Ian Newman
Biographic Data
| ID | 4591084 |
|---|---|
| NAME | Ian Newman |
| GIVEN NAMES | Ian |
| FAMILY NAME | Newman |
| SIGNATURE | NEWMAN I |
| AFFILIATIONS | University of Notre Dame |
| ORCID | 0000-0001-9255-274X |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
A single process for deductive and inductive inference? Examining the impact of conclusion typicality and argument validity on immediate inferences
Inductive and deductive inferences have been assumed to rely on two qualitatively distinct processes by dual-process theories. However, studies examining the predictions of this theory have yielded mixed results, with several studies showing that a single process underlies both deductive and inductive judgments. Previous studies have used a range of manipulations, response options, and analytical techniques, which might partly explain the inconcl…
From Magazine to Meeting
This article considers the relationship between the Mechanics’ Magazine and the founding of the London Mechanics’ Institution through the prism of Francis Place, who was involved in each. By examining the relationship of the magazine with the Crown and Anchor Tavern, where the early meetings of the London Mechanics’ Institution took place, this article reveals important aspects of the culture of the 1820s out of which Birkbeck emerged. With a par…
Metropolitan Songs and Songsters
Metropolitan Songs and Songsters:Ephemerality in the World City Ian Newman (bio) and Gillian Russell (bio) introduction this special issue on "song and the city" attempts to open up the category of song for the study of the Romantic period by detaching it from associations with bards and minstrels and placing it within an urban context.1 One of our ambitions is to uncouple song from its near cognate, ballad—a term that has proven fertile ground f…
Charles Dibdin and Late Georgian Culture
Charles Dibdin (1745–1814) was one of the most popular and influential producers of late Georgian culture. The huge diversity of his work and career defies simple categorization. He was, often at one and the same time, an actor, lyricist, composer, singer-songwriter, comedian, theatre-manager, journalist, and author of novels, historical works, polemical pamphlets, and guides to musical education. Consequently, he is important to many different f…
Dibdin and Robert Bloomfield
This interlude situates Dibdin in a milieu that may surprise us today, but that was a key comparison to many contemporaries: that is, alongside rural labouring-class poets, with particular emphasis on Robert Bloomfield. Rather than revisit Raymond Williams (who spares only two pages for Bloomfield in The Country and the City and ignores Dibdin), it interrogates the intersection of metropolis and countryside by locating these two writers’ texts wi…
Cheap Print and Popular Song in the Nineteenth Century
The origins of this essay collection lie in the publication of Bawdy Songbooks of the Romantic Period, a four-volume work that made more widely available a large repository of popular songbooks, often known as ‘songsters’, that had originally been published in the 1830s and 1840s, many of which had associations with the song-and-supper clubs of late regency and early Victorian London. As the editors point out in their introduction, this edition w…
Civilizing Taste
Focusing on the ballad “Sandman Joe” from Francis Place’s collection of flash ballads remembered from his youth, this article tracks how and where bawdy ballads were performed in London in the 1780s in order to understand better the soundscapes of late eighteenth-century London. Questioning narratives that assume the “civilizing process” begins with the middling sorts and spreads belatedly to the lower orders, attention to bawdy urban ballads mak…
Civilizing Taste
Focusing on the ballad “Sandman Joe” from Francis Place’s collection of flash ballads remembered from his youth, this article tracks how and where bawdy ballads were performed in London in the 1780s in order to understand better the soundscapes of late eighteenth-century London. Questioning narratives that assume the “civilizing process” begins with the middling sorts and spreads belatedly to the lower orders, attention to bawdy urban ballads mak…
Civilizing Taste
Focusing on the ballad “Sandman Joe” from Francis Place’s collection of flash ballads remembered from his youth, this article tracks how and where bawdy ballads were performed in London in the 1780s in order to understand better the soundscapes of late eighteenth-century London. Questioning narratives that assume the “civilizing process” begins with the middling sorts and spreads belatedly to the lower orders, attention to bawdy urban ballads mak…
Charles Dibdin and Late Georgian Culture
Charles Dibdin (1745–1814) was one of the most popular and influential producers of late Georgian culture. The huge diversity of his work and career defies simple categorization. He was, often at one and the same time, an actor, lyricist, composer, singer-songwriter, comedian, theatre-manager, journalist, and author of novels, historical works, polemical pamphlets, and guides to musical education. Consequently, he is important to many different f…
Dibdin and Robert Bloomfield
This interlude situates Dibdin in a milieu that may surprise us today, but that was a key comparison to many contemporaries: that is, alongside rural labouring-class poets, with particular emphasis on Robert Bloomfield. Rather than revisit Raymond Williams (who spares only two pages for Bloomfield in The Country and the City and ignores Dibdin), it interrogates the intersection of metropolis and countryside by locating these two writers’ texts wi…
Cheap Print and Popular Song in the Nineteenth Century
The origins of this essay collection lie in the publication of Bawdy Songbooks of the Romantic Period, a four-volume work that made more widely available a large repository of popular songbooks, often known as ‘songsters’, that had originally been published in the 1830s and 1840s, many of which had associations with the song-and-supper clubs of late regency and early Victorian London. As the editors point out in their introduction, this edition w…
Metropolitan Songs and Songsters
Metropolitan Songs and Songsters:Ephemerality in the World City Ian Newman (bio) and Gillian Russell (bio) introduction this special issue on "song and the city" attempts to open up the category of song for the study of the Romantic period by detaching it from associations with bards and minstrels and placing it within an urban context.1 One of our ambitions is to uncouple song from its near cognate, ballad—a term that has proven fertile ground f…
From Magazine to Meeting
This article considers the relationship between the Mechanics’ Magazine and the founding of the London Mechanics’ Institution through the prism of Francis Place, who was involved in each. By examining the relationship of the magazine with the Crown and Anchor Tavern, where the early meetings of the London Mechanics’ Institution took place, this article reveals important aspects of the culture of the 1820s out of which Birkbeck emerged. With a par…
A single process for deductive and inductive inference? Examining the impact of conclusion typicality and argument validity on immediate inferences
Inductive and deductive inferences have been assumed to rely on two qualitatively distinct processes by dual-process theories. However, studies examining the predictions of this theory have yielded mixed results, with several studies showing that a single process underlies both deductive and inductive judgments. Previous studies have used a range of manipulations, response options, and analytical techniques, which might partly explain the inconcl…
Art (5 works) · Art history (4 works) · Literature (4 works) · Sociology (4 works) · Aesthetics (3 works) · History (3 works) · Psychology (3 works) · Archaeology (2 works) · Ballad (2 works) · Computer Science (2 works)