Michalle Gal
Biographic Data
| ID | 459724 |
|---|---|
| NAME | Michalle Gal |
| GIVEN NAMES | Michalle |
| FAMILY NAME | Gal |
| SIGNATURE | GAL M |
| AFFILIATIONS | Shenkar College |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Design’s Ontology
This essay proposes a visualist ontological framework for understanding design, rooted fundamentally in the theories of emergent properties and affordances.Opposing functionalist and intentionalist paradigms, the framework underscores design's visuality and relational engagement as its core ontological elements.The concepts of emergent properties and affordances are presented as deeply interconnected, reflecting their philosophical and practical …
Visual Hybrids and Nonconceptual Aesthetic Perception
This essay characterizes the perception of the visual hybrid as nonconceptual, introducing the terminology of nonconceptual content theory to aesthetics. The visual hybrid possesses a radical but nonetheless exemplary aesthetic composition and is well established in culture, art, and even design. The essay supplies a philosophical analysis of the results of cross-cultural experiments, showing that while categorization or conceptual hierarchizatio…
Introduction to Design Theory
Introduction to Design Theory introduces a comprehensive, systematic, and didactic outline of the discourse of design. Designed both as a course book and a source for research, this textbook methodically covers the central concepts of design theory, definitions of design, its historical milestones, and its relations to culture, industry, body, ecology, language, society, gender and ideology. Demonstrated by a shift towards the importance of the s…
Human Flourishing, Liberal Theory, and the Arts
No prominent works on this page.
Human Flourishing, Liberal Theory, and the Arts
Visual Hybrids and Nonconceptual Aesthetic Perception
This essay characterizes the perception of the visual hybrid as nonconceptual, introducing the terminology of nonconceptual content theory to aesthetics. The visual hybrid possesses a radical but nonetheless exemplary aesthetic composition and is well established in culture, art, and even design. The essay supplies a philosophical analysis of the results of cross-cultural experiments, showing that while categorization or conceptual hierarchizatio…
Introduction to Design Theory
Introduction to Design Theory introduces a comprehensive, systematic, and didactic outline of the discourse of design. Designed both as a course book and a source for research, this textbook methodically covers the central concepts of design theory, definitions of design, its historical milestones, and its relations to culture, industry, body, ecology, language, society, gender and ideology. Demonstrated by a shift towards the importance of the s…
Design’s Ontology
This essay proposes a visualist ontological framework for understanding design, rooted fundamentally in the theories of emergent properties and affordances.Opposing functionalist and intentionalist paradigms, the framework underscores design's visuality and relational engagement as its core ontological elements.The concepts of emergent properties and affordances are presented as deeply interconnected, reflecting their philosophical and practical …
Aesthetics (2 works) · Architecture and Computational Design (2 works) · Art (2 works) · Computer Science (2 works) · Design Education and Practice (2 works) · Psychology (2 works) · Action (physics (1 work) · Aesthetic Perception and Analysis (1 work) · Affordance (1 work) · Categorization (1 work)