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David Sterritt

Biographic Data

ID457322
NAMEDavid Sterritt
GIVEN NAMESDavid
FAMILY NAMESterritt
SIGNATURESTERRITT D
AFFILIATIONSLong Island University
VERIFIEDNo
TOTAL WORKS13
TOTAL CITATIONS2
WORKS AS AUTHOR13
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1999
LATEST PUBLICATION YEAR2012
H-INDEX1
  • DVD Reviews

    David Sterritt, Joseph Ewens et al.•ARTICLE•Film International•2012

    Preview this article: DVD Reviews, Page 1 of 1 /docserver/preview/fulltext/fint/9/6/s7-1.gif

  • A Conversation with Baldvin Zophoníasson

    Tom Ue, David Sterritt et al.•ARTICLE•Film International•2012

    Sheffield Doc/Fest 13 – 17 June 2012 A Report by David Sterritt and Mikita Brottman

  • DVD Reviews

    David Sterritt, Scott Jordan Harris et al.•ARTICLE•Film International•2011

    L'Argent (1928) France Director Marcel L'Herbier Adapted by Marcel L'Herbier, inspired by the novel by mile Zola Production Cinmondial Cinematography Jean Letort Art Directors Lazare Meerson and A. Barsacq With Pierre Alcover (Nicolas Saccard), Mary Glory (Line Hamelin), Brigitte Helm (Baronne Sandorf), Yvette Guilbert (La Mchain), Henry Victor (Jacques Hamelin), Alfred Abel (Alphonse Gunderman), Pierre Juvenet (Baron Defrance), Antonin Artaud (M…

  • DVD Reviews

    David Sterritt, Bryan Nixon•ARTICLE•Film International•2011

  • Presenting Problems

    Open Access•David Sterritt•ARTICLE•Journal of the American…•2011

  • Howl

    David Sterritt•ARTICLE•Journal of American History•2011

    The beat generation has not fared well at the movies. The short film Pull My Daisy, directed by the photographer Robert Frank and the painter Alfred Leslie in 1959, has become the consensus choice for beat motion picture par excellence, featuring horseplay by such luminaries as Allen Ginsberg and Peter Orlovsky accompanied by Jack Kerouac's semi-improvised narration. A handful of other avant-garde productions aside, the beat filmography manifests…

  • Films of Jean-Luc Godard

    David Sterritt•BOOK•Films of Jean-Luc Godard•2010

  • Schizoanalyzing Souls

    Open Access•David Sterritt•ARTICLE•Journal of French and Francophone…•2010•Cited by: 2•References: 2

    In an article on montage written for Cahiers du cinéma, Jean-Luc Godard made an observation that has been quoted many times in many contexts:If direction is a look, montage is a heartbeat...what one seeks to foresee in space, the other seeks in time....Cutting on a look is...to bring out the soul under the spirit, the passion behind the intrigue, to make the heart prevail over the intelligence by destroying the notion of space in favor of that of…

  • James Walters (2008) Alternative Worlds In Hollywood Cinema

    Open Access•David Sterritt•BOOK•Film-Philosophy•2010

  • DVD Reviews

    David Sterritt, Chelsea Wayant et al.•ARTICLE•Film International•2009

    I Shot Jesse James (1949) USA Director Samuel Fuller Screenplay Samuel Fuller Producer Carl K. Hittleman Director of Photography Ernest Miller Film Editor Paul Landres Art Director Frank Hotaling Costume Designer Alfred Berke Music Albert Glasser With Preston Foster (Kelley), Barbara Britton (Cynthy), John Ireland (Bob Ford), Reed Hadley (Jesse James), J. Edward Bromberg (Kane), Victor Kilian (Soapy), Tom Tyler (Frank James), Tom Noonan (Charles …

  • DVD Reviews

    Kristen Anderson Wagner, David Sterritt et al.•ARTICLE•Film International•2008

    Treasures III: Social Issues in American Film (19001934) Various directors Curated by Scott Simmon Music curated by Martin Marks Runtime 738 minutes (4 discs) DVD USA, 2007 Produced by the National Film Preservation Foundation Released by Image Entertainment (Region 0) Aspect Ratio 1.33:1 Sound Mix Two-track stereo Extras Audio commentary on most films. 173-page book of programme notes by Simmon and music notes by Marks, as well as photos, preser…

  • The Films of Jean-Luc Godard

    Open Access•David Sterritt•BOOK•Films of Jean-Luc Godard•1999

    The Films of Jean-Luc Godard examines the work of one of the most versatile and influential filmmakers in the history of cinema. With a career ranging from France's New Wave movement in the early 1960s to a period of political experimentation in the late 1960s and 70s, and, currently, a contemplative period in which Godard has explored issues of spirituality, sexuality, and the aesthetics of sound, image, and montage, the filmmaker's work defies …

  • Mad to Be Saved

    Open Access•Andrew Hoberek, David Sterritt•ARTICLE•South Central Review•1999

    Film critic David Sterritt presents an interdisciplinary exploration of the Beat Generation, its intersections with mainstream and experimental film, and the interactions of all of these with American society and the culture of the 1950s. Sterritt balances the Beat countercultural goal of rebellion through both artistic creation and everyday behaviour against the mainstream values of conformity and conservatism, growing worry over cold-war hostil…

  • Schizoanalyzing Souls

    Open Access•David Sterritt•ARTICLE•Journal of French and Francophone…•2010•Cited by: 2•References: 2

