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Nassim W Balestrini

Biographic Data

ID457565
NAMENassim W Balestrini
GIVEN NAMESNassim W
FAMILY NAMEBalestrini
SIGNATUREBALESTRINI N W
AFFILIATIONSUniversity of Graz
ORCID0000-0003-1960-8262
VERIFIEDYes
TOTAL WORKS8
TOTAL CITATIONS2
WORKS AS AUTHOR8
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2002
LATEST PUBLICATION YEAR2023
H-INDEX1
  • Enunciation as Decolonial Knowledge

    Open Access•Nassim W Balestrini•ARTICLE•Amerikastudien/American Studies•2023

    With her poetry volume "Whereas", Oglala Lakota poet Layli Long Soldier eloquently responds to the 2009 congressional apology to all American Indians. The poet / persona privileges her own perspective on the past and the present by positioning herself as more than a silent recipient of the congressional document. Emphasizing the interrelatedness of land and other spaces, individual positionalities, personal relations, and the impact of language(s…

  • The Cultural Ecology of Alaskan Indigenous Hip Hop

    Open Access•Nassim W Balestrini•ARTICLE•Ecozon European Journal of…•2022

    In hip-hop studies, Indigenous rap music has been garnering increasing attention alongside other non-mainstream manifestations of this ‘glocal’ genre, and the field has begun to address the significance of specific locales for artistic expression. Worried about environmental studies research that extracts ecological insights from Indigenous cultures without paying attention to colonial history, Indigenous scholars have been critiquing how non-Ind…

  • Boucicault, Dion

    Open Access•Nassim W Balestrini•CHAPTER•Kindlers Literatur Lexikon (KLL)•2020

    Das 1857 mit dem Journalisten Charles Seymour und zwei nicht weiter bekannten Autoren namens Goodrich und Warden verfasste Melodrama wurde am 8. Dezember 1857 im Wallack's Theatre in New York uraufgeführt. Es zählt zu den vier Werken Boucicaults mit amerikanischem Schauplatz. Das Stück erschien auch als The Poor of Liverpool (Die Armen von Liverpool), The Streets of London und The Streets of Dublin (Die Straßen Londons bzw. Dublins), bevor es zu …

  • Boucicault, Dion

    Open Access•Nassim W Balestrini•CHAPTER•Kindlers Literatur Lexikon (KLL)•2020

    Ausbildung in London; ab 1836 Schauspieler; 1841 Komödie London Assurance (Londoner Versicherung), bis ins späte 20. Jh. aufgeführt; 1853–1860 und 1870–1890 in den USA als Schauspieler, Dramenautor, Produzent; adaptierte und schrieb über 200 Stücke, so das irische Melodram The Colleen Bawn, 1860 (Das schöne Mädchen), und das Sklaverei-Drama The Octoroon, 1859 (Der Mischling); Bedienung an Werken anderer, aber auch erfolgreicher Kampf für Urhebers…

  • Popular Culture

    Nassim W Balestrini•CHAPTER•Vladimir Nabokov in Context•2018

    A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.

  • Adaptation Studies and American Studies

    Open Access•Nassim W Balestrini•ARTICLE•Journal of Transnational American…•2016

    Author(s): Balestrini, Nassim W. | Abstract: Originally published in Adaptation and American Studies: Perspectives on Research and Teaching, ed. Nassim Winnie Balestrini (Heidelberg, DE: Universitätsverlag Winter, 2011)

  • Strategic Visuals in Hip-Hop Life Writing

    Nassim W Balestrini, Nassim Balestrini•ARTICLE•Popular Music & Society•2015•Cited by: 1•References: 1

    Autobiographies as well as rap lyrics have been misconstrued by authenticity-oriented reading practices that disregard the fact that they are aesthetic constructs. Much hip-hop life writing published since the 1990s modifies elements prominent in American autobiographical traditions, thus embedding itself within the mainstream while simultaneously adjusting dominant rags-to-riches or triumph-over-odds trajectories to the socioeconomic predicament…

  • The Pleasures and Pitfalls of Naming in Vladimir Nabokov's Stories

    Open Access•Nassim W Balestrini•ARTICLE•Names•2002•Cited by: 1

    True to his aesthetic principles, Nabokov expresses his love for detail in imaginative naming strategies. The conspicuous absence of names as well as the deliberate use of multilingual names constitute an important facet of his short fiction. Nabokov challenges the reader to differentiate between names that evoke stereotypes and names whose etymology assumes significance, between the purposes of supposedly real names and of appellations admittedl…

  • Strategic Visuals in Hip-Hop Life Writing

    Nassim W Balestrini, Nassim Balestrini•ARTICLE•Popular Music & Society•2015•Cited by: 1•References: 1

    Autobiographies as well as rap lyrics have been misconstrued by authenticity-oriented reading practices that disregard the fact that they are aesthetic constructs. Much hip-hop life writing published since the 1990s modifies elements prominent in American autobiographical traditions, thus embedding itself within the mainstream while simultaneously adjusting dominant rags-to-riches or triumph-over-odds trajectories to the socioeconomic predicament…

