Deepali Yadav
Biographic Data
| ID | 4621512 |
|---|---|
| NAME | Deepali Yadav |
| GIVEN NAMES | Deepali |
| FAMILY NAME | Yadav |
| SIGNATURE | YADAV D |
| AFFILIATIONS | Banaras Hindu University |
| ORCID | 0000-0002-0729-0624 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
The Post-Millennial Stand-Up Comedy in India (2000–2024)
Airing of comedy shows on television in the first decade of the post-millennial era, when the medium was still functioning in its full glory, familiarized almost all sections of Indian society with the concept of stand-up comedy. However, television’s inability to speak on taboo subjects, be in line with the dominant ideology and be conscious of using appropriate words that are neither too violent nor insensitive narrowed the domains of televisio…
The Digital Popular in India
Contending comically
In a postcolonial country, colonial cartoons prove an indispensable source for voicing contemporary public opinion either for initiating resistance towards colonizer’s leadership or for suppressing the colonized who dared to launch resistance in the first place. Simultaneously, humour generated through these cartoons is valuable in identifying the iconicity of an individual as the extent of distortion employed in caricaturing them explains the le…
Visualising caste
In this article, I look at the graphic adaptation of Phule’s Gulamgiri (1873) (also known as Slavery) and argue how visuality offers a unique approach in the understanding of caste in contemporary Indian society. I explain how the genre, through its pictorial description, extends Gulamgiri’s critique of Hinduism by including modern-day debates over caste discrimination. Some of the questions that I discuss in the article include: the necessity of…
No prominent works on this page.
Visualising caste
In this article, I look at the graphic adaptation of Phule’s Gulamgiri (1873) (also known as Slavery) and argue how visuality offers a unique approach in the understanding of caste in contemporary Indian society. I explain how the genre, through its pictorial description, extends Gulamgiri’s critique of Hinduism by including modern-day debates over caste discrimination. Some of the questions that I discuss in the article include: the necessity of…
Contending comically
In a postcolonial country, colonial cartoons prove an indispensable source for voicing contemporary public opinion either for initiating resistance towards colonizer’s leadership or for suppressing the colonized who dared to launch resistance in the first place. Simultaneously, humour generated through these cartoons is valuable in identifying the iconicity of an individual as the extent of distortion employed in caricaturing them explains the le…
The Digital Popular in India
The Post-Millennial Stand-Up Comedy in India (2000–2024)
Airing of comedy shows on television in the first decade of the post-millennial era, when the medium was still functioning in its full glory, familiarized almost all sections of Indian society with the concept of stand-up comedy. However, television’s inability to speak on taboo subjects, be in line with the dominant ideology and be conscious of using appropriate words that are neither too violent nor insensitive narrowed the domains of televisio…
Art (3 works) · Literature (3 works) · Sociology (3 works) · Aesthetics (2 works) · Computer Science (2 works) · History (2 works) · History (2 works) · Humor Studies and Applications (2 works) · Law (2 works) · Law (2 works)