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Yunchang Yang

Biographic Data

ID4585904
NAMEYunchang Yang
GIVEN NAMESYunchang
FAMILY NAMEYang
SIGNATUREYANG Y
AFFILIATIONSUniversity College London
ORCID0000-0003-1258-7972
VERIFIEDYes
TOTAL WORKS4
TOTAL CITATIONS1
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR2019
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Partially ethnographic and an ethno fiction ? An anthropological revisit of Dragonfly Eyes

    Yunchang Yang•ARTICLE•Inter-Asia Cultural Studies•2025•References: 1

  • Amateurism

    Yunchang Yang•ARTICLE•Photography and Culture•2022•Cited by: 1•References: 2

    As the first part of a long history-ethnography dedicated to amateur photography in China – an understudied, yet impactful, visual culture within the country’s modern history and contemporary society – this article provides a historical account of the shifts in the definition of ‘amateurism’ in Chinese social, cultural, and ideological scenes from the 1840 s to the present. It argues that the idea(l) of amateurism is rooted in traditional Chinese…

  • Smartphone photography and its socio-economic life in China

    Open Access•Yunchang Yang•ARTICLE•Global Media and China•2021

    The smartphone is perhaps one of the few items that can define our time in terms of its ubiquity and mobility. The photographic feature of various types of smartphones has also drawn the attention of consumers and manufacturers in recent years, with the consecutive upgrades of built-in cameras, photo-editing and sharing apps. From the taking, retouching, to publishing a photograph, smartphone photography, coupled with social media, has become imp…

  • Roots-searching’ and contemporary landscape photography in China

    Yunchang Yang•ARTICLE•World Art•2019•References: 6

    This article aims to discuss a discursive turn of Chinese visual arts, using landscape representations from old and contemporary photographs of China, as well as painting and film materials. The discussion starts from showing the differences of defining the term landscape between Western and Chinese painters, arguing that they point to two types of realism underpinned by two kinds of cultures of seeing. It then moves on to the anthropological ana…

  • Amateurism

    Yunchang Yang•ARTICLE•Photography and Culture•2022•Cited by: 1•References: 2

    As the first part of a long history-ethnography dedicated to amateur photography in China – an understudied, yet impactful, visual culture within the country’s modern history and contemporary society – this article provides a historical account of the shifts in the definition of ‘amateurism’ in Chinese social, cultural, and ideological scenes from the 1840 s to the present. It argues that the idea(l) of amateurism is rooted in traditional Chinese…

  • Roots-searching’ and contemporary landscape photography in China

    Yunchang Yang•ARTICLE•World Art•2019•References: 6

    This article aims to discuss a discursive turn of Chinese visual arts, using landscape representations from old and contemporary photographs of China, as well as painting and film materials. The discussion starts from showing the differences of defining the term landscape between Western and Chinese painters, arguing that they point to two types of realism underpinned by two kinds of cultures of seeing. It then moves on to the anthropological ana…

  • Smartphone photography and its socio-economic life in China

    Open Access•Yunchang Yang•ARTICLE•Global Media and China•2021

    The smartphone is perhaps one of the few items that can define our time in terms of its ubiquity and mobility. The photographic feature of various types of smartphones has also drawn the attention of consumers and manufacturers in recent years, with the consecutive upgrades of built-in cameras, photo-editing and sharing apps. From the taking, retouching, to publishing a photograph, smartphone photography, coupled with social media, has become imp…

  • Amateurism

    Yunchang Yang•ARTICLE•Photography and Culture•2022•Cited by: 1•References: 2

    As the first part of a long history-ethnography dedicated to amateur photography in China – an understudied, yet impactful, visual culture within the country’s modern history and contemporary society – this article provides a historical account of the shifts in the definition of ‘amateurism’ in Chinese social, cultural, and ideological scenes from the 1840 s to the present. It argues that the idea(l) of amateurism is rooted in traditional Chinese…

  • Partially ethnographic and an ethno fiction ? An anthropological revisit of Dragonfly Eyes

    Yunchang Yang•ARTICLE•Inter-Asia Cultural Studies•2025•References: 1

Art (4 works) · History (4 works) · Aesthetics (3 works) · Anthropology (3 works) · History (3 works) · Photography (3 works) · Sociology (3 works) · Visual arts (3 works) · Archaeology (2 works) · Art history (2 works)

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