  • The Pleasures and Pitfalls of Naming in Vladimir Nabokov's Stories

    Open Access•Nassim W Balestrini•ARTICLE•Names•2002•Cited by: 1

    True to his aesthetic principles, Nabokov expresses his love for detail in imaginative naming strategies. The conspicuous absence of names as well as the deliberate use of multilingual names constitute an important facet of his short fiction. Nabokov challenges the reader to differentiate between names that evoke stereotypes and names whose etymology assumes significance, between the purposes of supposedly real names and of appellations admittedl…

  • The Pleasures and Pitfalls of Naming in Vladimir Nabokov's Stories

    Open Access•Nassim W Balestrini•ARTICLE•Names•2002•Cited by: 1

    True to his aesthetic principles, Nabokov expresses his love for detail in imaginative naming strategies. The conspicuous absence of names as well as the deliberate use of multilingual names constitute an important facet of his short fiction. Nabokov challenges the reader to differentiate between names that evoke stereotypes and names whose etymology assumes significance, between the purposes of supposedly real names and of appellations admittedl…

  • Strategic Visuals in Hip-Hop Life Writing

    Nassim W Balestrini, Nassim Balestrini•ARTICLE•Popular Music & Society•2015•Cited by: 1•References: 1

    Autobiographies as well as rap lyrics have been misconstrued by authenticity-oriented reading practices that disregard the fact that they are aesthetic constructs. Much hip-hop life writing published since the 1990s modifies elements prominent in American autobiographical traditions, thus embedding itself within the mainstream while simultaneously adjusting dominant rags-to-riches or triumph-over-odds trajectories to the socioeconomic predicament…

  • Adaptation Studies and American Studies

    Open Access•Nassim W Balestrini•ARTICLE•Journal of Transnational American…•2016

    Author(s): Balestrini, Nassim W. | Abstract: Originally published in Adaptation and American Studies: Perspectives on Research and Teaching, ed. Nassim Winnie Balestrini (Heidelberg, DE: Universitätsverlag Winter, 2011)

  • Popular Culture

    Nassim W Balestrini•CHAPTER•Vladimir Nabokov in Context•2018

    A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.

  • Boucicault, Dion

    Open Access•Nassim W Balestrini•CHAPTER•Kindlers Literatur Lexikon (KLL)•2020

    Das 1857 mit dem Journalisten Charles Seymour und zwei nicht weiter bekannten Autoren namens Goodrich und Warden verfasste Melodrama wurde am 8. Dezember 1857 im Wallack's Theatre in New York uraufgeführt. Es zählt zu den vier Werken Boucicaults mit amerikanischem Schauplatz. Das Stück erschien auch als The Poor of Liverpool (Die Armen von Liverpool), The Streets of London und The Streets of Dublin (Die Straßen Londons bzw. Dublins), bevor es zu …

  • Boucicault, Dion

    Open Access•Nassim W Balestrini•CHAPTER•Kindlers Literatur Lexikon (KLL)•2020

    Ausbildung in London; ab 1836 Schauspieler; 1841 Komödie London Assurance (Londoner Versicherung), bis ins späte 20. Jh. aufgeführt; 1853–1860 und 1870–1890 in den USA als Schauspieler, Dramenautor, Produzent; adaptierte und schrieb über 200 Stücke, so das irische Melodram The Colleen Bawn, 1860 (Das schöne Mädchen), und das Sklaverei-Drama The Octoroon, 1859 (Der Mischling); Bedienung an Werken anderer, aber auch erfolgreicher Kampf für Urhebers…

  • The Cultural Ecology of Alaskan Indigenous Hip Hop

    Open Access•Nassim W Balestrini•ARTICLE•Ecozon European Journal of…•2022

    In hip-hop studies, Indigenous rap music has been garnering increasing attention alongside other non-mainstream manifestations of this ‘glocal’ genre, and the field has begun to address the significance of specific locales for artistic expression. Worried about environmental studies research that extracts ecological insights from Indigenous cultures without paying attention to colonial history, Indigenous scholars have been critiquing how non-Ind…

  • Enunciation as Decolonial Knowledge

    Open Access•Nassim W Balestrini•ARTICLE•Amerikastudien/American Studies•2023

    With her poetry volume "Whereas", Oglala Lakota poet Layli Long Soldier eloquently responds to the 2009 congressional apology to all American Indians. The poet / persona privileges her own perspective on the past and the present by positioning herself as more than a silent recipient of the congressional document. Emphasizing the interrelatedness of land and other spaces, individual positionalities, personal relations, and the impact of language(s…

Art (6 works) · History (4 works) · Literature (4 works) · Aesthetics (2 works) · Colonialism (2 works) · Diverse Musicological Studies (2 works) · Historical and Literary Studies (2 works) · History (2 works) · Humanities (2 works) · Law (2 works)

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