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Andrew Wadoski

Biographic Data

ID461607
NAMEAndrew Wadoski
GIVEN NAMESAndrew
FAMILY NAMEWadoski
SIGNATUREWADOSKI A
AFFILIATIONSOklahoma State University Oklahoma City
VERIFIEDNo
TOTAL WORKS8
TOTAL CITATIONS1
AUTHOR COUNT8
EDITOR COUNT0
FIRST PUBLICATION YEAR2010
LATEST PUBLICATION YEAR2022
H-INDEX1
  • Spenser's ethics: Empire, mutability, and moral philosophy in early modernity

    Andrew Wadoski, Joshua Samuel Reid•BOOK•Spenser's Ethics•2022•Cited by: 1

    At the heart of Edmund Spenser's moral allegory in The Faerie Queene is a problem that would become central to English intellectual life well into the modern era: understanding colonialism, and the coercive violence on which it depends, as a form of moral activity. Spenser's ethics reads Spenser as a moral theorist whose ethics are significantly shaped by his experiences as a colonial administrator in Elizabethan Ireland. It illustrates how both …

  • Into the White: The Renaissance Arctic and the End of the Image

    Andrew Wadoski•ARTICLE•Sixteenth Century Journal•2020

  • Sinister Aesthetics: The Appeal of Evil in Early Modern English Literature

    Open Access•Andrew Wadoski•ARTICLE•Renaissance Quarterly•2020

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Framing civil life in elizabethan ireland: Bryskett, spenser and The Discourse of Civill Life

    Open Access•Andrew Wadoski•ARTICLE•Renaissance Studies•2016

    This paper argues that Lodowick Bryskett's account of a conversation with Edmund Spenser in The Discourse of Civill Life (1606), in which a broadly Aristotelian ethical framework is coordinated with the social ends of the Protestant empire building, examines the collisions of humanist theory and governmental practice in the New English polity in Ireland. It interrogates both the possibility of a coherent philosophical foundation for political act…

  • The Renaissance Epic and the Oral Past

    Anthony Welch, Anthony Rogers Welch et al.•ARTICLE•Renaissance and Reformation•2014

    The Renaissance Epic and the Oral Past argues that the fictions of oral performance that Renaissance epic poems inherited from their ancient sources reveal evolving notions of authorship, history, and political authority in the early modern world.Welch's analyses of the ways poets such as Tasso, Ronsard, Spenser, and Milton imagined themselves as pre-literate "singers of tales" revisit a key problem for modern readers of this genre: the deploymen…

  • La Villa

    Andrew Wadoski•ARTICLE•Sixteenth Century Journal•2012

  • The Key of Green: Passion and Perception in Renaissance Culture

    Andrew Wadoski•ARTICLE•Sixteenth Century Journal•2010

  • The Inarticulate Renaissance: Language Trouble in an Age of Eloquence

    Andrew Wadoski•ARTICLE•Sixteenth Century Journal•2010

  • Spenser's ethics: Empire, mutability, and moral philosophy in early modernity

    Andrew Wadoski, Joshua Samuel Reid•BOOK•Spenser's Ethics•2022•Cited by: 1

    At the heart of Edmund Spenser's moral allegory in The Faerie Queene is a problem that would become central to English intellectual life well into the modern era: understanding colonialism, and the coercive violence on which it depends, as a form of moral activity. Spenser's ethics reads Spenser as a moral theorist whose ethics are significantly shaped by his experiences as a colonial administrator in Elizabethan Ireland. It illustrates how both …

  • The Key of Green: Passion and Perception in Renaissance Culture

    Andrew Wadoski•ARTICLE•Sixteenth Century Journal•2010

  • The Inarticulate Renaissance: Language Trouble in an Age of Eloquence

    Andrew Wadoski•ARTICLE•Sixteenth Century Journal•2010

  • La Villa

    Andrew Wadoski•ARTICLE•Sixteenth Century Journal•2012

  • The Renaissance Epic and the Oral Past

    Anthony Welch, Anthony Rogers Welch et al.•ARTICLE•Renaissance and Reformation•2014

    The Renaissance Epic and the Oral Past argues that the fictions of oral performance that Renaissance epic poems inherited from their ancient sources reveal evolving notions of authorship, history, and political authority in the early modern world.Welch's analyses of the ways poets such as Tasso, Ronsard, Spenser, and Milton imagined themselves as pre-literate "singers of tales" revisit a key problem for modern readers of this genre: the deploymen…

  • Framing civil life in elizabethan ireland: Bryskett, spenser and The Discourse of Civill Life

    Open Access•Andrew Wadoski•ARTICLE•Renaissance Studies•2016

    This paper argues that Lodowick Bryskett's account of a conversation with Edmund Spenser in The Discourse of Civill Life (1606), in which a broadly Aristotelian ethical framework is coordinated with the social ends of the Protestant empire building, examines the collisions of humanist theory and governmental practice in the New English polity in Ireland. It interrogates both the possibility of a coherent philosophical foundation for political act…

  • Into the White: The Renaissance Arctic and the End of the Image

    Andrew Wadoski•ARTICLE•Sixteenth Century Journal•2020

  • Sinister Aesthetics: The Appeal of Evil in Early Modern English Literature

    Open Access•Andrew Wadoski•ARTICLE•Renaissance Quarterly•2020

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Spenser's ethics: Empire, mutability, and moral philosophy in early modernity

    Andrew Wadoski, Joshua Samuel Reid•BOOK•Spenser's Ethics•2022•Cited by: 1

    At the heart of Edmund Spenser's moral allegory in The Faerie Queene is a problem that would become central to English intellectual life well into the modern era: understanding colonialism, and the coercive violence on which it depends, as a form of moral activity. Spenser's ethics reads Spenser as a moral theorist whose ethics are significantly shaped by his experiences as a colonial administrator in Elizabethan Ireland. It illustrates how both …

Art (7 works) · Art history (5 works) · History (5 works) · History (4 works) · Philosophy (4 works) · Political science (4 works) · Sociology (4 works) · The Renaissance (4 works) · Computer Science (3 works) · Law (3 works)

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