Lina Kaminskaitė-Jančorienė
Biographic Data
| ID | 4607419 |
|---|---|
| NAME | Lina Kaminskaitė-Jančorienė |
| GIVEN NAMES | Lina |
| FAMILY NAME | Kaminskaitė-Jančorienė |
| SIGNATURE | KAMINSKAITĖ-JANČORIENĖ L |
| AFFILIATIONS | Vilnius University |
| ORCID | 0000-0002-0998-1568 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2008 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
I never thought about how much of a juggle it would be
This article explores the experiences of Irish and Lithuanian mothers in creative work who detail challenges they face and the various strategies they develop to sustain creative work and care for their children. The study draws from 24 interviews which were carried out with mothers in both countries at various stages in their careers. Our study stresses the importance of national context in research on European creative workers, since national a…
We were released into the so‐called Western world we knew absolutely nothing about”
In this paper, we investigate the professional experiences of female employees. Furthering ourselves from the textual film analysis prevalent in the Baltic film studies, we turn toward experiences of female film workers by using intermethodological approach, combining feminist film studies and psychology. We are focusing on the 30‐year period of the existence of independent Lithuania, which we understand as a post‐Soviet period, a time after the …
Sovietizacija ir kinas
[only abstract in English; full article and abstract in Lithuanian] This article analyzes post-war Sovietization through the prism of the first feature film made in Soviet Lithuania – Marytė – directed by Vera Strojeva and released in 1947, revealing the intention, process and outcome of propaganda in the newly occupied society under Stalinism. As the culture of cinema was part of a broader ideological endeavor, the analysis of this film helps to…
Past deformations of "Brezhnevian stagnation" in Lithuanian cinema and TV fiction films (1968-1980)
The objective of this work is to identify collective memory shapes in Lithuanian fiction TV and cinema film during the Brezhnevian period (1968-1980). According to new popular theoretical approaches, this work analyses the specific source of history—fiction film—so this research brings Lithuanian fiction film up-to-date with usual resources of history. According to the research conclusions, new methodological approaches are made, which can help t…
We were released into the so‐called Western world we knew absolutely nothing about”
In this paper, we investigate the professional experiences of female employees. Furthering ourselves from the textual film analysis prevalent in the Baltic film studies, we turn toward experiences of female film workers by using intermethodological approach, combining feminist film studies and psychology. We are focusing on the 30‐year period of the existence of independent Lithuania, which we understand as a post‐Soviet period, a time after the …
Past deformations of "Brezhnevian stagnation" in Lithuanian cinema and TV fiction films (1968-1980)
The objective of this work is to identify collective memory shapes in Lithuanian fiction TV and cinema film during the Brezhnevian period (1968-1980). According to new popular theoretical approaches, this work analyses the specific source of history—fiction film—so this research brings Lithuanian fiction film up-to-date with usual resources of history. According to the research conclusions, new methodological approaches are made, which can help t…
Sovietizacija ir kinas
[only abstract in English; full article and abstract in Lithuanian] This article analyzes post-war Sovietization through the prism of the first feature film made in Soviet Lithuania – Marytė – directed by Vera Strojeva and released in 1947, revealing the intention, process and outcome of propaganda in the newly occupied society under Stalinism. As the culture of cinema was part of a broader ideological endeavor, the analysis of this film helps to…
We were released into the so‐called Western world we knew absolutely nothing about”
In this paper, we investigate the professional experiences of female employees. Furthering ourselves from the textual film analysis prevalent in the Baltic film studies, we turn toward experiences of female film workers by using intermethodological approach, combining feminist film studies and psychology. We are focusing on the 30‐year period of the existence of independent Lithuania, which we understand as a post‐Soviet period, a time after the …
I never thought about how much of a juggle it would be
This article explores the experiences of Irish and Lithuanian mothers in creative work who detail challenges they face and the various strategies they develop to sustain creative work and care for their children. The study draws from 24 interviews which were carried out with mothers in both countries at various stages in their careers. Our study stresses the importance of national context in research on European creative workers, since national a…
Lithuanian (4 works) · Art (3 works) · Gender Studies (3 works) · Historical Geopolitical and Social Dynamics (3 works) · Linguistics (3 works) · Philosophy (3 works) · Sociology (3 works) · Aesthetics (2 works) · Eastern European Communism and Reforms (2 works) · European Cultural and National Identity (2 works)