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Burt Feintuch

Biographic Data

ID457127
NAMEBurt Feintuch
GIVEN NAMESBurt
FAMILY NAMEFeintuch
SIGNATUREFEINTUCH B
AFFILIATIONSUniversity of New Hampshire at Manchester
VERIFIEDNo
TOTAL WORKS30
TOTAL CITATIONS37
AUTHOR COUNT30
EDITOR COUNT0
FIRST PUBLICATION YEAR1977
LATEST PUBLICATION YEAR2015
H-INDEX2
  • Rachel Clare Donaldson. “I Hear America Singing”

    Burt Feintuch•ARTICLE•The American Historical Review•2015

    Journal Article Rachel Clare Donaldson. “I Hear America Singing”: Folk Music and National Identity. Get access Rachel Clare Donaldson. “I Hear America Singing”: Folk Music and National Identity. Philadelphia: Temple University Press, 2014. Pp. xi, 225. $34.95. Burt Feintuch Burt Feintuch University of New Hampshire [email protected] Search for other works by this author on: Oxford Academic Google Scholar The American Historical Review, Volume…

  • Tristram Potter Coffin (1922-2012)

    Burt Feintuch•ARTICLE•Journal of American Folklore•2013

    Obituary| January 01 2013 Tristram Potter Coffin (1922–2012) Burt Feintuch Burt Feintuch Search for other works by this author on: This Site Google Journal of American Folklore (2013) 126 (499): 79–80. https://doi.org/10.5406/jamerfolk.126.499.0079 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite Search Site Ci…

  • Revivals on the Edge

    Open Access•Burt Feintuch•ARTICLE•Yearbook for Traditional Music•2006•Cited by: 2•References: 6

    In the mid-1980s, I began doing fieldwork in Northumberland, in the Northeast of England, interested in studying a regional musical revival. Research in Northumberland, a place that is comparatively small (although large for an English county), with a strong regional identity and a distinctive body of music, appealed to me as a way of thinking about musical revival and renewal, and I spent about a decade, on and off, doing fieldwork and historica…

  • Longing for Community

    Burt Feintuch•ARTICLE•Western Folklore•2001•Cited by: 1

    Longing for Community1 The word seems to have joined a set of other terms, such as authenticity and tradition, that perplex us. Paging through the program for a recent American Folklore Society annual meeting, I see panels on community scholars, community-based self-representation, creating community, building community, text and community, communities of memory, and emergent community. I think of as a word contemporary folklorists tend to use ea…

  • Northumberland Rant

    Daniel N Thompson, Burt Feintuch•ARTICLE•Yearbook for Traditional Music•2001

  • Music from the Heart

    Burt Feintuch, Colin Quigley•ARTICLE•Western Folklore•1996•Cited by: 2

    The subject of this study of music creativity in the oral tradition is Emile Benoit (1913-1992), a traditional fiddler from French Newfoundland. It follows Benoit through a rapidly changing musical milieau as he moves from a small rural community to international musical and folk festivals

  • When We Were Good

    Burt Feintuch, Robert Cantwell•ARTICLE•Western Folklore•1996•Cited by: 23

    Prologue: Tom Dooley History of a Song 1. We Are the Folk Backgrounds of the Revival 2. The New Minstrelsy Jim Crow and John Henry 3. Ballad for Americans The Search for a People's Opera 4. Ramblin' Round Your City The Almanac Singers 5. Wasn't That a Time Folk Music and the Cold War 6. Smith's Memory Theater The Great Folkways Anthology 7. He Shall Overcome Pete Seeger 8. Happy Campers The Children's Underground 9. Lady and the Tramp Joan Baez a…

  • Learning Music in Northumberland

    Burt Feintuch•ARTICLE•Journal of American Folklore•1995•Cited by: 2

    L'A. decrit son experience de l'apprentissage du « smallpipe » (petite cornemuse) du Northumberland. Il explique la necessite d'un apprentissage formel et informel afin de se rapprocher de la pratique musicale de cette region britannique et des musiciens. Cette experience partagee permet de ressituer l'anthropologue dans la relation ethnographique meme si se posent des problemes de resistance de langage pour exprimer ce vecu et de savoir si l'exp…

