Maude Bass-Krueger
Biographic Data
| ID | 4585836 |
|---|---|
| NAME | Maude Bass-Krueger |
| GIVEN NAMES | Maude |
| FAMILY NAME | Bass-Krueger |
| SIGNATURE | BASS-KRUEGER M |
| AFFILIATIONS | Ghent University |
| ORCID | 0000-0003-1732-9059 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 2003 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Susan Hiner, Behind the Seams: Women, Fashion, and Work in 19 th -Century France
(Re)mettre le passé à la mode: Le « culte de l’authentique » dans la mode française (1880-1900)
Les collections du palais Galliera et du Musée des arts décoratifs (MAD) conservent plus d’une dizaine d’exemplaires de gilets et d’habits d’homme qui ont été transformés, coupés, retaillés, entre 1800 et 1900, pour être portés comme vêtements élégants par des femmes. Plus que de simples arcanes de la distinction bourgeoise, ces vêtements autrefois du dernier chic témoignent de l’évolution des connaissances sur le costume historique et l’histoire…
The Power of (Writing) History: Jules Quicherat, France’s First Fashion Historian
This article re-evaluates Jules Quicherat's (1814-1882) contributions to French dress studies. Quicherat was the first French historian to develop a theory on the development of clothing in French history by analyzing material artifacts, pictorial, textual, and philological sources. This paper argues that Quicherat should be recognized as the founder of French dress studies, and that his book, Histoire du costume en France, depuis les temps les p…
Paris, Capital of Fashion
Paris, Capital of Fashion is a collection of essays edited by Valerie Steele that accompanies an exhibition of the same name, also curated by Steele, on view at the Museum at FIT from 6 September 2019 until 4 January 2020. As Steele writes in her preface, the seven essays—written, in order, by Steele, Christopher Breward, David Gilbert, Grazia d’Annunzio, Antonia Finnane, Sophie Kurkdjian and Agnès Rocamora—explore the cultural construction of Pa…
The state of fashion studies in France: Past, present, future
This article explores the paradoxical nature of the state of fashion studies in France. Despite France’s long history of fostering innovative theoretical research in fashion studies and its rich cultural fashion heritage, the current state of French fashion studies lags in comparison to its Anglo-American and Northern European neighbours. The institutionalization of fashion studies is just beginning to happen in France. Currently, French fashion …
Fashion Collections, Collectors, and Exhibitions in France, 1874–1900: Historical Imagination, the Spectacular Past, and the Practice of Restoration
This article explores fashion collecting and dress exhibitions in nineteenth-century France. The first three exhibitions of historic dress in France, which occurred in 1874, 1892, and 1900, raised a host of questions for French dress historians, collectors, and curators: they debated how historical dress should be displayed, what kind of garments should be collected, and what role fashion had in the narrative of French history. This article explo…
Delaunay, Sonia
Painter, printmaker, interior decorator, textile, and fashion designer. Delaunay was born in Odesa, then part of the Russian Empire (now Ukraine), raised in St. Petersburg, was active in France, and was also the wife of Robert Delaunay. More than any other modern artist, she forged a link between the fine and the applied arts.
No prominent works on this page.
Delaunay, Sonia
Painter, printmaker, interior decorator, textile, and fashion designer. Delaunay was born in Odesa, then part of the Russian Empire (now Ukraine), raised in St. Petersburg, was active in France, and was also the wife of Robert Delaunay. More than any other modern artist, she forged a link between the fine and the applied arts.
The state of fashion studies in France: Past, present, future
This article explores the paradoxical nature of the state of fashion studies in France. Despite France’s long history of fostering innovative theoretical research in fashion studies and its rich cultural fashion heritage, the current state of French fashion studies lags in comparison to its Anglo-American and Northern European neighbours. The institutionalization of fashion studies is just beginning to happen in France. Currently, French fashion …
Fashion Collections, Collectors, and Exhibitions in France, 1874–1900: Historical Imagination, the Spectacular Past, and the Practice of Restoration
This article explores fashion collecting and dress exhibitions in nineteenth-century France. The first three exhibitions of historic dress in France, which occurred in 1874, 1892, and 1900, raised a host of questions for French dress historians, collectors, and curators: they debated how historical dress should be displayed, what kind of garments should be collected, and what role fashion had in the narrative of French history. This article explo…
Paris, Capital of Fashion
Paris, Capital of Fashion is a collection of essays edited by Valerie Steele that accompanies an exhibition of the same name, also curated by Steele, on view at the Museum at FIT from 6 September 2019 until 4 January 2020. As Steele writes in her preface, the seven essays—written, in order, by Steele, Christopher Breward, David Gilbert, Grazia d’Annunzio, Antonia Finnane, Sophie Kurkdjian and Agnès Rocamora—explore the cultural construction of Pa…
The Power of (Writing) History: Jules Quicherat, France’s First Fashion Historian
This article re-evaluates Jules Quicherat's (1814-1882) contributions to French dress studies. Quicherat was the first French historian to develop a theory on the development of clothing in French history by analyzing material artifacts, pictorial, textual, and philological sources. This paper argues that Quicherat should be recognized as the founder of French dress studies, and that his book, Histoire du costume en France, depuis les temps les p…
(Re)mettre le passé à la mode: Le « culte de l’authentique » dans la mode française (1880-1900)
Les collections du palais Galliera et du Musée des arts décoratifs (MAD) conservent plus d’une dizaine d’exemplaires de gilets et d’habits d’homme qui ont été transformés, coupés, retaillés, entre 1800 et 1900, pour être portés comme vêtements élégants par des femmes. Plus que de simples arcanes de la distinction bourgeoise, ces vêtements autrefois du dernier chic témoignent de l’évolution des connaissances sur le costume historique et l’histoire…
Susan Hiner, Behind the Seams: Women, Fashion, and Work in 19 th -Century France
Art (5 works) · Fashion and Cultural Textiles (5 works) · Historical Studies and Socio-cultural Analysis (4 works) · History (4 works) · Art history (3 works) · Visual arts (3 works) · Clothing (2 works) · French Historical and Cultural Studies (2 works) · History (2 works) · The arts (2 works)