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Mia M Mochizuki

Biographic Data

ID456989
NAMEMia M Mochizuki
GIVEN NAMESMia M
FAMILY NAMEMochizuki
SIGNATUREMOCHIZUKI M M
AFFILIATIONSNew York University
VERIFIEDNo
TOTAL WORKS8
TOTAL CITATIONS3
AUTHOR COUNT7
EDITOR COUNT1
FIRST PUBLICATION YEAR2007
LATEST PUBLICATION YEAR2022
H-INDEX1
  • Landscape and Earth in Early Modernity

    Christine Göttler, Mia M Mochizuki•BOOK•Landscape and Earth in Early…•2022

    Early modern views of nature and the earth upended the depiction of land. Landscape emerged as a site of artistic exploration at a time when environments and ecologies were reshaped and transformed. This volume historicizes the contingency of an ever-changing elemental world, reframing and reimagining landscape as a mediating space in the interplay between the natural and the artificial, the real and the imaginary, the internal and the external. …

  • Jesuit Art

    Open Access•Mia M Mochizuki•BOOK•Jesuit Art•2021•Cited by: 1•References: 11

    In Jesuit Art, Mia Mochizuki considers the artistic production of the pre-suppression Society of Jesus (1540-1773) from a global perspective. Geographic and medial expansion of the standard corpus changes not only the objects under analysis, it also affects the kinds of queries that arise. Mochizuki draws upon masterpieces and material culture from around the world to assess the signature structural innovations pioneered by Jesuits in the history…

  • The Reliquary Reformed

    Open Access•Mia M Mochizuki•ARTICLE•Art History•2017•Cited by: 1

  • Art, Controversy, and the Jesuits

    Open Access•Mia M Mochizuki•ARTICLE•Journal of Jesuit Studies•2016

    How does an echo precede a sound?Although today this question may read like a Zen koan, it was the query the Jesuit Josse Andries (Jodocus Andreas, 1588-1658) sent in response to the request of Jan De Tollenaere (1582-1643), provincial of the Flemish province of the Society of the Jesus, when asked to provide a frank critique of the Imago primi saeculi Societatis Iesu (158, 174).The Imago was compiled to commemorate the first centennial of the So…

  • The Luso-Baroque Republic of Things and the Contingency of Contact

    Open Access•Mia M Mochizuki•ARTICLE•Journal of Lusophone Studies•2014•Cited by: 1•References: 6

    The Republic of Letters is an established concept in the early modern world, but the corresponding circulation of material things, from coins to all they could purchase, has been less recognized, despite its acute agency in the move from an intra-regional Europe to global systems of trade, politics and religion. By tracing the visual patois of a single subject, Our Lady of the Immaculate Conception, through its appearance in multiple media along …

  • Public Faces and Private Identities in Seventeenth-Century Holland

    Mia M Mochizuki•ARTICLE•Sixteenth Century Journal•2012

  • Still Life and Trade in the Dutch Golden Age

    Open Access•Mia M Mochizuki•ARTICLE•Renaissance Quarterly•2008

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Rembrandt and the Female Nude

    Mia M Mochizuki•ARTICLE•Sixteenth Century Journal•2007

  • Jesuit Art

    Open Access•Mia M Mochizuki•BOOK•Jesuit Art•2021•Cited by: 1•References: 11

    In Jesuit Art, Mia Mochizuki considers the artistic production of the pre-suppression Society of Jesus (1540-1773) from a global perspective. Geographic and medial expansion of the standard corpus changes not only the objects under analysis, it also affects the kinds of queries that arise. Mochizuki draws upon masterpieces and material culture from around the world to assess the signature structural innovations pioneered by Jesuits in the history…

  • The Reliquary Reformed

    Open Access•Mia M Mochizuki•ARTICLE•Art History•2017•Cited by: 1

  • The Luso-Baroque Republic of Things and the Contingency of Contact

    Open Access•Mia M Mochizuki•ARTICLE•Journal of Lusophone Studies•2014•Cited by: 1•References: 6

    The Republic of Letters is an established concept in the early modern world, but the corresponding circulation of material things, from coins to all they could purchase, has been less recognized, despite its acute agency in the move from an intra-regional Europe to global systems of trade, politics and religion. By tracing the visual patois of a single subject, Our Lady of the Immaculate Conception, through its appearance in multiple media along …

  • Rembrandt and the Female Nude

    Mia M Mochizuki•ARTICLE•Sixteenth Century Journal•2007

  • Still Life and Trade in the Dutch Golden Age

    Open Access•Mia M Mochizuki•ARTICLE•Renaissance Quarterly•2008

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Public Faces and Private Identities in Seventeenth-Century Holland

    Mia M Mochizuki•ARTICLE•Sixteenth Century Journal•2012

  • The Luso-Baroque Republic of Things and the Contingency of Contact

    Open Access•Mia M Mochizuki•ARTICLE•Journal of Lusophone Studies•2014•Cited by: 1•References: 6

    The Republic of Letters is an established concept in the early modern world, but the corresponding circulation of material things, from coins to all they could purchase, has been less recognized, despite its acute agency in the move from an intra-regional Europe to global systems of trade, politics and religion. By tracing the visual patois of a single subject, Our Lady of the Immaculate Conception, through its appearance in multiple media along …

  • Art, Controversy, and the Jesuits

    Open Access•Mia M Mochizuki•ARTICLE•Journal of Jesuit Studies•2016

    How does an echo precede a sound?Although today this question may read like a Zen koan, it was the query the Jesuit Josse Andries (Jodocus Andreas, 1588-1658) sent in response to the request of Jan De Tollenaere (1582-1643), provincial of the Flemish province of the Society of the Jesus, when asked to provide a frank critique of the Imago primi saeculi Societatis Iesu (158, 174).The Imago was compiled to commemorate the first centennial of the So…

  • The Reliquary Reformed

    Open Access•Mia M Mochizuki•ARTICLE•Art History•2017•Cited by: 1

  • Jesuit Art

    Open Access•Mia M Mochizuki•BOOK•Jesuit Art•2021•Cited by: 1•References: 11

    In Jesuit Art, Mia Mochizuki considers the artistic production of the pre-suppression Society of Jesus (1540-1773) from a global perspective. Geographic and medial expansion of the standard corpus changes not only the objects under analysis, it also affects the kinds of queries that arise. Mochizuki draws upon masterpieces and material culture from around the world to assess the signature structural innovations pioneered by Jesuits in the history…

  • Landscape and Earth in Early Modernity

    Christine Göttler, Mia M Mochizuki•BOOK•Landscape and Earth in Early…•2022

    Early modern views of nature and the earth upended the depiction of land. Landscape emerged as a site of artistic exploration at a time when environments and ecologies were reshaped and transformed. This volume historicizes the contingency of an ever-changing elemental world, reframing and reimagining landscape as a mediating space in the interplay between the natural and the artificial, the real and the imaginary, the internal and the external. …

Art (4 works) · Art history (4 works) · History (4 works) · History (3 works) · Computer Science (2 works) · Historical Art and Culture Studies (2 works) · Historical Influence and Diplomacy (2 works) · Law (2 works) · Law (2 works) · Library science (2 works)

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