  • Public Folklore

    Burt Feintuch, Robert Baron et al.•ARTICLE•Journal of American Folklore•1993

  • The Conservations of Culture

    Ōtsuki Takahiro, Burt Feintuch•ARTICLE•Asian Folklore Studies•1992

  • The Conservation of Culture

    Timothy H Evans, Burt Feintuch•ARTICLE•Western Folklore•1990

  • The Conservation of Culture

    Elissa May Plattner, Burt Feintuch•ARTICLE•MELUS Multi-Ethnic Literature of…•1989

    Journal Article The Conservation of Culture: Folklorists and the Public Sector. Ed. Burt Feintuch. Lexington: The University Press of Kentucky, 1988. 296 pages. $27.00. Get access The Conservation of Culture: Folklorists and the Public Sector. Ed. Burt Feintuch. Lexington: The University Press of Kentucky, 1988. 296 pages. $27.00. Elissa May Plattner Elissa May Plattner Xavier University Search for other works by this author on: Oxford Academic G…

  • The Conservation of Culture

    Doris J Dyen, Burt Feintuch•ARTICLE•Ethnomusicology•1989

  • "The Joke, Folk Culture, and Milan Kundera's "The Joke

    Open Access•Burt Feintuch•ARTICLE•Western Folklore•1987•Cited by: 2

  • A Country Auction

    Burt Feintuch, Robert Aibel et al.•ARTICLE•Journal of American Folklore•1986

  • All That Is Native and Fine

    Burt Feintuch, David E Whisnant•BOOK•American Music•1986•Cited by: 1

  • Mormon Songs from the Rocky Mountains

    Burt Feintuch, Thomas E Cheney•ARTICLE•American Music•1985

  • English, Scottish, and Irish Tradition

    Burt Feintuch•ARTICLE•Journal of American Folklore•1985

  • Tough, Pretty or Smart

    Burt Feintuch, Richard Kane et al.•ARTICLE•Journal of American Folklore•1984

  • Long Steel Rail

    Burt Feintuch, Norm Cohen•ARTICLE•Western Folklore•1983•Cited by: 1

  • Examining Musical Motivation

    Burt Feintuch•ARTICLE•Western Folklore•1983

  • Big Road Blues

    Burt Feintuch, David Allan Evans et al.•ARTICLE•Journal of American Folklore•1983

  • The Alabama Folk Lyric

    Burt Feintuch, Ray B Browne•ARTICLE•Western Folklore•1982

  • The Fiddle in North America

    Burt Feintuch, R Raymond Allen et al.•ARTICLE•Journal of American Folklore•1982

  • Dancing to the Music

    Burt Feintuch•ARTICLE•Journal of the Folklore Institute•1981•Cited by: 1

Next
  • When We Were Good

    Burt Feintuch, Robert Cantwell•ARTICLE•Western Folklore•1996•Cited by: 23

    Prologue: Tom Dooley History of a Song 1. We Are the Folk Backgrounds of the Revival 2. The New Minstrelsy Jim Crow and John Henry 3. Ballad for Americans The Search for a People's Opera 4. Ramblin' Round Your City The Almanac Singers 5. Wasn't That a Time Folk Music and the Cold War 6. Smith's Memory Theater The Great Folkways Anthology 7. He Shall Overcome Pete Seeger 8. Happy Campers The Children's Underground 9. Lady and the Tramp Joan Baez a…

  • Revivals on the Edge

    Open Access•Burt Feintuch•ARTICLE•Yearbook for Traditional Music•2006•Cited by: 2•References: 6

    In the mid-1980s, I began doing fieldwork in Northumberland, in the Northeast of England, interested in studying a regional musical revival. Research in Northumberland, a place that is comparatively small (although large for an English county), with a strong regional identity and a distinctive body of music, appealed to me as a way of thinking about musical revival and renewal, and I spent about a decade, on and off, doing fieldwork and historica…

