Nina Hellerstein
Biographic Data
| ID | 4585855 |
|---|---|
| NAME | Nina Hellerstein |
| GIVEN NAMES | Nina |
| FAMILY NAME | Hellerstein |
| SIGNATURE | HELLERSTEIN N |
| AFFILIATIONS | University of Georgia |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1978 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Le regard de Claudel sur la langue anglaise et ses approches de traductions de l’anglais
English, more than any other language, opened the door to the whole world for Claudel, because of its linguistic and cultural links with German, Latin, Old French, and the Far East. He spoke English, wrote in English, not only for his diplomatic writings: this language is everywhere in his work, for instance in his Journal, with many references to English and American authors. Claudel is also a translator who conceptualizes translation: «This cal…
Welcome Unreason
Crime in Claudel's “Le Pain Dur
The French diplomat and dramatist Paul Claudel (1868-1955) began his career as a member of the Symbolist movement during the late 19th century, and his theater reflects this origin in its essentially poetic character. Claudel rejected traditional, realistic psychology in his plays, utilized free verse, and emphasized the spiritual dimension of man's search for meaning. Yet this poetic approach did not prevent him from dealing with some of the mos…
The Problematic Couple in L'Immoraliste, Partage de midi and Le Grand Meaulnes
Les Troubles de l'invention
Aragon
The Poet as Linguist
No prominent works on this page.
The Poet as Linguist
Aragon
Les Troubles de l'invention
The Problematic Couple in L'Immoraliste, Partage de midi and Le Grand Meaulnes
Crime in Claudel's “Le Pain Dur
The French diplomat and dramatist Paul Claudel (1868-1955) began his career as a member of the Symbolist movement during the late 19th century, and his theater reflects this origin in its essentially poetic character. Claudel rejected traditional, realistic psychology in his plays, utilized free verse, and emphasized the spiritual dimension of man's search for meaning. Yet this poetic approach did not prevent him from dealing with some of the mos…
Welcome Unreason
Le regard de Claudel sur la langue anglaise et ses approches de traductions de l’anglais
English, more than any other language, opened the door to the whole world for Claudel, because of its linguistic and cultural links with German, Latin, Old French, and the Far East. He spoke English, wrote in English, not only for his diplomatic writings: this language is everywhere in his work, for instance in his Journal, with many references to English and American authors. Claudel is also a translator who conceptualizes translation: «This cal…
Art (6 works) · Historical and Literary Studies (4 works) · Literature (4 works) · Poetry (3 works) · Historical Studies and Socio-cultural Analysis (2 works) · Linguistics and Discourse Analysis (2 works) · Philosophy (2 works) · Psychoanalysis (2 works) · Psychology (2 works) · Aesthetics (1 work)