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Nina Rattner Gelbart

Biographic Data

ID4585821
NAMENina Rattner Gelbart
GIVEN NAMESNina Rattner
FAMILY NAMEGelbart
SIGNATUREGELBART N R
AFFILIATIONSOccidental College
VERIFIEDNo
TOTAL WORKS15
TOTAL CITATIONS4
WORKS AS AUTHOR15
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1971
LATEST PUBLICATION YEAR2021
H-INDEX1
  • Minerva’s French Sisters

    Open Access•Nina Rattner Gelbart•BOOK•Minerva’s French Sisters•2021

  • Minerva's French Sisters

    Nina Rattner Gelbart•BOOK•Minerva's French Sisters•2021

  • Mathematician and Philosopher

    Nina Rattner Gelbart•CHAPTER•Minerva's French Sisters•2021

    This chapter traces the early life of mathematician and philosopher Elisabeth Ferrand. It documents her interest in the sciences from an early age as well as her accomplishment as a mathematician, in which she won the respect of various members of the Bernoulli dynasty in Basel. A professed Newtonian before Mme Du Châtelet, she had also been taught by her longtime friend Lévesque de Pouilly, who was readily acknowledged by Voltaire as the man who…

  • Dear Jeanne

    Nina Rattner Gelbart•CHAPTER•Minerva's French Sisters•2021

    Mostly, I wonder what really happened once Bougainville left you and Philibert off on Isle de France. Did he desert you? Did he expose you? Or was your story perhaps not spread about, making it possible to remain in disguise as if nothing had happened and to continue as his manservant? Hard to believe you would have agreed to prolong such painful sartorial constraints. Yet given your zeal for science you might have, and even taken a new name, hid…

  • Botany in the Field and in the Garden

    Nina Rattner Gelbart•CHAPTER•Minerva's French Sisters•2021

    This chapter deals with two enthusiastic contributors to botany: field naturalist Jeanne Barret and botanical illustrator Madeleine Françoise Basseporte. The chapter notes that these intrepid women deliberately positioned themselves and thrived in their scientific work surrounded by some of the most celebrated naturalists of their day. It then introduces Bernard de Jussieu, generally revered as the “Newton of botany,” George Louis Leclerc, Compte…

  • Dear Marie-Marguerite

    Nina Rattner Gelbart•CHAPTER•Minerva's French Sisters•2021

    I visit your ghost in several places as I stroll around the 5th arrondissement. You had two addresses on the rue de l’Estrapade behind and south of what is now the Pantheon, the first on the corner of the rue des Poules, today rue Laromiguière—although there’s some ambiguity because the building adjoins the one next to it on the corner of the parallel rue Tournefort. Of course there is a plaque about Diderot having lived there, but no mention of …

  • Anatomist and Inventor

    Nina Rattner Gelbart•CHAPTER•Minerva's French Sisters•2021

    This chapter concerns anatomist Marie-Marguerite Biheron, who analyzed the human body, taking it apart in countless dissections to elucidate the hidden internal structures. It examines Biheron's “ anatomie artificielle ” that she fashioned, displayed, and taught with for decades in her private home museum. The chapter also looks at her models, made from a formula of her own invention that neither melted nor broke, which were said to imitate the h…

  • The Blonding of Charlotte Corday

    Nina Rattner Gelbart•ARTICLE•Eighteenth-Century Studies•2004•Cited by: 1•References: 1

    Despite all evidence to the contrary, many authors writing about Charlotte Corday, the famous bathtub murderess of Jean-Paul Marat, described her as blonde. One of the only pictures to show Corday as fair-haired--powdered in fact--was a crime scene done at the time of the murder by Jean-Jacques Hauer, an artist who very much admired her and portrayed her flatteringly. For his own protection Hauer needed to suggest that she was a counter-revolutio…

  • The Monarchy's Midwife Who Left No Memoirs

    Nina Rattner Gelbart•ARTICLE•French Historical Studies•1996•Cited by: 2

    Biographies do not generally stress how little is actually known about their subject, or boast that they are approximations, or celebrate the partial. They tend not to be riddled with ruptures and disjunctions and confessional knows? Most of them seek to tell a seamless or at least orderly tale, to emphasize continuity between causes and consequences, to demonstrate an inexorable unfolding from cradle to coffin, to arrive at completeness and clos…