  • Music from the Heart

    Burt Feintuch, Colin Quigley•ARTICLE•Western Folklore•1996•Cited by: 2

    The subject of this study of music creativity in the oral tradition is Emile Benoit (1913-1992), a traditional fiddler from French Newfoundland. It follows Benoit through a rapidly changing musical milieau as he moves from a small rural community to international musical and folk festivals

  • Learning Music in Northumberland

    Burt Feintuch•ARTICLE•Journal of American Folklore•1995•Cited by: 2

    L'A. decrit son experience de l'apprentissage du « smallpipe » (petite cornemuse) du Northumberland. Il explique la necessite d'un apprentissage formel et informel afin de se rapprocher de la pratique musicale de cette region britannique et des musiciens. Cette experience partagee permet de ressituer l'anthropologue dans la relation ethnographique meme si se posent des problemes de resistance de langage pour exprimer ce vecu et de savoir si l'exp…

  • "The Joke, Folk Culture, and Milan Kundera's "The Joke

    Open Access•Burt Feintuch•ARTICLE•Western Folklore•1987•Cited by: 2

  • Longing for Community

    Burt Feintuch•ARTICLE•Western Folklore•2001•Cited by: 1

    Longing for Community1 The word seems to have joined a set of other terms, such as authenticity and tradition, that perplex us. Paging through the program for a recent American Folklore Society annual meeting, I see panels on community scholars, community-based self-representation, creating community, building community, text and community, communities of memory, and emergent community. I think of as a word contemporary folklorists tend to use ea…

  • All That Is Native and Fine

    Burt Feintuch, David E Whisnant•BOOK•American Music•1986•Cited by: 1

  • Long Steel Rail

    Burt Feintuch, Norm Cohen•ARTICLE•Western Folklore•1983•Cited by: 1

  • Dancing to the Music

    Burt Feintuch•ARTICLE•Journal of the Folklore Institute•1981•Cited by: 1

  • A Noncommercial Black Gospel Group in Context

    Burt Feintuch•ARTICLE•Black Music Research Journal•1980•Cited by: 1

    What we know of black is almost entirely centered on commercial performers and composers. As a consequence, any examination of the scholarship of this vital and unique musical genre results in a skewed conception of the and its performers. Bill C. Malone (1979) has recently written that No facet of American has been more competitive or more highly professionalized than music (p. 114). This may well be the reason why the is customarily described a…

  • Joe Scott

    Open Access•Burt Feintuch, Edward D Ives•ARTICLE•Western Folklore•1980•Cited by: 1

  • Made in Mississippi

    Burt Feintuch, William Ferris•ARTICLE•Journal of American Folklore•1977

    A 1975 Bill Ferris film that features artists from a number of different craft traditions discussing and demonstrating their work, including quilting, sculpting, house building, and basketmaking. Artists in the film include James Son Thomas, Shelby Poppa Jazz Brown, Richard Foster, Othar Turner, Louise Williams, Esther Criss, Leon Clark, Amanda Gordon, Mary Gordon, Lester Willis

  • Folklore

    Burt Feintuch, Jan Harold Brunvand•ARTICLE•Journal of American Folklore•1978

  • A Noncommercial Black Gospel Group in Context

    Burt Feintuch•ARTICLE•Black Music Research Journal•1980•Cited by: 1

    What we know of black is almost entirely centered on commercial performers and composers. As a consequence, any examination of the scholarship of this vital and unique musical genre results in a skewed conception of the and its performers. Bill C. Malone (1979) has recently written that No facet of American has been more competitive or more highly professionalized than music (p. 114). This may well be the reason why the is customarily described a…

  • Joe Scott

    Open Access•Burt Feintuch, Edward D Ives•ARTICLE•Western Folklore•1980•Cited by: 1

  • Dancing to the Music

    Burt Feintuch•ARTICLE•Journal of the Folklore Institute•1981•Cited by: 1

  • Afro-American Religious Music

    Burt Feintuch, Irene V Jackson•ARTICLE•Journal of American Folklore•1981

  • The Alabama Folk Lyric

    Burt Feintuch, Ray B Browne•ARTICLE•Western Folklore•1982

  • The Fiddle in North America

    Burt Feintuch, R Raymond Allen et al.•ARTICLE•Journal of American Folklore•1982

  • Long Steel Rail

    Burt Feintuch, Norm Cohen•ARTICLE•Western Folklore•1983•Cited by: 1

  • Examining Musical Motivation

    Burt Feintuch•ARTICLE•Western Folklore•1983

  • Big Road Blues

    Burt Feintuch, David Allan Evans et al.•ARTICLE•Journal of American Folklore•1983

