Pauline Zecchinon
Biographic Data
| ID | 4629592 |
|---|---|
| NAME | Pauline Zecchinon |
| GIVEN NAMES | Pauline |
| FAMILY NAME | Zecchinon |
| SIGNATURE | ZECCHINON P |
| AFFILIATIONS | UCLouvain |
| ORCID | 0000-0002-8259-1574 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2025 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
From Actors to Context
In contemporary digital news environments, photography plays a central role in attracting audience attention and shaping editorial storytelling. Image selection is increasingly embedded in convergent newsroom workflows involving multiple actors, platforms and constraints. This article examines how visual gatekeeping operates in such contexts through ethnographic observations and interviews conducted in five French-speaking daily newspapers in Bel…
The War in Ukraine Through the Prism of Visual Disinformation and the Limits of Specialized Fact-Checking. A Case-Study at Le Monde
The Russian invasion of Ukraine in February 2022 led to a flood of disinformation circulating online, making fact-checking and verification crucial for journalists covering the conflict. Based on five semi-structured interviews and an analysis of 48 debunks published between February and October 2022, this study aims to understand how Les Décodeurs, the fact-checking unit of the French daily newspaper Le Monde, organized its practices in response…
The Place and Status of Photography in Changing Newsrooms
In the context of financial constraints, digital transformation, and evolving editorial priorities, this study examines the role and status of photography in contemporary newsrooms. Drawing on ethnographic research and semi-structured interviews conducted in five French-speaking newspapers in Belgium, France and Switzerland (Le Soir, La Libre, L’Écho, Le Monde, and Le Temps), the study analyzes how economic pressures, newsroom convergence, and vi…
No prominent works on this page.
The War in Ukraine Through the Prism of Visual Disinformation and the Limits of Specialized Fact-Checking. A Case-Study at Le Monde
The Russian invasion of Ukraine in February 2022 led to a flood of disinformation circulating online, making fact-checking and verification crucial for journalists covering the conflict. Based on five semi-structured interviews and an analysis of 48 debunks published between February and October 2022, this study aims to understand how Les Décodeurs, the fact-checking unit of the French daily newspaper Le Monde, organized its practices in response…
The Place and Status of Photography in Changing Newsrooms
In the context of financial constraints, digital transformation, and evolving editorial priorities, this study examines the role and status of photography in contemporary newsrooms. Drawing on ethnographic research and semi-structured interviews conducted in five French-speaking newspapers in Belgium, France and Switzerland (Le Soir, La Libre, L’Écho, Le Monde, and Le Temps), the study analyzes how economic pressures, newsroom convergence, and vi…
From Actors to Context
In contemporary digital news environments, photography plays a central role in attracting audience attention and shaping editorial storytelling. Image selection is increasingly embedded in convergent newsroom workflows involving multiple actors, platforms and constraints. This article examines how visual gatekeeping operates in such contexts through ethnographic observations and interviews conducted in five French-speaking daily newspapers in Bel…
Ethnography (2 works) · Media Studies and Communication (2 works) · Newspaper (2 works) · Audio visual (1 work) · Cinema and Media Studies (1 work) · Computer Science (1 work) · Disinformation (1 work) · Gatekeeping (1 work) · Global Security and Public Health (1 work) · Intelligence, Security, War Strategy (1 work)