Paula Horta
Biographic Data
| ID | 4606343 |
|---|---|
| NAME | Paula Horta |
| GIVEN NAMES | Paula |
| FAMILY NAME | Horta |
| SIGNATURE | HORTA P |
| AFFILIATIONS | University of Lisbon |
| ORCID | 0000-0002-5568-4185 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Introduction
This introduction explores the multifaceted and evolving concept of home through its poetic, emotional, spatial, material, ecological and linguistic dimensions. Drawing on literary, cultural and theoretical perspectives of home, through writers and theorists such as Edward Said, Salman Rushdie, Avtah Brah, Henri Lefebvre, Judith Butler and Mahmoud Darwish, we examine how dislocation, trauma, alienation and exile shape both the experience and the …
Introduction
(2020). Introduction: Representations of Home: Conflict and/or (Be)longing: Thinking with Stories and Images. Journal of Literary Studies: Vol. 36, Representations of Home, pp. 20-24
An alternative route for considering violence in photography
Critical engagement with South African apartheid photography has focused pre-eminently on discourses of violence characterising an extensive photographic archive that spans the life-cycle of the oppressive apartheid regime. During the first years of democracy in South Africa, discussions about post-apartheid photography considered the approach and choice of subject matter of photographers whose work centred on the country's promising post-aparthe…
An alternative route for considering violence in photography
Critical engagement with South African apartheid photography has focused pre-eminently on discourses of violence characterising an extensive photographic archive that spans the life-cycle of the oppressive apartheid regime. During the first years of democracy in South Africa, discussions about post-apartheid photography considered the approach and choice of subject matter of photographers whose work centred on the country's promising post-aparthe…
An alternative route for considering violence in photography
Critical engagement with South African apartheid photography has focused pre-eminently on discourses of violence characterising an extensive photographic archive that spans the life-cycle of the oppressive apartheid regime. During the first years of democracy in South Africa, discussions about post-apartheid photography considered the approach and choice of subject matter of photographers whose work centred on the country's promising post-aparthe…
Introduction
(2020). Introduction: Representations of Home: Conflict and/or (Be)longing: Thinking with Stories and Images. Journal of Literary Studies: Vol. 36, Representations of Home, pp. 20-24
Introduction
This introduction explores the multifaceted and evolving concept of home through its poetic, emotional, spatial, material, ecological and linguistic dimensions. Drawing on literary, cultural and theoretical perspectives of home, through writers and theorists such as Edward Said, Salman Rushdie, Avtah Brah, Henri Lefebvre, Judith Butler and Mahmoud Darwish, we examine how dislocation, trauma, alienation and exile shape both the experience and the …
Aesthetics (2 works) · Art (2 works) · Epistemology (2 works) · Photography (2 works) · Sociology (2 works) · African history and culture studies (1 work) · Democracy (1 work) · Dialectic (1 work) · Feature (linguistics) (1 work) · Gender Studies (1 work)