    In an article on montage written for Cahiers du cinéma, Jean-Luc Godard made an observation that has been quoted many times in many contexts:If direction is a look, montage is a heartbeat...what one seeks to foresee in space, the other seeks in time....Cutting on a look is...to bring out the soul under the spirit, the passion behind the intrigue, to make the heart prevail over the intelligence by destroying the notion of space in favor of that of…

  • The Films of Jean-Luc Godard

    Open Access•David Sterritt•BOOK•Films of Jean-Luc Godard•1999

    The Films of Jean-Luc Godard examines the work of one of the most versatile and influential filmmakers in the history of cinema. With a career ranging from France's New Wave movement in the early 1960s to a period of political experimentation in the late 1960s and 70s, and, currently, a contemplative period in which Godard has explored issues of spirituality, sexuality, and the aesthetics of sound, image, and montage, the filmmaker's work defies …

  • Mad to Be Saved

    Open Access•Andrew Hoberek, David Sterritt•ARTICLE•South Central Review•1999

    Film critic David Sterritt presents an interdisciplinary exploration of the Beat Generation, its intersections with mainstream and experimental film, and the interactions of all of these with American society and the culture of the 1950s. Sterritt balances the Beat countercultural goal of rebellion through both artistic creation and everyday behaviour against the mainstream values of conformity and conservatism, growing worry over cold-war hostil…

  • DVD Reviews

    Kristen Anderson Wagner, David Sterritt et al.•ARTICLE•Film International•2008

    Treasures III: Social Issues in American Film (19001934) Various directors Curated by Scott Simmon Music curated by Martin Marks Runtime 738 minutes (4 discs) DVD USA, 2007 Produced by the National Film Preservation Foundation Released by Image Entertainment (Region 0) Aspect Ratio 1.33:1 Sound Mix Two-track stereo Extras Audio commentary on most films. 173-page book of programme notes by Simmon and music notes by Marks, as well as photos, preser…

  • DVD Reviews

    David Sterritt, Chelsea Wayant et al.•ARTICLE•Film International•2009

    I Shot Jesse James (1949) USA Director Samuel Fuller Screenplay Samuel Fuller Producer Carl K. Hittleman Director of Photography Ernest Miller Film Editor Paul Landres Art Director Frank Hotaling Costume Designer Alfred Berke Music Albert Glasser With Preston Foster (Kelley), Barbara Britton (Cynthy), John Ireland (Bob Ford), Reed Hadley (Jesse James), J. Edward Bromberg (Kane), Victor Kilian (Soapy), Tom Tyler (Frank James), Tom Noonan (Charles …

  • Films of Jean-Luc Godard

    David Sterritt•BOOK•Films of Jean-Luc Godard•2010

  • Schizoanalyzing Souls

    Open Access•David Sterritt•ARTICLE•Journal of French and Francophone…•2010•Cited by: 2•References: 2

    In an article on montage written for Cahiers du cinéma, Jean-Luc Godard made an observation that has been quoted many times in many contexts:If direction is a look, montage is a heartbeat...what one seeks to foresee in space, the other seeks in time....Cutting on a look is...to bring out the soul under the spirit, the passion behind the intrigue, to make the heart prevail over the intelligence by destroying the notion of space in favor of that of…

  • James Walters (2008) Alternative Worlds In Hollywood Cinema

    Open Access•David Sterritt•BOOK•Film-Philosophy•2010

  • DVD Reviews

    David Sterritt, Scott Jordan Harris et al.•ARTICLE•Film International•2011

    L'Argent (1928) France Director Marcel L'Herbier Adapted by Marcel L'Herbier, inspired by the novel by mile Zola Production Cinmondial Cinematography Jean Letort Art Directors Lazare Meerson and A. Barsacq With Pierre Alcover (Nicolas Saccard), Mary Glory (Line Hamelin), Brigitte Helm (Baronne Sandorf), Yvette Guilbert (La Mchain), Henry Victor (Jacques Hamelin), Alfred Abel (Alphonse Gunderman), Pierre Juvenet (Baron Defrance), Antonin Artaud (M…

  • DVD Reviews

    David Sterritt, Bryan Nixon•ARTICLE•Film International•2011

  • Presenting Problems

    Open Access•David Sterritt•ARTICLE•Journal of the American…•2011

  • Howl

    David Sterritt•ARTICLE•Journal of American History•2011

    The beat generation has not fared well at the movies. The short film Pull My Daisy, directed by the photographer Robert Frank and the painter Alfred Leslie in 1959, has become the consensus choice for beat motion picture par excellence, featuring horseplay by such luminaries as Allen Ginsberg and Peter Orlovsky accompanied by Jack Kerouac's semi-improvised narration. A handful of other avant-garde productions aside, the beat filmography manifests…

  • DVD Reviews

    David Sterritt, Joseph Ewens et al.•ARTICLE•Film International•2012

    Preview this article: DVD Reviews, Page 1 of 1 /docserver/preview/fulltext/fint/9/6/s7-1.gif

  • A Conversation with Baldvin Zophoníasson

    Tom Ue, David Sterritt et al.•ARTICLE•Film International•2012

    Sheffield Doc/Fest 13 – 17 June 2012 A Report by David Sterritt and Mikita Brottman

Art (10 works) · Art history (6 works) · Cinema and Media Studies (5 works) · Movie theater (5 works) · Computer Science (3 works) · Performance art (3 works) · Philosophy (3 works) · Psychology (3 works) · Aesthetics (2 works) · Literature (2 works)

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