  • Tough, Pretty or Smart

    Burt Feintuch, Richard Kane et al.•ARTICLE•Journal of American Folklore•1984

  • Mormon Songs from the Rocky Mountains

    Burt Feintuch, Thomas E Cheney•ARTICLE•American Music•1985

  • English, Scottish, and Irish Tradition

    Burt Feintuch•ARTICLE•Journal of American Folklore•1985

  • A Country Auction

    Burt Feintuch, Robert Aibel et al.•ARTICLE•Journal of American Folklore•1986

  • All That Is Native and Fine

    Burt Feintuch, David E Whisnant•BOOK•American Music•1986•Cited by: 1

  • "The Joke, Folk Culture, and Milan Kundera's "The Joke

    Open Access•Burt Feintuch•ARTICLE•Western Folklore•1987•Cited by: 2

  • The Conservation of Culture

    Elissa May Plattner, Burt Feintuch•ARTICLE•MELUS Multi-Ethnic Literature of…•1989

    Journal Article The Conservation of Culture: Folklorists and the Public Sector. Ed. Burt Feintuch. Lexington: The University Press of Kentucky, 1988. 296 pages. $27.00. Get access The Conservation of Culture: Folklorists and the Public Sector. Ed. Burt Feintuch. Lexington: The University Press of Kentucky, 1988. 296 pages. $27.00. Elissa May Plattner Elissa May Plattner Xavier University Search for other works by this author on: Oxford Academic G…

  • The Conservation of Culture

    Doris J Dyen, Burt Feintuch•ARTICLE•Ethnomusicology•1989

  • The Conservation of Culture

    Timothy H Evans, Burt Feintuch•ARTICLE•Western Folklore•1990

  • The Conservations of Culture

    Ōtsuki Takahiro, Burt Feintuch•ARTICLE•Asian Folklore Studies•1992

  • Public Folklore

    Burt Feintuch, Robert Baron et al.•ARTICLE•Journal of American Folklore•1993

  • Learning Music in Northumberland

    Burt Feintuch•ARTICLE•Journal of American Folklore•1995•Cited by: 2

    L'A. decrit son experience de l'apprentissage du « smallpipe » (petite cornemuse) du Northumberland. Il explique la necessite d'un apprentissage formel et informel afin de se rapprocher de la pratique musicale de cette region britannique et des musiciens. Cette experience partagee permet de ressituer l'anthropologue dans la relation ethnographique meme si se posent des problemes de resistance de langage pour exprimer ce vecu et de savoir si l'exp…

  • Music from the Heart

    Burt Feintuch, Colin Quigley•ARTICLE•Western Folklore•1996•Cited by: 2

    The subject of this study of music creativity in the oral tradition is Emile Benoit (1913-1992), a traditional fiddler from French Newfoundland. It follows Benoit through a rapidly changing musical milieau as he moves from a small rural community to international musical and folk festivals

  • When We Were Good

    Burt Feintuch, Robert Cantwell•ARTICLE•Western Folklore•1996•Cited by: 23

    Prologue: Tom Dooley History of a Song 1. We Are the Folk Backgrounds of the Revival 2. The New Minstrelsy Jim Crow and John Henry 3. Ballad for Americans The Search for a People's Opera 4. Ramblin' Round Your City The Almanac Singers 5. Wasn't That a Time Folk Music and the Cold War 6. Smith's Memory Theater The Great Folkways Anthology 7. He Shall Overcome Pete Seeger 8. Happy Campers The Children's Underground 9. Lady and the Tramp Joan Baez a…

History (24 works) · Art (21 works) · Music History and Culture (10 works) · History (9 works) · Literature (9 works) · Folklore, Mythology, and Literature Studies (8 works) · Law (8 works) · Political science (8 works) · Sociology (8 works) · Musical (6 works)

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