Jan Rybicki

Biographic Data

ID4604614
NAMEJan Rybicki
GIVEN NAMESJan
FAMILY NAMERybicki
SIGNATURERYBICKI J
AFFILIATIONSJagiellonian University
ORCID0000-0003-2504-9372
VERIFIEDYes
TOTAL WORKS6
TOTAL CITATIONS0
AUTHOR COUNT6
EDITOR COUNT0
FIRST PUBLICATION YEAR2020
LATEST PUBLICATION YEAR2025
H-INDEX0

  • Wymiary polskiego przekładoznawstwa. Numery „Przekładańca” w liczbach

    Open AccessAgata Hołobut, Jan RybickiARTICLEPrzekładaniec2025

    This article presents a quantitative analysis of a corpus of forty–eight issues of “Przekładaniec” published so far (a total of 3,145,647 words) in terms of who publishes texts in it and what affiliations they represent, who the authors of “Przekładaniec” most readily quote, and how their interests evolve over time. We examine how the Polish translation studies discourse has been shaped in the journal and what terms it uses. We also follow the tr…

  • Can machine translation of literary texts fool stylometry

    Open AccessJan RybickiARTICLEDigital Scholarship in the…2025References: 22

    This article uses standard authorship-attribution stylometry to tell machine translations made with DeepL and Google Translate from human translations. This is done using a Burrows-like distance measure procedure of cluster analysis, later visualized through network analysis. Using a corpus of French literary classics translated into English by humans and machines as illustration, this article shows that, in most cases, translations of each text …

  • Quantifying the remake

    Miłosz Stelmach, Agata Hołobut et al.ARTICLEJournal of Adaptation in Film &…2022

    American film remakes have enjoyed growing academic attention over the past 50 years. Together with prequels, sequels, reboots and spin-offs, they have been often viewed as exponents of contemporary recycling culture, symptomatic of Hollywood’s recent creative exhaustion and commercial risk aversion. In our article, we adopt a diachronic quantitative perspective to analyse and interpret the available metadata on 986 Hollywood remakes produced bet…

  • Quo vadis all’italiana

    Uniwersytet Wrocławski, Katarzyna Biernacka-Licznar et al.ARTICLEItalica Wratislaviensia2020

    Quo Vadis made its way into Italy at the end of the 19 th century through the efforts of Neapolitan translator Federigo Verdinois.The first part of this paper outlines the history of the popularity of Quo Vadis by focusing on the operations of Milanese publishers that made the Polish novel part of their offer in a variety of ways (as translations, adaptations, reworkings, plagiarisms, etc.).Bibliometric methods are used to establish why so many p…

  • The Stylometry of Film Dialogue

    Open AccessAgata Hołobut, Jan RybickiARTICLEDigital humanities quarterly2020

    We examine film dialogue with quantitative textual analysis (stylometry, sentiment analysis, distant reading). Working with transcribed dialogue in almost 300 productions, we explore the complex way in which most-frequent-words-based stylometry and lexicon-based sentiment analysis produce patterns of similarity and difference between screenwriters and/or a priori IMDB-defined genres. In fact, some of our results show that counting and comparing v…

  • Response by the Special Interest Group on Digital Literary Stylistics to Nan Z. Da's Study

    Open AccessJ Berenike Herrmann, Anne-Sophie Bories et al.ARTICLEJournal of Cultural Analytics2020

    The publication of Nan Z. Da's study in Critical Inquiry has triggered a debate about the methodological and conceptual dimensions of digitally assisted inquiry in literary studies. Nan Z. Da's fundamental critique of what she calls "Computational Literary Studies" addresses the work of the international Special Interest Group"DigitalLiterary Stylistics"(SIG-DLS) of the Alliance of Digital Humanities Organizations (ADHO). Thus we—the five scholar…