by Native American writers who confront stereotypical representations as they assert their own ethical relationship with the earth. Lee Schweninger considers a range of genres by Native writers from various parts of the United States. Contextualizing these works within the origins, evolution, and perpetuation of the 'green' labels imposed on American Indians, Schweninger shows how writers often find themselves denyi…
Lost and Lonesome: Literary Reflections on Museums and the Roles of Relics
Lost and Lonesome":Literary Reflections on Museums and the Roles of Relics Lee Schweninger (bio) In Gerald Vizenor's screenplay and in the film Harold of Orange (1984) Harold, the trickster word-warrior, stands on a glass display case in the anthropology department museum (presumably at the University of Minnesota) and from his perch berates anthropologists as he likens the effect of museums to that of zoos. Harold's comparison is doubly effectiv…
Art as Performance, Story as Criticism: Reflections on Native Literary Aesthetics; We Will Dance Our Truth: Yaqui History in Yoeme Performances
Indigenous Rights in the Age of the UN Declaration
This examination of the role played by the United Nations Declaration on the Rights of Indigenous Peoples (UNDRIP) in advancing indigenous peoples' self-determination comes at a time when the quintessential Eurocentric nature of international law has been significantly challenged by the increasing participation of indigenous peoples on the international legal scene. Even though the language of human rights discourse has historically contributed t…
History (6 works) · Art (5 works) · Literature (4 works) · Art history (3 works) · Sociology (3 works) · American Environmental and Regional History (2 works) · Anthropology (2 works) · Classics (2 works) · Dance (2 works) · Ecocriticism and Environmental Literature (2 works)