Andrew Warnes
Biographic Data
| ID | 457738 |
|---|---|
| NAME | Andrew Warnes |
| GIVEN NAMES | Andrew |
| FAMILY NAME | Warnes |
| SIGNATURE | WARNES A |
| AFFILIATIONS | University of Leeds |
| ORCID | 0000-0002-6094-6565 |
| VERIFIED | Yes |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 3 |
| AUTHOR COUNT | 9 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2004 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Multiple inequalities in every meal
In hierarchical societies across diverse cultures and time periods, food producers are often made invisible for the purpose of enhancing the prestige of tastemakers in their respective societies. Engaging Intersectionality theory with the history, anthropology, and archaeology of foodways can elucidate how what we term “prestige-aserasure” manifests in various social contexts. This paradoxical invisibility arises from food producers’ labor underp…
How the Shopping Cart Explains Global Consumerism
How the Shopping Cart Explains Global Consumerism
Tricky's Maxinquaye
Generic markers today continue to organize Black Atlantic music into various received categories and traditions. However much postcolonialist thinkers rhapsodize about the syncretism of black dance music in general, the connoisseurs of particular scenes continue to take a protective attitude towards the object of their affection, and grow guarded about innovation or the prospect of making contact with other generic fields. Yet this process of seg…
Black, white and blue
As Matthew Bannister has recently suggested in these pages (see Popular Music, 25/1), The Smiths stand at the head of a 1980s Indie canon based on its rejection of a commodification associated with contemporary black US musics. This article argues that this racial understanding has also bled into the band's critical reception, encouraging many to assume that Morrissey and Marr drew on exclusively white influences. Specifically, I argue that the w…
Richard Wright's Native Son
Richard Wright’s Native Son (1940) is one of the most violent and revolutionary works in the American canon. Controversial and compelling, its account of crime and racism remain the source of profound disagreement both within African-American culture and throughout the world. This guide to Wright's provocative novel offers: an accessible introduction to the text and contexts of Native Son a critical history, surveying the many interpretations of …
Remembering the Past in Contemporary African American Fiction. Keith Byerman. Chapel Hill
Remembering the Past in Contemporary African American Fiction. Keith Byerman. Chapel Hill: U of North Carolina P, 2005. 228 pages. $49.95 cloth; $19.95 paper. Get access Remembering the Past in Contemporary African American Fiction. Keith Byerman. Chapel Hill: U of North Carolina P, 2005. 228 pages. $49.95 cloth;$19.95 paper. Andrew Warnes Andrew Warnes University of Leeds, UK Search for other works by this author on: Oxford Academic Google Schol…
Race Mixing
Marriage between blacks and whites is a longstanding and deeply ingrained taboo in American culture. On the eve of World War II, mixed-race marriage was illegal in most states, politicians argued for segregated facilities in order to prevent race mixing, and couples risked public hostility, legal action, even violence. Yet, 60 years later, black-white marriage is no longer illegal or a divisive political issue, and the number of such couples and …
The Impact of Race
Multiple inequalities in every meal
In hierarchical societies across diverse cultures and time periods, food producers are often made invisible for the purpose of enhancing the prestige of tastemakers in their respective societies. Engaging Intersectionality theory with the history, anthropology, and archaeology of foodways can elucidate how what we term “prestige-aserasure” manifests in various social contexts. This paradoxical invisibility arises from food producers’ labor underp…
Black, white and blue
As Matthew Bannister has recently suggested in these pages (see Popular Music, 25/1), The Smiths stand at the head of a 1980s Indie canon based on its rejection of a commodification associated with contemporary black US musics. This article argues that this racial understanding has also bled into the band's critical reception, encouraging many to assume that Morrissey and Marr drew on exclusively white influences. Specifically, I argue that the w…
Richard Wright's Native Son
Richard Wright’s Native Son (1940) is one of the most violent and revolutionary works in the American canon. Controversial and compelling, its account of crime and racism remain the source of profound disagreement both within African-American culture and throughout the world. This guide to Wright's provocative novel offers: an accessible introduction to the text and contexts of Native Son a critical history, surveying the many interpretations of …
Race Mixing
Marriage between blacks and whites is a longstanding and deeply ingrained taboo in American culture. On the eve of World War II, mixed-race marriage was illegal in most states, politicians argued for segregated facilities in order to prevent race mixing, and couples risked public hostility, legal action, even violence. Yet, 60 years later, black-white marriage is no longer illegal or a divisive political issue, and the number of such couples and …
The Impact of Race
Remembering the Past in Contemporary African American Fiction. Keith Byerman. Chapel Hill
Remembering the Past in Contemporary African American Fiction. Keith Byerman. Chapel Hill: U of North Carolina P, 2005. 228 pages. $49.95 cloth; $19.95 paper. Get access Remembering the Past in Contemporary African American Fiction. Keith Byerman. Chapel Hill: U of North Carolina P, 2005. 228 pages. $49.95 cloth;$19.95 paper. Andrew Warnes Andrew Warnes University of Leeds, UK Search for other works by this author on: Oxford Academic Google Schol…
Richard Wright's Native Son
Richard Wright’s Native Son (1940) is one of the most violent and revolutionary works in the American canon. Controversial and compelling, its account of crime and racism remain the source of profound disagreement both within African-American culture and throughout the world. This guide to Wright's provocative novel offers: an accessible introduction to the text and contexts of Native Son a critical history, surveying the many interpretations of …
Black, white and blue
As Matthew Bannister has recently suggested in these pages (see Popular Music, 25/1), The Smiths stand at the head of a 1980s Indie canon based on its rejection of a commodification associated with contemporary black US musics. This article argues that this racial understanding has also bled into the band's critical reception, encouraging many to assume that Morrissey and Marr drew on exclusively white influences. Specifically, I argue that the w…
Tricky's Maxinquaye
Generic markers today continue to organize Black Atlantic music into various received categories and traditions. However much postcolonialist thinkers rhapsodize about the syncretism of black dance music in general, the connoisseurs of particular scenes continue to take a protective attitude towards the object of their affection, and grow guarded about innovation or the prospect of making contact with other generic fields. Yet this process of seg…
How the Shopping Cart Explains Global Consumerism
How the Shopping Cart Explains Global Consumerism
Multiple inequalities in every meal
In hierarchical societies across diverse cultures and time periods, food producers are often made invisible for the purpose of enhancing the prestige of tastemakers in their respective societies. Engaging Intersectionality theory with the history, anthropology, and archaeology of foodways can elucidate how what we term “prestige-aserasure” manifests in various social contexts. This paradoxical invisibility arises from food producers’ labor underp…
History (7 works) · Art (4 works) · Art history (4 works) · History (4 works) · Sociology (4 works) · Gender Studies (3 works) · Gender Studies (3 works) · Advertising (2 works) · Blues (2 works) · Business (2 works)