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Benjamin G Martins

Biographic Data

ID4591060
NAMEBenjamin G Martins
GIVEN NAMESBenjamin G
FAMILY NAMEMartins
SIGNATUREMARTINS B G
AFFILIATIONSUppsala University
ORCID0000-0003-3180-2973
VERIFIEDYes
TOTAL WORKS12
TOTAL CITATIONS19
AUTHOR COUNT12
EDITOR COUNT0
FIRST PUBLICATION YEAR1971
LATEST PUBLICATION YEAR2024
H-INDEX3
  • A Righteous Smokescreen: Postwar America and the Politics of Cultural Globalization

    Open Access•Benjamin G Martins, Benjamin G Martin•ARTICLE•Journal of American History•2024

    Journal Article A Righteous Smokescreen: Postwar America and the Politics of Cultural Globalization Get access A Righteous Smokescreen: Postwar America and the Politics of Cultural Globalization. By Sam Lebovic. (Chicago: University of Chicago Press, 2022. 272 pp. $35.00.) Benjamin G Martin Benjamin G Martin Uppsala University, Uppsala, Sweden Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Vo…

  • The Rise of the Cultural Treaty: Diplomatic Agreements and the International Politics of Culture in the Age of Three Worlds

    Open Access•Benjamin G Martins•ARTICLE•The International History Review•2022•Cited by: 2

    Beginning in the late 1950s, observers noted that states around the world were entering into cultural treaties—bilateral agreements promoting exchange and cooperation in a range of ‘cultural’ fields—at an accelerating rate. This article combines qualitative and quantitative approaches to offer an international overview of the growth in cultural treaty-making as a means of exploring the role of ‘culture’ in the conduct of interstate relations duri…

  • The Birth of the Cultural Treaty in Europe's Age of Crisis

    Open Access•Benjamin G Martins•ARTICLE•Contemporary European History•2021•Cited by: 2•References: 3

    Bilateral treaties are an age-old tool of diplomacy, but before the First World War they were only rarely applied to the world of intellectual and cultural relations. This article explores the process by which diplomatic agreements on intellectual and cultural exchange came instead to be a common feature of interwar European international relations by contrasting two types of agreements identified by period observers: ‘intellectual’ accords, typi…

  • Cultural Diplomacy and Europe's Twenty Years’ Crisis, 1919–1939: Introduction

    Open Access•Benjamin G Martins, Elisabeth Piller•ARTICLE•Contemporary European History•2021•Cited by: 5•References: 11

    Photographs of the German and Soviet pavilions facing off at the Paris International Exposition in 1937 offer an iconic image of the interwar period, and with good reason. This image captures the interwar period's great conflict of ideologies, the international interconnectedness of the age and the aestheticisation of political and ideological conflict in the age of mass media and mass spectacle. [Figure 1] Last but not least, it captures the imp…

  • Culture in Nazi Germany

    Open Access•Benjamin G Martins, Benjamin G Martin•ARTICLE•German History•2020

  • International legal cooperation in the Nazi-fascist New Order

    Open Access•Benjamin G Martins, Benjamin Martin•ARTICLE•International Politics•2017•References: 5

  • Alessio Ponzio. Shaping the New Man: Youth Training Regimes in Fascist Italy and Nazi Germany

    Benjamin G Martins, Benjamin G Martin•ARTICLE•The American Historical Review•2017

    Alessio Ponzio’s Shaping the New Man: Youth Training Regimes in Fascist Italy and Nazi Germany is a welcome contribution to the growing comparative and transnational historiography on the Nazi and fascist dictatorships. Building on the rich literature on youth mobilization in Nazi Germany and in fascist Italy, including Ponzio’s own 2009 study of the Fascist Academy for Physical Education in Rome, this book offers a comparative view of the two re…

  • The Nazi-Fascist New Order for European Culture

    Benjamin G Martins, Benjamin G Martin•BOOK•Nazi-Fascist New Order for…•2016

    During World War II, Nazi-fascist cultural organizations brought writers, filmmakers, and composers together at international conferences where intellectuals celebrated a nationalist and anti-Semitic vision of European culture and pursued the continent-wide reform of the legal and economic bases of European culture. The Nazi-Fascist New Order for European Culture charts the origins, successes, and collapse of the Axis's pan-European cultural inst…

