Beatrice Leeming
Biographic Data
| ID | 4642803 |
|---|---|
| NAME | Beatrice Leeming |
| GIVEN NAMES | Beatrice |
| FAMILY NAME | Leeming |
| SIGNATURE | LEEMING B |
| AFFILIATIONS | University of Cambridge |
| ORCID | 0009-0002-9871-808X |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2024 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
The Anne Frank House, traveling exhibitions, and the translation of Holocaust memory
‘The Romanians have waited too long’
This article explores how Romanian New Wave cinema (RNW) reflects the temporal condition of a nation suspended between pre- and post-revolutionary eras while negotiating its place in Europe. Following the overthrow of Nicolae Ceaușescu in 1989, Romania symbolised a redemptive return to Europe, yet disillusionment soon defined its national consciousness. Films by directors who came of age during this transition register a cultural response to unme…
I thank God for a free South Africa
This article examines visitor-books (VBs) at Holocaust memorial sites during a period of significant transformation in their management, visitor demographics, and institutional identity. Focusing on Dachau Memorial, Mauthausen Memorial, and the Anne Frank House, it considers how visitors engage with the history of National Socialism while navigating the challenge of its translation into personal reflection. Disputing pervasive interpretations of …
Slow Time Like the Present’
Romanian New Wave cinema ( rnw ) has been recognised as a medium that addressed the way people felt about their historical trauma, a vernacular insertion nuancing declarations that Nicolae Ceausescu was a ‘megalomaniacal dictator’, and a means to attract and negotiate international interest in the country’s culture. rnw was a subversive and self-conscious commentary on the experience of transition from communism to capitalism as much as aesthetic…
No prominent works on this page.
Slow Time Like the Present’
Romanian New Wave cinema ( rnw ) has been recognised as a medium that addressed the way people felt about their historical trauma, a vernacular insertion nuancing declarations that Nicolae Ceausescu was a ‘megalomaniacal dictator’, and a means to attract and negotiate international interest in the country’s culture. rnw was a subversive and self-conscious commentary on the experience of transition from communism to capitalism as much as aesthetic…
I thank God for a free South Africa
This article examines visitor-books (VBs) at Holocaust memorial sites during a period of significant transformation in their management, visitor demographics, and institutional identity. Focusing on Dachau Memorial, Mauthausen Memorial, and the Anne Frank House, it considers how visitors engage with the history of National Socialism while navigating the challenge of its translation into personal reflection. Disputing pervasive interpretations of …
The Anne Frank House, traveling exhibitions, and the translation of Holocaust memory
‘The Romanians have waited too long’
This article explores how Romanian New Wave cinema (RNW) reflects the temporal condition of a nation suspended between pre- and post-revolutionary eras while negotiating its place in Europe. Following the overthrow of Nicolae Ceaușescu in 1989, Romania symbolised a redemptive return to Europe, yet disillusionment soon defined its national consciousness. Films by directors who came of age during this transition register a cultural response to unme…
Decolonial Thought and Epistemologies (2 works) · Negotiation (2 works) · Ancient history (1 work) · Cinema and Media Studies (1 work) · Citizen journalism (1 work) · Communism, Protests, Social Movements (1 work) · Comparative and World Literature (1 work) · Conversation (1 work) · Eastern European Communism and Reforms (1 work) · Experiential learning (1 work)