  • Traces des femmes

    Nina Rattner Gelbart, Nina Gelbart•ARTICLE•History of European Ideas•1990

    (1990). Traces des femmes: Presence feminine dans le journalisme francais du 18e siecle. History of European Ideas: Vol. 12, No. 1, pp. 136-137

  • The French revolution as medical event

    Nina Rattner Gelbart•ARTICLE•History of European Ideas•1989

  • "Frondeur" Journalism in the 1770s

    Nina Rattner Gelbart•ARTICLE•Eighteenth-Century Studies•1984•Cited by: 1

    Nina R. Gelbart, "Frondeur" Journalism in the 1770s: Theater Criticism and Radical Politics in the Prerevolutionary French Press, Eighteenth-Century Studies, Vol. 17, No. 4, Special Issue: The Printed Word in the Eighteenth Century (Summer, 1984), pp. 493-514

  • The Radical Enlightenment

    Nina Rattner Gelbart•REVIEW•Eighteenth-Century Studies•1983

  • Science and Immortality

    Nina Rattner Gelbart, Charles B Paul•ARTICLE•Eighteenth-Century Studies•1982

  • The Intellectual Development of Walter Charleton

    Nina Rattner Gelbart•ARTICLE•Ambix•1971

    (1971). The Intellectual Development of Walter Charleton. Ambix: Vol. 18, No. 3, pp. 149-168.

  • The Monarchy's Midwife Who Left No Memoirs

    Nina Rattner Gelbart•ARTICLE•French Historical Studies•1996•Cited by: 2

    Biographies do not generally stress how little is actually known about their subject, or boast that they are approximations, or celebrate the partial. They tend not to be riddled with ruptures and disjunctions and confessional knows? Most of them seek to tell a seamless or at least orderly tale, to emphasize continuity between causes and consequences, to demonstrate an inexorable unfolding from cradle to coffin, to arrive at completeness and clos…

  • The Blonding of Charlotte Corday

    Nina Rattner Gelbart•ARTICLE•Eighteenth-Century Studies•2004•Cited by: 1•References: 1

    Despite all evidence to the contrary, many authors writing about Charlotte Corday, the famous bathtub murderess of Jean-Paul Marat, described her as blonde. One of the only pictures to show Corday as fair-haired--powdered in fact--was a crime scene done at the time of the murder by Jean-Jacques Hauer, an artist who very much admired her and portrayed her flatteringly. For his own protection Hauer needed to suggest that she was a counter-revolutio…

  • "Frondeur" Journalism in the 1770s

    Nina Rattner Gelbart•ARTICLE•Eighteenth-Century Studies•1984•Cited by: 1

    Nina R. Gelbart, "Frondeur" Journalism in the 1770s: Theater Criticism and Radical Politics in the Prerevolutionary French Press, Eighteenth-Century Studies, Vol. 17, No. 4, Special Issue: The Printed Word in the Eighteenth Century (Summer, 1984), pp. 493-514

  • The Intellectual Development of Walter Charleton

    Nina Rattner Gelbart•ARTICLE•Ambix•1971

    (1971). The Intellectual Development of Walter Charleton. Ambix: Vol. 18, No. 3, pp. 149-168.

  • Science and Immortality

    Nina Rattner Gelbart, Charles B Paul•ARTICLE•Eighteenth-Century Studies•1982

  • The Radical Enlightenment

    Nina Rattner Gelbart•REVIEW•Eighteenth-Century Studies•1983

  • "Frondeur" Journalism in the 1770s

    Nina Rattner Gelbart•ARTICLE•Eighteenth-Century Studies•1984•Cited by: 1

    Nina R. Gelbart, "Frondeur" Journalism in the 1770s: Theater Criticism and Radical Politics in the Prerevolutionary French Press, Eighteenth-Century Studies, Vol. 17, No. 4, Special Issue: The Printed Word in the Eighteenth Century (Summer, 1984), pp. 493-514

  • The French revolution as medical event

    Nina Rattner Gelbart•ARTICLE•History of European Ideas•1989

  • Traces des femmes

    Nina Rattner Gelbart, Nina Gelbart•ARTICLE•History of European Ideas•1990

    (1990). Traces des femmes: Presence feminine dans le journalisme francais du 18e siecle. History of European Ideas: Vol. 12, No. 1, pp. 136-137