  • European Literature’ in the Nazi New Order: The Cultural Politics of the European Writers’ Union, 1941–3

    Open Access•Benjamin G Martins, Benjamin George Martin•ARTICLE•Journal of Contemporary History•2013•Cited by: 6

    This article examines the European Writers’ Union, founded by Nazi Germany with representatives of 15 nations in October 1941, in the context of the history of the idea of European literature. It argues that this institution was a serious effort to re-order the international literary field into a European form, designed to help legitimate Nazi Germany’s New Order Europe and to establish the cultural hegemony which German elites believed they alon…

  • The Heidelberg Myth: The Nazification and Denazification of a German University

    Benjamin G Martins, Benjamin G Martin et al.•ARTICLE•German Studies Review•2004•Cited by: 4

  • Trade Unions and the Industrial Relations Climate in Spain

    Benjamin Martins, Benjamin G Martins et al.•ARTICLE•Industrial and Labor Relations…•1991

  • Trade Unions and Industrial Relations: An International Comparison

    Benjamin Martins, Benjamin G Martins et al.•ARTICLE•Industrial and Labor Relations…•1971

  • European Literature’ in the Nazi New Order: The Cultural Politics of the European Writers’ Union, 1941–3

    Open Access•Benjamin G Martins, Benjamin George Martin•ARTICLE•Journal of Contemporary History•2013•Cited by: 6

    This article examines the European Writers’ Union, founded by Nazi Germany with representatives of 15 nations in October 1941, in the context of the history of the idea of European literature. It argues that this institution was a serious effort to re-order the international literary field into a European form, designed to help legitimate Nazi Germany’s New Order Europe and to establish the cultural hegemony which German elites believed they alon…

  • Cultural Diplomacy and Europe's Twenty Years’ Crisis, 1919–1939: Introduction

    Open Access•Benjamin G Martins, Elisabeth Piller•ARTICLE•Contemporary European History•2021•Cited by: 5•References: 11

    Photographs of the German and Soviet pavilions facing off at the Paris International Exposition in 1937 offer an iconic image of the interwar period, and with good reason. This image captures the interwar period's great conflict of ideologies, the international interconnectedness of the age and the aestheticisation of political and ideological conflict in the age of mass media and mass spectacle. [Figure 1] Last but not least, it captures the imp…

  • The Heidelberg Myth: The Nazification and Denazification of a German University

    Benjamin G Martins, Benjamin G Martin et al.•ARTICLE•German Studies Review•2004•Cited by: 4

  • The Rise of the Cultural Treaty: Diplomatic Agreements and the International Politics of Culture in the Age of Three Worlds

    Open Access•Benjamin G Martins•ARTICLE•The International History Review•2022•Cited by: 2

    Beginning in the late 1950s, observers noted that states around the world were entering into cultural treaties—bilateral agreements promoting exchange and cooperation in a range of ‘cultural’ fields—at an accelerating rate. This article combines qualitative and quantitative approaches to offer an international overview of the growth in cultural treaty-making as a means of exploring the role of ‘culture’ in the conduct of interstate relations duri…

  • The Birth of the Cultural Treaty in Europe's Age of Crisis

    Open Access•Benjamin G Martins•ARTICLE•Contemporary European History•2021•Cited by: 2•References: 3

    Bilateral treaties are an age-old tool of diplomacy, but before the First World War they were only rarely applied to the world of intellectual and cultural relations. This article explores the process by which diplomatic agreements on intellectual and cultural exchange came instead to be a common feature of interwar European international relations by contrasting two types of agreements identified by period observers: ‘intellectual’ accords, typi…

  • Trade Unions and Industrial Relations: An International Comparison

    Benjamin Martins, Benjamin G Martins et al.•ARTICLE•Industrial and Labor Relations…•1971

  • Trade Unions and the Industrial Relations Climate in Spain

    Benjamin Martins, Benjamin G Martins et al.•ARTICLE•Industrial and Labor Relations…•1991

  • The Heidelberg Myth: The Nazification and Denazification of a German University

    Benjamin G Martins, Benjamin G Martin et al.•ARTICLE•German Studies Review•2004•Cited by: 4

  • European Literature’ in the Nazi New Order: The Cultural Politics of the European Writers’ Union, 1941–3

    Open Access•Benjamin G Martins, Benjamin George Martin•ARTICLE•Journal of Contemporary History•2013•Cited by: 6

