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G P Mohrmann

Biographic Data

ID4586034
NAMEG P Mohrmann
GIVEN NAMESG P
FAMILY NAMEMohrmann
SIGNATUREMOHRMANN G P
AFFILIATIONSUniversity of California, Davis
VERIFIEDNo
TOTAL WORKS7
TOTAL CITATIONS24
WORKS AS AUTHOR7
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1965
LATEST PUBLICATION YEAR1982
H-INDEX3
  • An essay on fantasy theme criticism

    G P Mohrmann•ARTICLE•Quarterly Journal of Speech•1982•Cited by: 4•References: 21

    Fantasy theme criticism extrapolates from fantasy chains in the small group, but Freudian theory is fundamental in Bales’ description of the chaining, and the phenomenon necessarily is transactional; in addition, Bales is not a true proponent of dramatism. Critics ignore or distort these features in their analyses. Moreover, they usually argue in circular fashion, assuming that they have isolated compelling social reality when they have described…

  • II. Fantasy theme criticism

    G P Mohrmann•ARTICLE•Quarterly Journal of Speech•1982•References: 6

    (1982). II. Fantasy theme criticism: A peroration. Quarterly Journal of Speech: Vol. 68, No. 3, pp. 306-313

  • Reader, text, audience

    Stuart J Kaplan, G P Mohrmann•ARTICLE•Quarterly Journal of Speech•1977•Cited by: 1•References: 5

  • Popular music and World War II

    G P Mohrmann, Fran Scott et al.•ARTICLE•Quarterly Journal of Speech•1976•Cited by: 7

    1976). Popular music and World War II: The rhetoric of continuation. Quarterly Journal of Speech: Vol. 62, No. 2, pp. 145-156

  • Lincoln at cooper union

    G P Mohrmann, Michael Leff et al.•ARTICLE•Quarterly Journal of Speech•1974•Cited by: 11•References: 4

    Genre theory can serve as a corrective to certain defects in “neo‐Aristotelian” rhetorical criticism. Analysis of the theory and practice of neo‐Aristotelian critics reveals the lack of adequate standards for rhetorical evaluation. This deficiency is directly correlated with their neglect of the classical conception of oratorical genres. Using our critique of Lincoln's Cooper Union Address as an example, we argue that reference to oratorical genr…

  • The language of nature and elocutionary theory

    G P Mohrmann•ARTICLE•Quarterly Journal of Speech•1966•Cited by: 1•References: 2

    FEW developments in the rhetorical tradition have been so dramatic as the spread of elocution in England and the United States between 1750 and 1850; yet today the elocutionary movement is regarded as hardly more than a shallow response to pedogogical expediency. A variety of forces that supported the movement are cited in historical surveys, but the elocutionists seem to have been intellectually dormant. They appear to have plunged blindly onwar…

  • Kames and elocution

    G P Mohrmann•ARTICLE•Speech Monographs•1965

  • Lincoln at cooper union

    G P Mohrmann, Michael Leff et al.•ARTICLE•Quarterly Journal of Speech•1974•Cited by: 11•References: 4

    Genre theory can serve as a corrective to certain defects in “neo‐Aristotelian” rhetorical criticism. Analysis of the theory and practice of neo‐Aristotelian critics reveals the lack of adequate standards for rhetorical evaluation. This deficiency is directly correlated with their neglect of the classical conception of oratorical genres. Using our critique of Lincoln's Cooper Union Address as an example, we argue that reference to oratorical genr…

  • Popular music and World War II

    G P Mohrmann, Fran Scott et al.•ARTICLE•Quarterly Journal of Speech•1976•Cited by: 7

    1976). Popular music and World War II: The rhetoric of continuation. Quarterly Journal of Speech: Vol. 62, No. 2, pp. 145-156

  • An essay on fantasy theme criticism

    G P Mohrmann•ARTICLE•Quarterly Journal of Speech•1982•Cited by: 4•References: 21

    Fantasy theme criticism extrapolates from fantasy chains in the small group, but Freudian theory is fundamental in Bales’ description of the chaining, and the phenomenon necessarily is transactional; in addition, Bales is not a true proponent of dramatism. Critics ignore or distort these features in their analyses. Moreover, they usually argue in circular fashion, assuming that they have isolated compelling social reality when they have described…

  • Reader, text, audience

    Stuart J Kaplan, G P Mohrmann•ARTICLE•Quarterly Journal of Speech•1977•Cited by: 1•References: 5

  • The language of nature and elocutionary theory

    G P Mohrmann•ARTICLE•Quarterly Journal of Speech•1966•Cited by: 1•References: 2

    FEW developments in the rhetorical tradition have been so dramatic as the spread of elocution in England and the United States between 1750 and 1850; yet today the elocutionary movement is regarded as hardly more than a shallow response to pedogogical expediency. A variety of forces that supported the movement are cited in historical surveys, but the elocutionists seem to have been intellectually dormant. They appear to have plunged blindly onwar…

  • Kames and elocution

    G P Mohrmann•ARTICLE•Speech Monographs•1965

  • The language of nature and elocutionary theory

    G P Mohrmann•ARTICLE•Quarterly Journal of Speech•1966•Cited by: 1•References: 2

    FEW developments in the rhetorical tradition have been so dramatic as the spread of elocution in England and the United States between 1750 and 1850; yet today the elocutionary movement is regarded as hardly more than a shallow response to pedogogical expediency. A variety of forces that supported the movement are cited in historical surveys, but the elocutionists seem to have been intellectually dormant. They appear to have plunged blindly onwar…

  • Lincoln at cooper union

    G P Mohrmann, Michael Leff et al.•ARTICLE•Quarterly Journal of Speech•1974•Cited by: 11•References: 4

    Genre theory can serve as a corrective to certain defects in “neo‐Aristotelian” rhetorical criticism. Analysis of the theory and practice of neo‐Aristotelian critics reveals the lack of adequate standards for rhetorical evaluation. This deficiency is directly correlated with their neglect of the classical conception of oratorical genres. Using our critique of Lincoln's Cooper Union Address as an example, we argue that reference to oratorical genr…

  • Popular music and World War II

    G P Mohrmann, Fran Scott et al.•ARTICLE•Quarterly Journal of Speech•1976•Cited by: 7

    1976). Popular music and World War II: The rhetoric of continuation. Quarterly Journal of Speech: Vol. 62, No. 2, pp. 145-156

  • Reader, text, audience

    Stuart J Kaplan, G P Mohrmann•ARTICLE•Quarterly Journal of Speech•1977•Cited by: 1•References: 5

  • An essay on fantasy theme criticism

    G P Mohrmann•ARTICLE•Quarterly Journal of Speech•1982•Cited by: 4•References: 21

    Fantasy theme criticism extrapolates from fantasy chains in the small group, but Freudian theory is fundamental in Bales’ description of the chaining, and the phenomenon necessarily is transactional; in addition, Bales is not a true proponent of dramatism. Critics ignore or distort these features in their analyses. Moreover, they usually argue in circular fashion, assuming that they have isolated compelling social reality when they have described…

  • II. Fantasy theme criticism

    G P Mohrmann•ARTICLE•Quarterly Journal of Speech•1982•References: 6

    (1982). II. Fantasy theme criticism: A peroration. Quarterly Journal of Speech: Vol. 68, No. 3, pp. 306-313

Sociology (5 works) · Art (4 works) · Computer Science (4 works) · Linguistics (4 works) · Literature (4 works) · Philosophy (4 works) · Psychology (4 works) · Rhetoric and Communication Studies (4 works) · Criticism (3 works) · Epistemology (3 works)

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