Carol Tulloch
Biographic Data
| ID | 4585844 |
|---|---|
| NAME | Carol Tulloch |
| GIVEN NAMES | Carol |
| FAMILY NAME | Tulloch |
| SIGNATURE | TULLOCH C |
| AFFILIATIONS | University of the Arts London |
| ORCID | 0000-0003-4942-1327 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 27 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1998 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 2 |
Sew Me a Quilt. Tell You a Story
Sew Me a Quilt. Tell You a Story. was a performative conversation between Sequoia Barnes and Carol Tulloch that took place at the Fruitmarket Gallery, Edinburgh (25 April 2019). It was in response to the exhibition Senga Nengudi (16 March–26 May 2019), notably her work Ceremony for Freeway Frets (1979) and the RSVP series. These feature costume and textiles associated with Black bodies which Barnes argues lean on the concept of fashioning – estab…
If I don’t do some couching I will burst’
‘If I Don’t Do Some Couching I Will Burst’ was the explanation I gave to Dr. Amy Twigger-Holroyd to explain my need to make in order to feel more balanced due to work commitments generally, and during the Covid-19 pandemic in particular, and why I drew on couching as a stitch to achieve this. It was not until writing this essay about ‘The Piece’ I stitched in 2021 to stop me from ‘bursting’, that I realised the centrality of the work to expanded …
We haven’t got here just on our own. It’s a conversation’
Carol Tulloch is an author, curator, maker and academic, and Professor of Dress, Diaspora and Transnationalism at the University of the Arts in London. She grew up in Doncaster in the North of England and studied BA Fashion and Textile Design at Ravensbourne College Design and Communication, and MA History of Design at the Royal College of Art and Victoria and Albert Museum. She is known for her innovative work on heritage, personal archives, sty…
Units of Possibility
Review article of the exhibition Units of Possibility: The Reknit Revolution
Style—Fashion—Dress
This article examines terms that are central to critical thinking on dress associated with the African diaspora. Through a series of case studies on an accessory and garments produced and/or used in England, the United States and South Africa, notably London, New York and Soweto, the terms style, fashion, dress, black and post-black are considered with regard to specific use, contemporary relevance, or past-present connections. Such multi-faceted…
Dress, Gender and Cultural Change
Out of Many, One People”
(1998). “Out of Many, One People”: The Relativity of Dress, Race and Ethnicity to Jamaica, 1880–1907. Fashion Theory: Vol. 2, No. 4, pp. 359-382
Style—Fashion—Dress
This article examines terms that are central to critical thinking on dress associated with the African diaspora. Through a series of case studies on an accessory and garments produced and/or used in England, the United States and South Africa, notably London, New York and Soweto, the terms style, fashion, dress, black and post-black are considered with regard to specific use, contemporary relevance, or past-present connections. Such multi-faceted…
Out of Many, One People”
(1998). “Out of Many, One People”: The Relativity of Dress, Race and Ethnicity to Jamaica, 1880–1907. Fashion Theory: Vol. 2, No. 4, pp. 359-382
Units of Possibility
Review article of the exhibition Units of Possibility: The Reknit Revolution
Out of Many, One People”
(1998). “Out of Many, One People”: The Relativity of Dress, Race and Ethnicity to Jamaica, 1880–1907. Fashion Theory: Vol. 2, No. 4, pp. 359-382
Dress, Gender and Cultural Change
Style—Fashion—Dress
This article examines terms that are central to critical thinking on dress associated with the African diaspora. Through a series of case studies on an accessory and garments produced and/or used in England, the United States and South Africa, notably London, New York and Soweto, the terms style, fashion, dress, black and post-black are considered with regard to specific use, contemporary relevance, or past-present connections. Such multi-faceted…
Units of Possibility
Review article of the exhibition Units of Possibility: The Reknit Revolution
Sew Me a Quilt. Tell You a Story
Sew Me a Quilt. Tell You a Story. was a performative conversation between Sequoia Barnes and Carol Tulloch that took place at the Fruitmarket Gallery, Edinburgh (25 April 2019). It was in response to the exhibition Senga Nengudi (16 March–26 May 2019), notably her work Ceremony for Freeway Frets (1979) and the RSVP series. These feature costume and textiles associated with Black bodies which Barnes argues lean on the concept of fashioning – estab…
If I don’t do some couching I will burst’
‘If I Don’t Do Some Couching I Will Burst’ was the explanation I gave to Dr. Amy Twigger-Holroyd to explain my need to make in order to feel more balanced due to work commitments generally, and during the Covid-19 pandemic in particular, and why I drew on couching as a stitch to achieve this. It was not until writing this essay about ‘The Piece’ I stitched in 2021 to stop me from ‘bursting’, that I realised the centrality of the work to expanded …
We haven’t got here just on our own. It’s a conversation’
Carol Tulloch is an author, curator, maker and academic, and Professor of Dress, Diaspora and Transnationalism at the University of the Arts in London. She grew up in Doncaster in the North of England and studied BA Fashion and Textile Design at Ravensbourne College Design and Communication, and MA History of Design at the Royal College of Art and Victoria and Albert Museum. She is known for her innovative work on heritage, personal archives, sty…
Sociology (5 works) · Art (4 works) · Fashion and Cultural Textiles (4 works) · Gender Studies (4 works) · Gender Studies (4 works) · History (4 works) · History (4 works) · Anthropology (3 works) · Visual arts (3 works) · Art history (2 works)