  • The Monarchy's Midwife Who Left No Memoirs

    Nina Rattner Gelbart•ARTICLE•French Historical Studies•1996•Cited by: 2

    Biographies do not generally stress how little is actually known about their subject, or boast that they are approximations, or celebrate the partial. They tend not to be riddled with ruptures and disjunctions and confessional knows? Most of them seek to tell a seamless or at least orderly tale, to emphasize continuity between causes and consequences, to demonstrate an inexorable unfolding from cradle to coffin, to arrive at completeness and clos…

  • The Blonding of Charlotte Corday

    Nina Rattner Gelbart•ARTICLE•Eighteenth-Century Studies•2004•Cited by: 1•References: 1

    Despite all evidence to the contrary, many authors writing about Charlotte Corday, the famous bathtub murderess of Jean-Paul Marat, described her as blonde. One of the only pictures to show Corday as fair-haired--powdered in fact--was a crime scene done at the time of the murder by Jean-Jacques Hauer, an artist who very much admired her and portrayed her flatteringly. For his own protection Hauer needed to suggest that she was a counter-revolutio…

  • Minerva’s French Sisters

    Open Access•Nina Rattner Gelbart•BOOK•Minerva’s French Sisters•2021

  • Minerva's French Sisters

    Nina Rattner Gelbart•BOOK•Minerva's French Sisters•2021

  • Mathematician and Philosopher

    Nina Rattner Gelbart•CHAPTER•Minerva's French Sisters•2021

    This chapter traces the early life of mathematician and philosopher Elisabeth Ferrand. It documents her interest in the sciences from an early age as well as her accomplishment as a mathematician, in which she won the respect of various members of the Bernoulli dynasty in Basel. A professed Newtonian before Mme Du Châtelet, she had also been taught by her longtime friend Lévesque de Pouilly, who was readily acknowledged by Voltaire as the man who…

  • Dear Jeanne

    Nina Rattner Gelbart•CHAPTER•Minerva's French Sisters•2021

    Mostly, I wonder what really happened once Bougainville left you and Philibert off on Isle de France. Did he desert you? Did he expose you? Or was your story perhaps not spread about, making it possible to remain in disguise as if nothing had happened and to continue as his manservant? Hard to believe you would have agreed to prolong such painful sartorial constraints. Yet given your zeal for science you might have, and even taken a new name, hid…

  • Botany in the Field and in the Garden

    Nina Rattner Gelbart•CHAPTER•Minerva's French Sisters•2021

    This chapter deals with two enthusiastic contributors to botany: field naturalist Jeanne Barret and botanical illustrator Madeleine Françoise Basseporte. The chapter notes that these intrepid women deliberately positioned themselves and thrived in their scientific work surrounded by some of the most celebrated naturalists of their day. It then introduces Bernard de Jussieu, generally revered as the “Newton of botany,” George Louis Leclerc, Compte…

  • Dear Marie-Marguerite

    Nina Rattner Gelbart•CHAPTER•Minerva's French Sisters•2021

    I visit your ghost in several places as I stroll around the 5th arrondissement. You had two addresses on the rue de l’Estrapade behind and south of what is now the Pantheon, the first on the corner of the rue des Poules, today rue Laromiguière—although there’s some ambiguity because the building adjoins the one next to it on the corner of the parallel rue Tournefort. Of course there is a plaque about Diderot having lived there, but no mention of …

  • Anatomist and Inventor

    Nina Rattner Gelbart•CHAPTER•Minerva's French Sisters•2021

    This chapter concerns anatomist Marie-Marguerite Biheron, who analyzed the human body, taking it apart in countless dissections to elucidate the hidden internal structures. It examines Biheron's “ anatomie artificielle ” that she fashioned, displayed, and taught with for decades in her private home museum. The chapter also looks at her models, made from a formula of her own invention that neither melted nor broke, which were said to imitate the h…

Art (11 works) · Historical and Literary Studies (11 works) · Art history (8 works) · History (8 works) · Philosophy (8 works) · Political science (8 works) · Historical Studies and Socio-cultural Analysis (6 works) · Law (6 works) · Epistemology (4 works) · History (4 works)

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