Lise Schreier
Biographic Data
| ID | 4585877 |
|---|---|
| NAME | Lise Schreier |
| GIVEN NAMES | Lise |
| FAMILY NAME | Schreier |
| SIGNATURE | SCHREIER L |
| AFFILIATIONS | Fordham University |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 1 |
Esclaves de la scène
Comment représenter sur scène des personnes de couleur ? La question préoccupe longtemps le théâtre français, et c’est le vaudeville, genre généralement plus prompt à l’imitation qu’à l’innovation, qui le premier se risque à abandonner la pratique du blackface et à faire monter sur les planches des acteurs noirs. Nous sommes en 1847 ; si le maquillage noircissant est alors tenu pour ridicule, l’apparition de comédiens de couleur indigne. On ne co…
Zamore “the African” and the Haunting of France's Collective Consciousness
In July 1772, the Countess Du Barry, mistress to King Louis XV, took a ten-year old Bengali boy to the baptismal font in great pomp. Young Louis-Benoit Zamore had been brought to France a few years
A Toy in the White Man’s Hands”
This article focuses on an 1870s children’s story about an African boy offered as a doll to a French girl his own age. It shows how its author used various narrative conventions, including those of the doll novel, to teach her young female readership the principles of the civilizing mission
Zamore “the African” and the Haunting of France's Collective Consciousness
In July 1772, the Countess Du Barry, mistress to King Louis XV, took a ten-year old Bengali boy to the baptismal font in great pomp. Young Louis-Benoit Zamore had been brought to France a few years
A Toy in the White Man’s Hands”
This article focuses on an 1870s children’s story about an African boy offered as a doll to a French girl his own age. It shows how its author used various narrative conventions, including those of the doll novel, to teach her young female readership the principles of the civilizing mission
Esclaves de la scène
Comment représenter sur scène des personnes de couleur ? La question préoccupe longtemps le théâtre français, et c’est le vaudeville, genre généralement plus prompt à l’imitation qu’à l’innovation, qui le premier se risque à abandonner la pratique du blackface et à faire monter sur les planches des acteurs noirs. Nous sommes en 1847 ; si le maquillage noircissant est alors tenu pour ridicule, l’apparition de comédiens de couleur indigne. On ne co…
Zamore “the African” and the Haunting of France's Collective Consciousness
In July 1772, the Countess Du Barry, mistress to King Louis XV, took a ten-year old Bengali boy to the baptismal font in great pomp. Young Louis-Benoit Zamore had been brought to France a few years
Art (2 works) · Gender Studies (2 works) · Gender Studies (2 works) · Historical Studies and Socio-cultural Analysis (2 works) · History (2 works) · History (2 works) · Psychology (2 works) · Sociology (2 works) · Aesthetics (1 work) · African history and culture studies (1 work)