Marija Dumnic-Vilotijevic
Biographic Data
| ID | 4630988 |
|---|---|
| NAME | Marija Dumnic-Vilotijevic |
| GIVEN NAMES | Marija |
| FAMILY NAME | Dumnic-Vilotijevic |
| SIGNATURE | DUMNIC-VILOTIJEVIC M |
| AFFILIATIONS | Institute of Musicology of the Slovak Academy of Sciences |
| ORCID | 0000-0001-5132-0408 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2019 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Serbian Newly-Composed Folk Music of the 1960s-1980s in Post-Yugoslav Diaspora as a Dissonant Heritage
Newly composed folk music (NCFM, Serbian: novokomponovana narodna muzika), as a genre of popular folk music in Serbia and Yugoslavia since its beginnings in the late 1960s, is distinguished by its contrast with rural traditional folk music. Although it was regarded by the cultural elite as “corrupted” folk music and, in some cases, as kitsch, it was unequivocally accepted as a more progressive form of folk music among its target group - newly arr…
A critical interpretation of ethnological and ethnomusicological narratives on Roma music in Serbia
This study presents research on Roma music in Serbia, as well as the socio-historical contexts that have shaped it. Texts by Tihomir Djordjevic, Andrijana Gojkovic, Tatomir Vukanovic, Vesna Ackovic, Dimitrije Golemovic, Svanibor Pettan, Ivana Ljubinkovic, Alexander Markovic, Ana Banic Grubisic, and other researchers who have contributed to this field from the beginning of the twentieth century to the present day are analyzed. Chronologically arra…
The Balkans of the Balkans
In this article, I discuss the use of the term “Balkan” in the regional popular music. In this context, Balkan popular music is contemporary popular folk music produced in the countries of the Balkans and intended for the Balkan markets (specifically, the people in the Western Balkans and diaspora communities). After the global success of “Balkan music” in the world music scene, this term influenced the cultures in the Balkans itself; however, in…
The Relation of Music Archiving and Intangible Cultural Heritage in Serbia
Speaking from an ethnomusicological standpoint, this paper elaborates on the use of recorded sound and audio-visual material for the purpose of documenting particular musical elements in Serbia, according to the concept of UNESCO intangible cultural heritage. There is a difference between contemporary field recordings for archival purposes, according to the ICH concept, and the employment of already recorded historical legacy. Through the example…
No prominent works on this page.
The Relation of Music Archiving and Intangible Cultural Heritage in Serbia
Speaking from an ethnomusicological standpoint, this paper elaborates on the use of recorded sound and audio-visual material for the purpose of documenting particular musical elements in Serbia, according to the concept of UNESCO intangible cultural heritage. There is a difference between contemporary field recordings for archival purposes, according to the ICH concept, and the employment of already recorded historical legacy. Through the example…
The Balkans of the Balkans
In this article, I discuss the use of the term “Balkan” in the regional popular music. In this context, Balkan popular music is contemporary popular folk music produced in the countries of the Balkans and intended for the Balkan markets (specifically, the people in the Western Balkans and diaspora communities). After the global success of “Balkan music” in the world music scene, this term influenced the cultures in the Balkans itself; however, in…
Serbian Newly-Composed Folk Music of the 1960s-1980s in Post-Yugoslav Diaspora as a Dissonant Heritage
Newly composed folk music (NCFM, Serbian: novokomponovana narodna muzika), as a genre of popular folk music in Serbia and Yugoslavia since its beginnings in the late 1960s, is distinguished by its contrast with rural traditional folk music. Although it was regarded by the cultural elite as “corrupted” folk music and, in some cases, as kitsch, it was unequivocally accepted as a more progressive form of folk music among its target group - newly arr…
A critical interpretation of ethnological and ethnomusicological narratives on Roma music in Serbia
This study presents research on Roma music in Serbia, as well as the socio-historical contexts that have shaped it. Texts by Tihomir Djordjevic, Andrijana Gojkovic, Tatomir Vukanovic, Vesna Ackovic, Dimitrije Golemovic, Svanibor Pettan, Ivana Ljubinkovic, Alexander Markovic, Ana Banic Grubisic, and other researchers who have contributed to this field from the beginning of the twentieth century to the present day are analyzed. Chronologically arra…
Art (3 works) · Balkan and Eastern European Studies (3 works) · Balkans: History, Politics, Society (3 works) · Diverse Musicological Studies (3 works) · History (3 works) · Linguistics (3 works) · Aesthetics (2 works) · Diaspora (2 works) · Folk music (2 works) · Literature (2 works)