    This article examines the European Writers’ Union, founded by Nazi Germany with representatives of 15 nations in October 1941, in the context of the history of the idea of European literature. It argues that this institution was a serious effort to re-order the international literary field into a European form, designed to help legitimate Nazi Germany’s New Order Europe and to establish the cultural hegemony which German elites believed they alon…

  • The Nazi-Fascist New Order for European Culture

    Benjamin G Martins, Benjamin G Martin•BOOK•Nazi-Fascist New Order for…•2016

    During World War II, Nazi-fascist cultural organizations brought writers, filmmakers, and composers together at international conferences where intellectuals celebrated a nationalist and anti-Semitic vision of European culture and pursued the continent-wide reform of the legal and economic bases of European culture. The Nazi-Fascist New Order for European Culture charts the origins, successes, and collapse of the Axis's pan-European cultural inst…

  • International legal cooperation in the Nazi-fascist New Order

    Open Access•Benjamin G Martins, Benjamin Martin•ARTICLE•International Politics•2017•References: 5

  • Alessio Ponzio. Shaping the New Man: Youth Training Regimes in Fascist Italy and Nazi Germany

    Benjamin G Martins, Benjamin G Martin•ARTICLE•The American Historical Review•2017

    Alessio Ponzio’s Shaping the New Man: Youth Training Regimes in Fascist Italy and Nazi Germany is a welcome contribution to the growing comparative and transnational historiography on the Nazi and fascist dictatorships. Building on the rich literature on youth mobilization in Nazi Germany and in fascist Italy, including Ponzio’s own 2009 study of the Fascist Academy for Physical Education in Rome, this book offers a comparative view of the two re…

  • Culture in Nazi Germany

    Open Access•Benjamin G Martins, Benjamin G Martin•ARTICLE•German History•2020

  • The Birth of the Cultural Treaty in Europe's Age of Crisis

    Open Access•Benjamin G Martins•ARTICLE•Contemporary European History•2021•Cited by: 2•References: 3

    Bilateral treaties are an age-old tool of diplomacy, but before the First World War they were only rarely applied to the world of intellectual and cultural relations. This article explores the process by which diplomatic agreements on intellectual and cultural exchange came instead to be a common feature of interwar European international relations by contrasting two types of agreements identified by period observers: ‘intellectual’ accords, typi…

  • Cultural Diplomacy and Europe's Twenty Years’ Crisis, 1919–1939: Introduction

    Open Access•Benjamin G Martins, Elisabeth Piller•ARTICLE•Contemporary European History•2021•Cited by: 5•References: 11

    Photographs of the German and Soviet pavilions facing off at the Paris International Exposition in 1937 offer an iconic image of the interwar period, and with good reason. This image captures the interwar period's great conflict of ideologies, the international interconnectedness of the age and the aestheticisation of political and ideological conflict in the age of mass media and mass spectacle. [Figure 1] Last but not least, it captures the imp…

  • The Rise of the Cultural Treaty: Diplomatic Agreements and the International Politics of Culture in the Age of Three Worlds

    Open Access•Benjamin G Martins•ARTICLE•The International History Review•2022•Cited by: 2

    Beginning in the late 1950s, observers noted that states around the world were entering into cultural treaties—bilateral agreements promoting exchange and cooperation in a range of ‘cultural’ fields—at an accelerating rate. This article combines qualitative and quantitative approaches to offer an international overview of the growth in cultural treaty-making as a means of exploring the role of ‘culture’ in the conduct of interstate relations duri…

  • A Righteous Smokescreen: Postwar America and the Politics of Cultural Globalization

    Open Access•Benjamin G Martins, Benjamin G Martin•ARTICLE•Journal of American History•2024

    Journal Article A Righteous Smokescreen: Postwar America and the Politics of Cultural Globalization Get access A Righteous Smokescreen: Postwar America and the Politics of Cultural Globalization. By Sam Lebovic. (Chicago: University of Chicago Press, 2022. 272 pp. $35.00.) Benjamin G Martin Benjamin G Martin Uppsala University, Uppsala, Sweden Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Vo…

Political science (11 works) · Law (9 works) · Politics (9 works) · European history and politics (6 works) · Law (6 works) · Sociology (6 works) · History (5 works) · Nazism (5 works) · Political economy (4 works) · Art history (3 works)

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